| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Big Rivals [UBM2229 - 6] |
0 | 2'30 | Bernhard Hering | Showdown! Forceful and relentless track for images of nerve-racking | sudden action movie warlike disturbing | Gm | 122 | |||
|
Opposing Predominance [UBM2229 - 7] |
0 | 1'19 | Bernhard Hering | Tense musical theme for the big screen. Perfect for spy movies, | spy action movie inexorable disturbing | Db | 120 | |||
|
Pitiless Follow [UBM2229 - 9] |
0 | 2'14 | Bernhard Hering | Alarming mood - tension building up for the grand finale. | action movie disturbing inexorable cinematic | Gb | 122 | |||
|
Winter Crystals [CEZ4186 - 31] |
0 | 2'45 | Frédéric Dunis, Bernard Grimaldi | Diaphanous, moving & sentimental. String orchestra, electronics & | cold desert airy cold atmospheric | Am | 109 | |||
|
The Abandoned Temple [CEO2027 - 17] |
1'41 | Frédéric Dunis, Bernard Grimaldi | Mystical & solemn. Viola, harp, timpany, men choir & 0'30. | mystical lost civilizations primitive art middle-Ages | E | 68 | ||||
|
The Abandoned Temple 2 [CEO2027 - 31] |
Alt. | 1'56 | Frédéric Dunis, Bernard Grimaldi | Mystical & mysterious. Viola da gamba, string orchestra & choir @ | adventure swashbuckler majestic building | Am | 90 | |||
|
Tales or Legends [CEO2027 - 24] |
0 | 3'22 | Frédéric Dunis, Bernard Grimaldi | Oniric & desolate. Abstract & tormented @ 1'40. Viola da gamba & | historical narrative adventure calm desolate | A | 63 | |||
|
Prague in Winter [CEO2005 - 2] |
0 | 1'27 | Bruno Alexiu | Poignant & sentimental. Orchestra with clarinet. | historical narrative sad cold desert destiny | Bm | 71 | |||
|
A Glimmer of Hope [CEO2005 - 8] |
0 | 1'18 | Bruno Alexiu | Solemn & moving. Orchestra with horns. | solemn historical ceremony destiny brass ensemble | Am | 113 | |||
|
Diktat [CEO2005 - 11] |
0 | 1'20 | Bruno Alexiu | Imperious & solemn. Orchestra with snare roll. | historical conflict drum roll war (movies) warlike | A | 61 | |||
|
Drang Nach Osten [CEO2005 - 12] |
0 | 1'22 | Bruno Alexiu | Combative & hit. Orchestra with horns. Slowing down @ 1'12. | historical conflict scansion sudden driving | D | 130 | |||
|
Under Occupation [CEO2005 - 15] |
0 | 1'18 | Bruno Alexiu | Grave, tormented & beating by intermittence. Orchestra with bass. | intermittent historical conflict bowed double bass war (movies) | Dm | 155 | |||
|
Drop Out of the Race [CEO2022 - 11] |
0 | 1'16 | Bruno Alexiu | Inexorable & tormented. Electronic, strings & choir @ 0'55. | historical conflict cyclic destiny sport drama | Dm | 66 | |||
|
Thrillseeker [UBM2225 - 4] |
0 | 2'06 | Axel Coon, Linus Sandberg | Powerful & agressive. Strings, female choir & rhythm. | aggressive & violent action movie disturbing relentless | Am | 142 | |||
|
Devastation [UBM2225 - 5] |
0 | 1'27 | Axel Coon, Linus Sandberg | Incisive & perilous. Strings, synth, mixed choir, electric guitar & | aggressive & violent inexorable disturbing relentless | D | 154 | |||
|
Politischer Diskurs [UBM2218 - 6] |
0 | 1'39 | Felix Halbe | Mysterious but firm. Vibraphone, strings & electronic percussion. | spy insidious interrogative mysterious | Dbm | 110 | |||
|
Exception [UBM2218 - 9] |
0 | 2'06 | Felix Halbe | Serious & suspense. Synth, strings, piano & electronic percussion. | mysterious cinematic inexorable strict | E | 81 | |||
|
War Industries Board [CEO2021 - 6] |
0 | 1'09 | Bruno Alexiu | Determined & combative. Orchestra. | historical conflict war (movies) politics disturbing | Bbm | 117 | |||
|
France Under Allied Bombs [CEO2021 - 9] |
0 | 1'26 | Bruno Alexiu | Sad & desolate. Orchestra with accordion & clarinet. | desolate French cinema sad suspended atmosphere | E | 86 | |||
|
Innocent Victims [CEO2021 - 18] |
0 | 1'36 | Bruno Alexiu | Sad & tragic. Orchestra with clarinet. | inexorable historical narrative historical conflict war (movies) | Cm | 61 | |||
|
Martyr Cities [CEO2021 - 19] |
0 | 1'21 | Bruno Alexiu | Sinister & desolate. Piano & orchestra with strings. | desolate destiny inexorable scansion | G | 90 |