| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Changes [UBM2248 - 13] |
0 | 1'53 | Luke Davoll | Modern start, fitting for serious and sad topics. Warm, meaningful | acoustic piano post-classical melancholic simple | Gbm | 90 | |||
|
Faces [UBM2248 - 14] |
0 | 1'04 | Luke Davoll | Modern, dynamic track, playful and happy; works for hopeful and | post-classical driving acoustic piano confident | Ab | 126 | |||
|
Allowed Assumptions [UBM2248 - 15] |
0 | 1'42 | Luke Davoll | Melancholic piano melodies; repetitive; ideal for movie trailers or | acoustic piano post-classical arpeggio simple | F | 117 | |||
|
No Time Like the Present [UBM2248 - 16] |
0 | 1'24 | Luke Davoll | Fast tempo, energetic, solo piano, works good for quick cuts, fast | arpeggio whirling industry cyclic | C | 140 | |||
|
Childhood [UBM2248 - 17] |
0 | 1'39 | Luke Davoll | Ideal for typical "movies on movies" situations when the protagonist | acoustic piano post-classical melancholic calm | F | 164 | |||
|
A Quiet Descends [UBM2248 - 18] |
0 | 1'42 | Luke Davoll | Hesitant solo piano piece; repetitive; positive; works for images of | acoustic piano post-classical country & garden confident | Dm | 120 | |||
|
My First Promise [UBM2248 - 19] |
0 | 1'52 | Luke Davoll | Modern and fast piano piece, avant-garde, energetic; ideal for arts, | acoustic piano post-classical jerky steady | Ebm | 100 | |||
|
Coincidence [UBM2248 - 20] |
0 | 1'31 | Luke Davoll | Subtle, flowing melody; loopable; ideal for serious and meaningful | acoustic piano post-classical steady everyday life | Am | 140 | |||
|
Destiny No.2 [UBM2262 - 1] |
0 | 1'45 | Anselm Kreuzer, Sebastian Parche | Calm, sad, nearly melancholic track that starts with calm strings. | solemn sad intermittent moving | Db | 108 | |||
|
Unchangeable Rules [UBM2262 - 2] |
0 | 3'11 | Anselm Kreuzer, Sebastian Parche | Track starts with strings. The mood develops from sad to threatful | passionate poignant sad violin | Fm | 114 | |||
|
Deep Despair [UBM2262 - 3] |
0 | 2'35 | Anselm Kreuzer, Sebastian Parche | Melancholic track that reminds of images of war zones. Deep sadness. | sad tragic natural disaster social drama | Ebm | 82 | |||
|
Maltreated Creature [UBM2262 - 4] |
0 | 2'24 | Anselm Kreuzer, Sebastian Parche | Loopable beginning with strings. Threatful, pulsating undertone. | film noir interrogative mysterious string quartet | Dm | 86 | |||
|
Sheer Masquerade [UBM2262 - 5] |
0 | 2'32 | Anselm Kreuzer, Sebastian Parche | Magical sound with strings and glockenspiel. Ideal for images of an | circus music fantasy mysterious insidious | Gm | 80 | |||
|
The Burden [UBM2262 - 6] |
0 | 2'18 | Anselm Kreuzer, Sebastian Parche | Track that works for images of dramatic strokes of fate and stressful | film noir disturbing mysterious desolate | Em | 100 | |||
|
Sweet Pain [UBM2262 - 7] |
0 | 2'16 | Anselm Kreuzer, Sebastian Parche | Accentuated by strings and glockenspiel. Violin creates a melancholic | circus music fantasy mysterious insidious | Abm | 80 | |||
|
Parallel Existence [UBM2262 - 8] |
0 | 2'05 | Anselm Kreuzer, Sebastian Parche | Track with sequences of strings that end abruptly and create a | intermittent string orchestra introspective punctuated | Am | 152 | |||
|
Curriculum Vitae [UBM2262 - 9] |
0 | 4'09 | Anselm Kreuzer, Sebastian Parche | Track with a fast beginning that gets more and more dynamic. Ideal | urgent driving time-lapse passionate | Gm | 164 | |||
|
Street to Nowhere [UBM2262 - 10] |
0 | 5'14 | Anselm Kreuzer, Sebastian Parche | Calm beginning with strings. Despair is expressed. Bleak, painful, | intermittent film noir nocturnal string quartet | Gm | 136 | |||
|
Schizophrenia [UBM2262 - 11] |
0 | 3'07 | Anselm Kreuzer, Sebastian Parche | Disturbing with dramatic strings, abrupt breaks and a negative | film noir mysterious intermittent interrogative | Gm | 135 | |||
|
House of Intrigue [UBM2260 - 1] |
0 | 1'47 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Melancholic strings and piano spread a dark premonition. Ideal for | social drama interrogative fantasy string orchestra | Am | 115 |