| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Le Temps s'Etire [CEO2045 - 8] |
0 | 2'08 | Alice Guerlot Kourouklis | Wavering, static but tense. Strings, organ & drone. Post-classical. | airy natural disaster atmospheric desolate | Gm | 111 | |||
|
L'abime du Temps [CEO2045 - 15] |
0 | 3'16 | Alice Guerlot Kourouklis | Tormented, introspective & moving. String orchestra. | social drama tormented destiny melancholic | G | 78 | |||
|
Marching to Hell [CEZ4285 - 24] |
0 | 1'55 | Gréco Casadesus, Gregory Cotti | Drone. War sound effects & muffled. Electronics. | toxic historical conflict abyss noise music | Cm | 98 | |||
|
Radiation [CEZ4285 - 25] |
0 | 2'28 | Christophe Zurfluh | Drone. Chaotic, panoramic & nocturnal | toxic historical conflict noisy scary | Dm | 154 | |||
|
A Near Presence [UBM2248 - 1] |
0 | 1'51 | Luke Davoll | Thought-provoking track; repetitive, positive; works for | driving acoustic piano post-classical simple | Am | 150 | |||
|
Together Again [UBM2248 - 2] |
0 | 1'08 | Luke Davoll | Hopeful, works for images of weddings, family, children or | acoustic piano post-classical calm country & garden | Db | 120 | |||
|
Two Steps [UBM2248 - 4] |
0 | 1'49 | Luke Davoll | Music for a serious end of a drama or a tragicomedy. Thoughtful with | acoustic piano post-classical driving everyday life | Am | 90 | |||
|
It Just is [UBM2248 - 5] |
0 | 1'49 | Luke Davoll | Serious mood, deep sound, medium tempo. Ideal for society, | post-classical melancholic simple calm | C | 89 | |||
|
Cryptic Trypic [UBM2248 - 6] |
0 | 1'53 | Luke Davoll | Fast tempo, dynamic, hopeful, works for time lapses in documentaries | acoustic piano post-classical whirling arpeggio | F | 100 | |||
|
Three Concepts [UBM2248 - 7] |
0 | 1'51 | Luke Davoll | Music for serious topics, loopable, melancholic, thought-provoking | arpeggio cyclic driving neutral | Gb | 140 | |||
|
Never the Same [UBM2248 - 8] |
0 | 1'29 | Luke Davoll | Contemporary track with similarities to Erik Satie in the beginning, | acoustic piano post-classical driving confident | Dbm | 110 | |||
|
The Awakening [UBM2248 - 9] |
0 | 1'30 | Luke Davoll | Touching, evokes a feeling of hope. Perfect for images of the | acoustic piano post-classical everyday life tormented | Am | 70 | |||
|
A Glimmer of Hope [UBM2248 - 10] |
0 | 1'36 | Luke Davoll | Positive, hopeful; ideal for pictures of a new beginning. | post-classical relentless acoustic piano introspective | C | 90 | |||
|
The Way Forward [UBM2248 - 11] |
0 | 1'41 | Luke Davoll | A playful, modern track for topics about children and families; | acoustic piano post-classical jerky happy & joyful | Gb | 142 | |||
|
Fearless Regression [UBM2248 - 12] |
0 | 1'47 | Luke Davoll | Contemplative, serious melody; medium tempo. Innocent effect and | acoustic piano post-classical calm simple | Abm | 140 | |||
|
Changes [UBM2248 - 13] |
0 | 1'53 | Luke Davoll | Modern start, fitting for serious and sad topics. Warm, meaningful | acoustic piano post-classical melancholic simple | Gbm | 90 | |||
|
Faces [UBM2248 - 14] |
0 | 1'04 | Luke Davoll | Modern, dynamic track, playful and happy; works for hopeful and | post-classical driving acoustic piano confident | Ab | 126 | |||
|
Allowed Assumptions [UBM2248 - 15] |
0 | 1'42 | Luke Davoll | Melancholic piano melodies; repetitive; ideal for movie trailers or | acoustic piano post-classical arpeggio simple | F | 117 | |||
|
No Time Like the Present [UBM2248 - 16] |
0 | 1'24 | Luke Davoll | Fast tempo, energetic, solo piano, works good for quick cuts, fast | arpeggio whirling industry cyclic | C | 140 | |||
|
Childhood [UBM2248 - 17] |
0 | 1'39 | Luke Davoll | Ideal for typical "movies on movies" situations when the protagonist | acoustic piano post-classical melancholic calm | F | 164 |