| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Serious Game [CEZ4120 - 12] |
0 | 1'24 | Pierre-André Athané | Childish & circular. Solo piano. | post-classical country & garden childhood acoustic piano | Ab | 123 | |||
|
Funeral Mars [EOS01 - 7] |
0 | 3'02 | Anthony Mowat, Johane Myran | Wandering & heavy. Bass clarinet & tenor sax duet. | free improvisation cyclic desolate scary | A | 118 | |||
|
Slippery Slope [CEZ4112 - 6] |
0 | 2'02 | Piotr Moss | Comically frightening. Tragicomic. Violin & cello duet. Glissando fx. | contemporary serious music (all) instrumental Twentieth century music abstract art | Abm | 105 | |||
|
Double Trouble [CEZ4112 - 15] |
0 | 2'20 | Piotr Moss | Strange & dissonant. Clarinet duet. | dissonant paranormal psychotic contemporary art | G | 118 | |||
|
The Hunters [CEV3021 - 34] |
0 | 3'01 | José Barrachina, Thierry Gomar | Anguished & urgent. Percussion & electro-acoustic. | prehistory lost civilizations wild chase | Em | 107 | |||
|
Endless Spring [CEZ4087 - 2] |
0 | 3'11 | Two Colors | Fluid & repetitive. Pianos. | waterfall cyclic acoustic organic loop | Dm | 129 | |||
|
Organic Material [CEZ4087 - 4] |
0 | 2'05 | Two Colors | Tense & sparse. Electric guitar, piano & electro-acoustics. | science cybernetics hypnotic electroacoustic music | G | 80 | |||
|
Harp for Harmony [CEZ4087 - 5] |
0 | 3'13 | Two Colors | Airy & shimmering. Harp & percussion. | charming blossoming flash back flowing | E | 93 | |||
|
Kaleidoscope [CEZ4087 - 9] |
0 | 2'18 | Two Colors | Suspended & uncertain. Electro acoustic. | suspended atmosphere luminous cybernetics flash back | C | 117 | |||
|
Inuit Landscape [CEZ4087 - 11] |
0 | 1'59 | Two Colors | Mysterious & primitive. Percussion & electro acoustic. | suspended atmosphere sparse electroacoustic music mysterious | Am | 123 | |||
|
The Ghost in the Machine [CEZ4081 - 34] |
0 | 1'46 | Jean-Philippe Dutheil | Noisy & perturbing. Electro-acoustic. | chaotic horror noise music noisy | Cm | 95 | |||
|
Negotiations [CEZ4082 - 10] |
0 | 2'26 | Bruno Letort | Insidious. Progression. Symphony orchestra & percussion @ 1'30. | historical movie contemporary serious music (all) historical narrative spy | Db | 111 | |||
|
State Secret [CEZ4082 - 12] |
0 | 1'34 | Bruno Letort | Sudden, insidious & suspended. Symphony orchestra. | anticipation contemporary serious music (all) historical narrative psychotic | E | 104 | |||
|
Chocolate Soldiers [CEZ4082 - 19] |
0 | 1'10 | Bruno Letort | Interrogative & insistent. Symphony orchestra. | inexorable contemporary serious music (all) historical narrative historical conflict | Fm | 92 | |||
|
The Stuff of War [CEZ4082 - 21] |
0 | 1'08 | Bruno Letort | Insidious & inexorable. Orchestra & electronics. | inexorable contemporary serious music (all) sci-fi strident | Bb | 118 | |||
|
The Battle Field [CEZ4083 - 3] |
0 | 1'58 | Bruno Letort | Powerful & accentuated. String orchestra & percussion. | disturbing historical conflict anticipation historical movie | Am | 133 | |||
|
Infiltration [CEZ4083 - 14] |
0 | 1'27 | Marc-Olivier Dupin | Insidious & mysterious. Piano solo. | scary historical movie disturbing contemporary serious music (all) | Gb | 118 | |||
|
Displaced [CEZ4083 - 29] |
0 | 2'03 | Marc-Olivier Dupin | Tragic & desolate. Viola solo. | viola contemporary serious music (all) desolate social drama | Gbm | 165 | |||
|
Metro [CEZ4069 - 4] |
0 | 1'52 | Patrick Chartol, Claire Michael, Jean-Michel Vallet | Serious & obstinate. Sax, piano, flute & rhythm. | strict anticipation industry interrogative | Abm | 100 | |||
|
Velocity [CEZ4069 - 5] |
0 | 2'17 | Line Adam | Determined & positive. String ensemble. | arts & crafts strict time-lapse urgent | Gbm | 112 |