| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ecological Disaster 2 [CEO2014 - 11] |
1'38 | Elisabeth Skornik, Guy Skornik | Tragical & inexorable. Electronics, strings, harp & percussion. | natural disaster docu fiction sudden tragic | Bm | 105 | ||||
|
Ecological Disaster [CEO2014 - 10] |
Alt. | 0'45 | Elisabeth Skornik, Guy Skornik | Sudden & violent. Electronics & percussion. | sudden historical conflict natural disaster toxic | E | 117 | |||
|
Imprecation [CEO2011 - 13] |
0 | 1'34 | Bruno Alexiu | Solemn, bewitching & mystical. Female vocal & strings. | antiquity docu fiction hypnotic female ethnic soloist voice | A | 74 | |||
|
The Shaman's Eyes [CEO2011 - 17] |
0 | 0'53 | Bruno Alexiu | Sparse a suspended atmosphere. Strings played with harmonics. | suspended atmosphere desolate sparse high-pitched | Bb | 62 | |||
|
Our Man In Miami [CEZ4109 - 9] |
0 | 1'37 | André Charlier, Daniel Diaz | Suspense & waiting. Determined @ 1'01 . Bass, drums & percussions. | spy mysterious retro American serie English retro TV serie | Em | 156 | |||
|
The Setup [CEZ4109 - 10] |
1'40 | Daniel Diaz | Decided & relax. Snaps & double bass. | snap striptease walking bass walking | Em | 108 | ||||
|
The Setup 2 [CEZ4109 - 11] |
Alt. | 1'15 | Daniel Diaz | Decided & relax. Snaps & double bass. | snap walking bass rising striptease | Em | 88 | |||
|
All Shot Up [CEZ4109 - 12] |
0'46 | André Charlier, Daniel Diaz | Urgent & serious. Vibraphone & rhythm. | vibraphone driving retro American serie B movie | Am | 162 | ||||
|
All Shot Up 2 [CEZ4109 - 13] |
Alt. | 1'54 | André Charlier, Daniel Diaz | Urgent & serious. Walking bass, rhythm & fx echo. | retro American serie B movie retro cinema cinematic jazz | Cm | 112 | |||
|
All Shot Up 3 [CEZ4109 - 14] |
Alt. | 0'46 | André Charlier, Daniel Diaz | Urgent & serious. Walking bass, Fender rhodes & rhythm. | Fender rhodes driving retro American serie B movie | Cm | 162 | |||
|
Shine [CEZ4105 - 1] |
0 | 2'10 | Mark Alberts | Anthemic Brit-pop ballad. Pop band with lead guitar. | rock ballad pop ballad uplifting England | G | 146 | |||
|
Mind Games Together [CEZ4103 - 4] |
0 | 2'14 | Elisabeth Skornik, Guy Skornik | Robotic & stubborn. Electronics. Ralentendo fx @ 1'24 | industry robotic electro ambient fx delay | Fm | 125 | |||
|
The Key Idea [CEZ4103 - 6] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Introspective & pensive. Piano & electronics. Backwards fx. | patient atmospheric interrogative suspended atmosphere | Gbm | 70 | |||
|
What Strikes Me... [CEZ4103 - 8] |
0 | 2'13 | Elisabeth Skornik, Guy Skornik | Bizarre & percussive. Prepared piano. Heartbeat @ 1'06. | industry percussive inexorable steady | A | 116 | |||
|
Dance of the Neurones [CEZ4103 - 9] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Like a strange clock. Music box, pizz & strings. Rhythm @ 0'59. | time (tick-tock) patient fx tick-tock arts & crafts | B | 85 | |||
|
Floating the Idea [CEZ4103 - 10] |
0 | 2'33 | Elisabeth Skornik, Guy Skornik | Suspended atmosphere. Constant. Keyboards, strings & electronics. | industry investigation suspense suspended atmosphere | Ebm | 108 | |||
|
Insight and Analysis [CEZ4103 - 12] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Urgent & technologic. Marimba, strings & electronics. | investigation jerky contemporary series loop | Gb | 120 | |||
|
Deep Thinking [CEZ4103 - 20] |
2'18 | Elisabeth Skornik, Guy Skornik | Disturbing & mysterious. Electronics, strings & drop fx. | abyss flowing underwater underground | Fm | 74 | ||||
|
Deep Thinking 2 [CEZ4103 - 21] |
Alt. | 2'18 | Elisabeth Skornik, Guy Skornik | Disturbing & mysterious. Electronics & strings. | beds atmospheric mysterious sequencing | Fm | 74 | |||
|
Synaptic System [CEZ4103 - 23] |
0 | 2'11 | Elisabeth Skornik, Guy Skornik | Loud, alarming & bizarre. Treated voices, percussion & electronics. | scary fx phasing heavy scansion | Em | 70 | |||
|
Imaginary Numbers [CEO2006 - 1] |
0 | 3'22 | Elisabeth Skornik, Guy Skornik | Mysterious & tense. Bass sequence, tabla & voice fx. Breaks @ 0'23, | investigation geopolitics downtempo mechanical | Db | 108 | |||
|
Bamboo abacus [CEO2006 - 2] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Repetitive scansion. Bamboo sound. Breaks & 0'53 & 1'40. | relentless Traditional African Asia hypnotic | Abm | 120 | |||
|
African Abacus [CEO2006 - 3] |
0 | 2'35 | Elisabeth Skornik, Guy Skornik | Urgent & constant. Kalimba & percussion. | Africa ethnic percussion ensemble ethnic & traditional (all) mechanical | C | 99 | |||
|
Awale [CEO2006 - 4] |
0 | 1'55 | Elisabeth Skornik, Guy Skornik | Constant & serious. African percussion & sound of pebble. | Africa exotic fx stone narrative | B | 106 | |||
|
Bricks [CEO2006 - 5] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Repetitive & urgent. Bass sequence & sound of stone. | relentless contemporary art mechanical abyss | Am | 90 |