| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Stange Apocalypse [EOS24 - 3] |
0 | 2'40 | Clinton Charles, Sandy Mahut | Introspective & desolate. Acoustic guitar, synth choir, piano, | abyss social drama acoustic guitar nocturnal | D | 93 | |||
|
Mirror of Time [EOS24 - 4] |
0 | 2'35 | Clinton Charles, Sandy Mahut | Dreamy & introspective. Acoustic guitar, female choir, piano, synth, | airy suspended atmosphere panorama dreamy | E | 65 | |||
|
Resolution [EOS24 - 7] |
0 | 1'57 | Clinton Charles, Sandy Mahut | Nocturnal & introspective. Strings, synth, sound design, sequencing, | synthesizer atmospheric nocturnal science | Em | 96 | |||
|
Nature in the City Dweller's
[EOS24 - 11] |
0 | 2'41 | Clinton Charles, Sandy Mahut | Desolated & dreamy. Piano, synth, sound design, sequencing, drums, | airy luminous panorama acoustic piano | D | 100 | |||
|
Wild Life Pulsation [EOS24 - 12] |
0 | 2'31 | Clinton Charles, Sandy Mahut | Relax & calm. Synth, hummed male voice, sequencing, electronic | panorama relaxed slow motion airy | D | 111 | |||
|
The Power of Revolt [EOS24 - 13] |
0 | 2'35 | Clinton Charles, Sandy Mahut | Dreamy & introspective. Choir synth, sequencing, sound design, | dreamy airy synth choir climax | Am | 89 | |||
|
Glimmering Lights [EOS24 - 15] |
0 | 2'02 | Clinton Charles, Sandy Mahut | Confident & uplifting. Choir synth, tambourin, sound design, | synth choir confident panorama climax | C | 110 | |||
|
Lost Village [UBM2271 - 17] |
0 | 1'49 | Daniel Backes, Peter Moslener | More neutral track, still with a threatening undertone. Synthesizer. | science atmospheric industry sound design | Cm | 109 | |||
|
Busy Things [UBM2251 - 4] |
0 | 2'16 | Daniel Backes, Peter Moslener | Fast ticking track, loopable, suitable for images of rational | arpeggiator sci-fi disturbing investigation | Dm | 105 | |||
|
Turnable [UBM2251 - 20] |
0 | 2'20 | Daniel Backes, Peter Moslener | Fast and driving rhythm determined by synthesizer. Time is ticking. | disturbing loop steady industry | D | 76 | |||
|
Synchronicity [CEZ4242 - 11] |
0 | 2'15 | Christophe Zurfluh | Patient & peaceful. Electronics. | patient science space luminous | C | 94 | |||
|
Cyberspeak [CEZ4242 - 15] |
0 | 2'22 | Christophe Zurfluh | Robotic & funny. Electronics. | robotic intermittent space interrogative | Em | 118 | |||
|
Dark Lab [CEZ4242 - 22] |
0 | 1'59 | John Greaves | Frightening & humid. Electronics. | natural disaster abyss atmospheric disturbing | Dm | 106 | |||
|
Swimming Babies [CEZ4241 - 3] |
0 | 1'55 | Martin Duru, Jean-Sebastien Nouveau | Dreamy & melancholic. Electronics & water fx. | science humid space dreamy | Am | 90 | |||
|
Microscopie [CEZ4241 - 18] |
0 | 2'03 | John Greaves | Deep & mysterious. Electronics. | abyss muffled mysterious science | Dbm | 118 | |||
|
A Proven Experiment [CEZ4240 - 11] |
0 | 2'21 | Christophe Zurfluh | Confident & peaceful. Electric guitar & electronics. | space confident science calm | D | 132 | |||
|
Après Coups [CEO2034 - 8] |
0 | 1'19 | Vincent Leibovitz | Sparse, introspective & melancholic. Piano & electronics. | narrative social drama sparse atmospheric | Em | 103 | |||
|
A Parallel World [CEZ4221 - 8] |
0 | 4'37 | Michel Redolfi | Abstract & resonant. Electronics & cosmic sound design. | metallic paranormal complex space | Gb | 82 | |||
|
Halo [MAG6003 - 7] |
0 | 2'32 | DoubtingThomas | Ambiant. Lancinating & industrial. Synth & rhythm. | steady mechanical relentless panoramic | Ebm | 90 | |||
|
Metallic Sand [EOS06 - 4] |
0 | 3'49 | Olivier Samouillan, Eric Volpatti | Electro ambient. Serious & interrogative. Electronics, pizzicati, | sparse science beds steady | C | 156 |