| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Gumshoe Blues [CEZ4107 - 2] |
0 | 3'07 | Paul Martin Pritchard | Nocturnal & lazy. Double bass, saxophone, trumpet, jazz guitar, | film noir tenor saxophone B movie cinematic jazz | Fm | 142 | |||
|
The Black Dahlia [CEZ4107 - 4] |
0 | 3'02 | Paul Martin Pritchard | Nocturne & interrogative. Double bass, tumpet, saxophone, vibraphone | film noir new wave (cinema) muted trumpet cinematic jazz | C | 148 | |||
|
A Confused Game [CEZ4107 - 8] |
0 | 2'26 | Sophia Domancich, Gilles Pezerat | Threatening, urgent & nervous. Brass, electronics & rhythm. | contemporary jazz spy film noir jazz bands (all) | Am | 126 | |||
|
Night Chase [CEZ4107 - 22] |
0 | 1'03 | Arnaud de Boisfleury | Urgent & nocturnal. Piano, Hammond organ, walking bass, brass & drums. | film noir jazz shuffle cinematic jazz final | Ebm | 111 | |||
|
Champagne [CEZ4075 - 14] |
0 | 2'19 | André Charlier, Benoît Sourisse | Private club atmosphere. Sexy & late night. Hammond organ, vibes, | jazz club Hammond organ police comedy crime movie | Gm | 112 | |||
|
Poursuite [CEZ4075 - 15] |
0 | 0'52 | André Charlier, Benoît Sourisse | Tense & urgent. Hammond organ & drums. | driving new wave (cinema) chase crime movie | Ab | 96 | |||
|
Private [CEZ4075 - 24] |
0 | 1'29 | André Charlier, Benoît Sourisse | Relaxed & louche. Drums Hammond organ & vibes. | crime movie relaxed film noir lazy | Gm | 96 | |||
|
Eccentricity [AUD034 - 4] |
2'30 | Dominique Grimaldi | Complex and hectic avant-garde jazz. Fast pulsing drums, vibraphone | quirky confident spy film noir | Gm | 136 | ||||
|
Eccentricity Edit [AUD034 - 9] |
Alt. | 0'43 | Dominique Grimaldi | 40 second cut. | quirky confident spy film noir | Gm | 136 | |||
|
Eccentricity Alternate [AUD034 - 14] |
Alt. | 3'31 | Dominique Grimaldi | Alternate extended version. | quirky confident spy film noir | Gm | 136 | |||
|
L'Enfer Générique [CEO2117 - 1] |
0 | 01'52 | Bruno Alexiu | Jazz ballad in the spirit of the French movies of the 60's. | jazz ballad intimate nocturnal new wave (cinema) | Cm | 70 | |||
|
Sleepy Town [CET9015 - 11] |
2'33 | Gabriel Saban, Philippe Briand, Gregory Cotti | Jazzy piano intro with massive trailer percussion. Easy-going & | blaxploitation B movie trailer confident | A | 106 | ||||
|
Sleepy Town Alternate [CET9015 - 30] |
Alt. | 2'33 | Gabriel Saban, Philippe Briand, Gregory Cotti | Alternate without percussion. Jazzy piano intro & sequence. Relaxed | opening credits TV blaxploitation B movie trailer | A | 106 | |||
|
So Sultry [CEO2096 - 23] |
0 | 0'46 | Baptiste Thiry | Blues / cinematic jazz. Sensual, retro & jazzy. Solo piano. | acoustic piano lively 1960 confident | A | 155 | |||
|
Jazz Poet [CEO2019 - 7] |
0 | 5'03 | Jazz ballad with a touch of hard bop. Wandering & undecided. Jazz | hard bop alto saxophone jazz guitar jazz quartet | Dbm | 153 | ||||
|
Last Breath [EOS03 - 15] |
0 | 2'26 | Thomas Kpade, Anthony Mowat, Johane Myran, Olivier Samouillan | Wandering & nocturnal. Piano, synth, double bass & trumpet solo @ | wandering inexorable interrogative investigation | Dm | 152 | |||
|
Our Man In Miami [CEZ4109 - 9] |
0 | 1'37 | André Charlier, Daniel Diaz | Suspense & waiting. Determined @ 1'01 . Bass, drums & percussions. | spy mysterious retro American serie English retro TV serie | Em | 156 | |||
|
All Shot Up [CEZ4109 - 12] |
0'46 | André Charlier, Daniel Diaz | Urgent & serious. Vibraphone & rhythm. | vibraphone driving retro American serie B movie | Am | 162 | ||||
|
All Shot Up 2 [CEZ4109 - 13] |
Alt. | 1'54 | André Charlier, Daniel Diaz | Urgent & serious. Walking bass, rhythm & fx echo. | retro American serie B movie retro cinema cinematic jazz | Cm | 112 | |||
|
All Shot Up 3 [CEZ4109 - 14] |
Alt. | 0'46 | André Charlier, Daniel Diaz | Urgent & serious. Walking bass, Fender rhodes & rhythm. | Fender rhodes driving retro American serie B movie | Cm | 162 | |||
|
Close Shadow [CEZ4109 - 15] |
0 | 1'21 | Daniel Diaz | Urgent & tense. Walking bass & drums. | walking bass snare drum with brushes film noir chase | Gm | 95 | |||
|
A Touch Of Menace [CEZ4109 - 19] |
0 | 0'49 | Paul Martin Pritchard | Dark & threatening. Tenor saxophone, organ, trumpet & vibraphone. Fx | film noir disturbing investigation baritone saxophone | Fm | 63 | |||
|
Soliloquy [CEZ4109 - 20] |
0 | 0'52 | Paul Martin Pritchard | Solitary & wandering. Tenor saxophone, organ & drums. | tenor saxophone B movie film noir interrogative | Gm | 93 | |||
|
Wandering Nights [CEZ4109 - 25] |
0 | 1'44 | Paul Martin Pritchard | Suspense. Interrogative & patient. Double bass, brass, vibraphone, | film noir patient 1960 1970 | Ab | 62 | |||
|
Tuxedo Moonlight [CEZ4108 - 2] |
1'21 | John Greaves | Sensual & nostalgic. Muted trumpet & piano. | film noir new wave (cinema) nocturnal muted trumpet | Ab | 153 | ||||
|
Tuxedo Moonlight 2 [CEZ4108 - 3] |
Alt. | 1'29 | John Greaves | Pensive & nostalgic. Solo muted trumpet. | muted trumpet new wave (cinema) retro cinema cinematic jazz | Eb | 68 |