| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Highway to Paradise [CEZ4234 - 3] |
2'47 | Stereoscope Jerk Explosion | Psychedelic pop. Lively & proud. Electric guitar, Hammond organ, | 1960 psychedelia pop art 1970 | Am | 140 | ||||
|
Highway to Paradise 2 [CEZ4234 - 25] |
Alt. | 1'06 | Stereoscope Jerk Explosion | Psychedelic pop. Inevitable & grandiose. Wah-wah guitar, Hammond | 1960 1970 band psychedelia | Am | 90 | |||
|
Reality Fight [UBM2204 - 2] |
0 | 1'25 | Citokid, Anselm Kreuzer | Determined & powerful. Cinematic orchestra. String section, electric | action movie cinematic driving explosive | Dm | 104 | |||
|
Metal Dance [UBM2204 - 4] |
0 | 2'18 | Citokid, Anselm Kreuzer | Imposing & tense. Cinematic orchestra. string section, electric | action movie cinematic climax driving | Dm | 162 | |||
|
Lost In Village [CEO2032 - 5] |
2'39 | Selma Mutal | Suspended then determined @ 0'40. Delay fx, glass harmonica, staccato | rhythm change fx delay war (movies) relentless | Am | 110 | ||||
|
Lost In Village 2 [CEO2032 - 12] |
Alt. | 2'01 | Selma Mutal | Determined & serious march. Staccato strings & timpanies. | steady relentless staccato suspense | Am | 110 | |||
|
Thanks for your Commitment [CEZ4227 - 16] |
4'48 | Kool Bandits | Synth pop. Affirmed & intense. Synth, male singer & rhythm.Lyrics | 1980 electro pop sung in English male singer | Em | 120 | ||||
|
Thanks for your Commitment 2 [CEZ4227 - 27] |
Alt. | 4'40 | Kool Bandits | Synth pop. Affirmed & intense. Synth & rhythm. | 1980 electro pop lively uplifting | Em | 120 | |||
|
Made by Hand [CEZ4224 - 21] |
0 | 2'12 | Martin Duru, Jean-Sebastien Nouveau | Interrogative & positive. Piano & string ensemble. | driving arts & crafts fx backwards introduction | Eb | 76 | |||
|
In Praise of Slowness [CCB1023 - 1] |
0 | 7'06 | François Elie-Roulin, Matthieu Lesenechal | Calm, relax & panoramique. Electric guitar with fx delay & pads. | calm lazy relaxed electric guitar | D | 62 | |||
|
Bark for Me [CEZ4218 - 1] |
4'25 | Hoosky | French touch. Nervous & powerful. Synth, male sampled voice & rhythm. | French touch catchy mechanical sport lively | Abm | 120 | ||||
|
Bark for Me 2 [CEZ4218 - 23] |
Alt. | 4'25 | Hoosky | French touch. Nervous & powerful. Synth, male sampled voice & rhythm. | catchy French touch mechanical sport lively | Ebm | 120 | |||
|
No More Bets [CEZ4216 - 14] |
0 | 2'06 | Mark Alberts | Stadium rock. Sustained & pushy. Electric guitar & rhythm. | open air team sport triumphant modern | Em | 86 | |||
|
The Beast in Me [CEZ4215 - 10] |
2'32 | Pascal Macaigne | Hard rock. Solid & percussive. Electric guitar, male singer & rhythm.Lyrics | extreme & fighting sport modern aggressive & violent driving | Am | 136 | ||||
|
The Beast in Me 2 [CEZ4215 - 20] |
Alt. | 2'32 | Pascal Macaigne | Hard rock. Solid & percussive. Electric guitar & rhythm. | extreme & fighting sport modern aggressive & violent driving | Am | 136 | |||
|
Golden Gloves [CEZ4215 - 11] |
0 | 2'11 | Mark Alberts | Hard rock. Compact & triumphant. Electric guitar, synth & rhythm. | extreme & fighting sport hard rock modern proud | A | 72 | |||
|
Knock Out [CEZ4215 - 13] |
0 | 1'56 | Nicolas Gueguen | Heavy metal. Conquering & hard. Electric guitar, synth & drums. | extreme & fighting sport action movie heavy metal modern | Dm | 76 | |||
|
Internally [MAG6010 - 9] |
0 | 4'15 | Henning Schmitz | Ambient. Dark & mysterious. Synth & rhythm. Fx delay. | investigation dark ambient social drama weird | Abm | 113 | |||
|
So Far From Home [CEZ4206 - 21] |
2'11 | Selma Mutal | Underscore. Solitary & heavy. Electric guitar & electronics. Fx | social drama beds falling desolate | Gm | 98 | ||||
|
So Far From Home 2 [CEZ4206 - 39] |
Alt. | 1'45 | Selma Mutal | Underscore. Solitary & cycling. Electronics. | beds falling desolate fx delay | Gm | 65 | |||
|
Stars in the Eyes [CEZ4203 - 6] |
2'29 | Plaisir de France | Electro pop. Imposing & intense. Synth, electric guitar @ 1'08 & | atmospheric urban landscape modern electro pop | G | 84 | ||||
|
Stars in the Eyes (edit) [CEZ4203 - 22] |
Alt. | 1'22 | Plaisir de France | Electro pop. Imposing & intense. Synth, electric guitar & rhythm. | atmospheric urban landscape modern electro pop | G | 83 | |||
|
Wasteland [CEZ4204 - 14] |
0 | 3'08 | Smooth One | Disturbing & moody. Crescendo & progression. Electric guitar, synth & | atmospheric desolate social drama investigation | Cm | 85 | |||
|
Black Rainbow [CEZ4204 - 16] |
0 | 3'25 | Smooth One | Humid & vagabond. Synth, alto & rhythm. | modern social drama wandering humid | Gm | 140 | |||
|
Mellow Muffin [UBM2227 - 18] |
0 | 2'22 | Daniel Backes, Peter Moslener | Mid-tempo groove with hints of dub and electronica. Laid-back. | beds fx delay relaxed confident | Cm | 64 | |||
|
Always Improving 4 [CEZ4197 - 33] |
1'27 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Pizzicato strings & electronics. | corporate video arts & crafts cyclic fx delay | Cm | 140 | ||||
|
Always Improving [CEZ4197 - 7] |
Alt. | 2'22 | Elisabeth Skornik, Guy Skornik | Peaceful & sophisticated. Piano, electronics & strings @ 0'27. | corporate video strict everyday life cyclic | Cm | 140 | |||
|
You and I [MAG6008 - 12] |
0 | 4'09 | Powell | Nostalgic & sentimental. Synth, rhythm & tenor sax @ 2'21. | modern luminous synthesizer arpeggiator | Ab | 87 |