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Keywords:

AlbumTitleVers.StemsDurationCompo/ArtistDescriptionKeywordsKeyBPM
CET9089 Checkmate
[CET9089 - 1]
2'16 Philippe Briand Cinematic tension trailer. Clocklike & suspenseful intro with cinematic fx tick-tock time (tick-tock) crime movieFm120
CET9089 Checkmate Alternate
[CET9089 - 9]
Alt. 2'16 Philippe Briand Alternate version without percussion.politics cinematic legal drama inexorableFm120
CET9089 Checkmate 15 sec
[CET9089 - 10]
Alt. 0'14 Philippe Briand Alternate version - 15 seccinematic fx tick-tock time (tick-tock) crime movieFm120
CET9089 Checkmate 30 sec
[CET9089 - 11]
Alt. 0'30 Philippe Briand Alternate version - 30 seccinematic fx tick-tock time (tick-tock) crime movieFm120
CET9089 Checkmate 60 sec
[CET9089 - 12]
Alt. 0'59 Philippe Briand Alternate version - 60 seccinematic fx tick-tock time (tick-tock) crime movieFm120
CET9026 Time Pressure
[CET9026 - 1]
1'35 Philippe Briand Tricky, interrogative, suspensful & threatening. Obstinate clock, fx tick-tock trailer anticipation time (tick-tock)Dm134
CET9026 Time Pressure Alternate
[CET9026 - 11]
Alt. 1'35 Philippe Briand Alternate without percussion & clock. Tricky, interrogative, trailer anticipation time (tick-tock) suspenseDm135
CET9026 Time Pressure Alternate 2
[CET9026 - 12]
Alt. 1'35 Philippe Briand Alternate with percussion & clock only. Tricky, interrogative, fx tick-tock trailer anticipation time (tick-tock)Em134
CEZ4418 Metronomy
[CEZ4418 - 7]
0 01'36 Alice Guerlot Kourouklis In expectation, introspective peaceful & minimalist. Metronome sound, fx metronome anticipation time (tick-tock) suspended atmosphereA60
CEZ4351 Time is on the Move
[CEZ4351 - 3]
2'37 Guy Skornik, Elisabeth Skornik ☆ Nominated "Best Use - Digital / Online Advertising" @Production social drama fx tick-tock strict anticipationCm120
CEZ4351 Time is on the Move Alternate
[CEZ4351 - 31]
Alt. 2'00 Elisabeth Skornik, Guy Skornik Alternate underscore rhythm version.only relentless investigation strict drivingC120
CEZ4351 Time is on the Move Alternate
[CEZ4351 - 32]
Alt. 2'37 Elisabeth Skornik, Guy Skornik Alternate version without timer.relentless destiny contemporary history strictCm120
CEZ4351 Time is on the Move Alternate
[CEZ4351 - 33]
Alt. 1'40 Elisabeth Skornik, Guy Skornik Alternate underscore only rhythm version.relentless disturbing investigation time (tick-tock)C120
CEZ4113 Wakey Wakey !
[CEZ4113 - 26]
0 2'31 Daniel Diaz Urgent & stressful. Clocks & alarms ensemble. 138 BPM. time (tick-tock) fx tick-tock fx alarm clock unclassifiableBm138
CEZ4113 Horology
[CEZ4113 - 27]
2'20 Daniel Diaz Mechanical & urgent. Clock ensemble. 138 BPM. time (tick-tock) fx tick-tock fx phone corporate (all)Em138
CEZ4113 Horology 2
[CEZ4113 - 31]
Alt. 2'27 Daniel Diaz Mechanical & funny. Clock ensemble. time (tick-tock) fx tick-tock patient corporate (all)E108
CEZ4113 Horology 3
[CEZ4113 - 32]
Alt. 1'42 Daniel Diaz Mechanical & mysterious. Clock ensemble. time (tick-tock) fx tick-tock carillon corporate (all)E96
CEG5058 The Doomsday Clock
[CEG5058 - 4]
0 1'18 Les Cosmonotes Dark Clockwork. Impactful, oppressive, menacing & rushed. Deep fx tick-tock action game heavy powerful & imposingFm120
CEG5058 Disarm
[CEG5058 - 6]
0 1'03 Les Cosmonotes Minimal Clockwork. Waiting, hesitant, odd & glitchy. Clockwork FX, fx tick-tock weird heavy mechanicalAbm150
CEG5058 Clock of Fate
[CEG5058 - 8]
1'22 Les Cosmonotes Creepy Clocks & Ticking. Eerie, dark, haunted & almost horrific. horror fx tick-tock paranormal scaryDm100
CEG5058 Clock of Fate Alternate
[CEG5058 - 17]
Alt. 1'18 Les Cosmonotes Alternate without FX.horror fx tick-tock paranormal scaryDm100
AMS5053 Machine Learning
[AMS5053 - 5]
2'05 Thomas Langan Trailer. Anticipating intro. Dark, urgent, percussive & aggressive. fx tick-tock percussive scary heavyCm129
AMS5053 Machine Learning Alternate 1
[AMS5053 - 29]
Alt. 2'05 Thomas Langan Version without percussion.scary heavy trailer cinematicC97
AMS5053 Machine Learning Alternate 2
[AMS5053 - 30]
Alt. 2'05 Thomas Langan Version with percussion only.percussive scary heavy trailerGbm129
AMS5053 Machine Learning Alternate 3
[AMS5053 - 31]
Alt. 2'05 Thomas Langan Bed version.percussive scary heavy trailerCm129
AMS5053 Machine Learning Edit 1 30 sec
[AMS5053 - 32]
Alt. 0'32 Thomas Langan 30 second cut.percussive scary heavy trailerC129
AMS5053 Machine Learning Edit 2 15 sec
[AMS5053 - 33]
Alt. 0'17 Thomas Langan 15 second cut.percussive scary heavy trailerCm129
CET9092 No Time to Die
[CET9092 - 1]
1'57 Zoltan Zadori Cinematic. Clocklike intro with suspenseful & eerie pads & ticking cinematic scary fx tick-tock time (tick-tock)C110
CET9092 No Time to Die Alternate 1
[CET9092 - 11]
Alt. 1'57 Zoltan Zadori Alternate version without percussion.cinematic scary aggressive & violent horrorC110
CET9092 No Time to Die Alternate 2
[CET9092 - 12]
Alt. 1'57 Zoltan Zadori Alternate version with percussion only.cinematic time (tick-tock) aggressive & violent horrorGm110
CET9092 Strikeforce
[CET9092 - 9]
2'03 Zoltan Zadori Cinematic. Insidious, pure, undulating & metallic intro with sound fx tick-tock aggressive & violent cinematic horrorG162
CET9092 Strikeforce Alternate
[CET9092 - 27]
Alt. 2'03 Zoltan Zadori Alternate version with percussion only.fx tick-tock aggressive & violent cinematic horrorGbm162
UBM2488 Ding Dong
[UBM2488 - 3]
0 2'04 Felix Halbe Individual synthesizer tones sound like drops before a wafting bass, fx tick-tock disturbing beds steadyGm120
UBM2488 Deep Concentration
[UBM2488 - 7]
0 3'06 Felix Halbe Faded piano sounds are contrasted by a steady clock ticking. Passing fx tick-tock time (tick-tock) social drama anticipationEm89
CET9050 Fiery Furnace
[CET9050 - 2]
2'15 Garrett Weyenberg Clocklike intro with uptight & disturbing sound design & synth. cinematic fx tick-tock relentless suspenseF132
CET9050 Fiery Furnace Alternate
[CET9050 - 12]
Alt. 2'15 Garrett Weyenberg Alternate without percussion. Clocklike intro with uptight & cinematic fx tick-tock relentless suspenseF132
CET9050 Fiery Furnace Alternate 2
[CET9050 - 13]
Alt. 2'15 Garrett Weyenberg Alternate percussion only. Clocklike intro with uptight & disturbing cinematic fx tick-tock relentless suspenseBbm132
CET9026 Crossing the Breach
[CET9026 - 5]
1'44 Salvador Casais Paranormal & haunted. Mysterious synth, piano & persistent clock fx tick-tock mysterious anticipation trailerCm124
CET9026 Crossing the Breach Alternate
[CET9026 - 19]
Alt. 1'44 Salvador Casais Alternate without percussion & clock. Paranormal & haunted. mysterious anticipation trailer spyCm125
CET9026 Crossing the Breach Alternate
[CET9026 - 20]
Alt. 1'44 Salvador Casais Alternate with percussion & clock only. Paranormal & haunted. fx tick-tock mysterious anticipation trailerBbm125
CET9026 What is Right to Do
[CET9026 - 6]
2'06 Philippe Briand Obstinate & introspective piano hook with synth sequence & tic tac fx tick-tock time (tick-tock) epic suspenseBm81
CET9026 What is Right to Do Alternate
[CET9026 - 21]
Alt. 2'06 Philippe Briand Alternate without percussion. Obstinate & introspective piano hook time (tick-tock) epic suspense paranormalBm162
CET9026 What is Right to Do Alternate
[CET9026 - 22]
Alt. 2'06 Philippe Briand Alternate without choir. Obstinate & introspective piano hook with fx tick-tock time (tick-tock) epic suspenseBm81
CET9026 What is Right to Do Alternate
[CET9026 - 23]
Alt. 2'05 Philippe Briand Alternate with percussion & clock only. Obstinate tic tac clock. fx tick-tock time (tick-tock) epic suspenseAbm81
CEG5025 An Unreal Discovery
[CEG5025 - 1]
02'04 Philippe Briand Suspensful & mysterious mounting danger. Waves of synth & drum stick cinematic disturbing mysterious suspenseGb128
CEG5025 An Unreal Discovery Alternate
[CEG5025 - 9]
Alt. 02'04 Philippe Briand Alternate without choir. Suspensful & mysterious mounting danger. cinematic disturbing mysterious suspenseGb128
CEG5025 An Unreal Discovery Alternate
[CEG5025 - 10]
Alt. 02'04 Philippe Briand Alternate without percussion. Suspensful & mysterious mounting cinematic disturbing mysterious suspenseGb128
CEG5025 An Unreal Discovery Alternate
[CEG5025 - 11]
Alt. 02'04 Philippe Briand Alternate percussion only. Suspensful & mysterious. Intermittent drum cinematic disturbing mysterious suspenseEm128
CET9022 The Imposter
[CET9022 - 2]
2'02 Nick Tzios, Paul Copestake ☆ Nominated "Best Use - Promo" @Mark Awards US 2024 ☆ Ominous & cinematic explosive rumbling disturbingCm125
CET9022 The Imposter Alternate 1
[CET9022 - 15]
Alt. 1'56 Nick Tzios, Paul Copestake Alternate without percussion. Ominous & suspensful intro. Thrilling cinematic rumbling disturbing trailerCm125
CET9022 The Imposter Alternate 2
[CET9022 - 16]
Alt. 1'59 Nick Tzios, Paul Copestake Alternate percussion only. Ominous & suspensful ticking clock intro. cinematic percussive explosive jerkyGbm125
CET9022 Maximum Outburst
[CET9022 - 10]
2'07 Nick Tzios, Paul Copestake Oppressive intro with bass synth & ticking clock. Tense but anticipation percussive cinematic inexorableEm162
CET9022 Maximum Outburst Alternate 1
[CET9022 - 31]
Alt. 2'07 Nick Tzios, Paul Copestake Alternate without percussion. Oppressive & sweeping intro with anticipation trailer cinematic inexorableEm162
CET9022 Maximum Outburst Alternate 2
[CET9022 - 32]
Alt. 2'02 Nick Tzios, Paul Copestake Alternate percussion only. Oppressive intro with a weird ticking percussive trailer cinematic inexorableGm80
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300
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KEYS