| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Bad Suspicion [UBM2133 - 6] |
0 | 3'08 | Anselm Kreuzer | Pensive, criminal, dialogue. | slow motion sparse suspense atmospheric | Dm | 100 | |||
|
Little Scientist [UBM2124 - 3] |
0 | 1'39 | Daniel Backes, Peter Moslener | Childrens radio! Happy jungle beats. | beds relentless electronic percussion rhythmic | A | 85 | |||
|
Behind the Scenes [CEZ4082 - 31] |
0 | 1'04 | Marc-Olivier Dupin | Anxious & nervous. Piano duo. | pulsation disturbing historical narrative politics | Cm | 123 | |||
|
Danger Zone [CEZ4074 - 12] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Fateful & weird. Constant progression. Rhythm @ 1'18 | investigation spy disturbing psychotic | E | 99 | |||
|
Boom and Burst [CEZ4074 - 19] |
0 | 2'35 | Elisabeth Skornik, Guy Skornik | Heavy & accentuated. Electric guitar @ 1'31. | suspense disturbing pulsation anticipation | Cm | 95 | |||
|
The End of the Tunnel [CEZ4074 - 34] |
0 | 2'02 | Elisabeth Skornik, Guy Skornik | Part 1 tuning & crescendo Orchestra. Part 2 @ 0'57 determined | fx orchestra tuning up complex disturbing rising | Gm | 128 | |||
|
Sidibou [CEZ4073 - 13] |
0 | 5'04 | Renaud Garcia-Fons | Festive & uplifting. Pizz & bowed double bass, accordion, udu, | bouncy geopolitics Maghreb tracking shot | Am | 127 | |||
|
Fortaleza [CEZ4072 - 1] |
0 | 4'43 | Renaud Garcia-Fons | Determined & uplifting. Double bass, cajon & shaker. | bowed double bass geopolitics lively panoramic | Gm | 80 | |||
|
Jovencita [CEZ4072 - 5] |
0 | 3'18 | Renaud Garcia-Fons | Festive & proud. Rumba flamenca. Rhythm @ 0'29. Clarinet, flamenco | bowed double bass confident geopolitics chromatic accordion | Am | 143 | |||
|
Aigues-Mortes [CEZ4072 - 10] |
0 | 2'25 | Renaud Garcia-Fons | Inexorable & moving. Double bass & lutes. | double basses (all) natural disaster geopolitics duet | Am | 70 | |||
|
Gallipoli [CEZ4072 - 15] |
0 | 1'18 | Renaud Garcia-Fons | Wandering & sad. Accordion, clarinet & double bass. | geopolitics sad social drama Italian cinema | Em | 73 | |||
|
Romsarom [CEZ4072 - 19] |
0 | 3'18 | Renaud Garcia-Fons | Joyful, confident & danceable. Clarinet, accordion, double bass, rik, | everyday life geopolitics East European Gypsies chromatic accordion | F | 120 | |||
|
Worm Wheel [CEZ4069 - 23] |
0 | 2'34 | Jean-François Vrod | Circular & weird. Minimalist electro-noise music. | muffled pulsation abyss electro industrial | Bm | 76 | |||
|
Sequelle [CEZ4067 - 18] |
0 | 1'54 | Daniel Finot, Arnaud Rozenblat | Strange & repetitive. Prepared piano with delay. | natural disaster social drama fx delay interrogative | Bb | 84 | |||
|
Sea Exploration [CEZ4022 - 17] |
0 | 1'27 | Michel Redolfi | Sonar fx. Loneliness of the deep. Sparse & tinkling. Light percussion | science abyss underwater crystalline | Eb | 76 | |||
|
Dead End [CEZ4015 - 8] |
0 | 2'06 | Bernard Parmegiani | Mysterious & oppressive. Electro-acoustic. | electroacoustic music slow motion natural disaster sinister | Am | 89 | |||
|
Virtual Revelation [CEZ4000 - 3] |
0 | 6'13 | Bruno Letort, Romuald Tual | Swirling strings with busy drum loops. Crescendo, disorienting. | steady politics urgent industry | Dbm | 154 | |||
|
The Messenger [CEZ4052 - 9] |
0 | 1'53 | Loïs Blanca | Expectant. Shimmering drone with high tension strings. | airy suspended atmosphere space investigation | Em | 108 | |||
|
Victims Memory [CEZ4051 - 7] |
0 | 2'23 | Loïs Blanca | Edgy & frightening acoustic drone with slow menacing fx. | toxic desolate natural disaster drone | Gb | 120 | |||
|
Zulu [CEZ4047 - 9] |
0 | 1'48 | Césarius Alvim | Primal & intense. Double bass & percussion. | primitive art bowed double bass wild savanna | Ab | 135 |