| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Endless Saison [EOS08 - 1] |
0 | 2'27 | Eric Volpatti | Suspended & luminous. Piano, strings & electronics. Fx reverse. | suspended atmosphere patient cold desert interrogative | Dm | 118 | |||
|
Ageless Stories [EOS08 - 3] |
0 | 2'02 | Eric Volpatti | Suspended & wandering. Piano & electronics. Fx reverse. | interrogative suspended atmosphere fx backwards panorama | Ebm | 94 | |||
|
Continuance [EOS08 - 10] |
0 | 2'04 | Eric Volpatti | Interrogative but confident. Piano & electronics. Fx reverse. | interrogative high-pitched suspended atmosphere fx backwards | C | 112 | |||
|
Healing Tones [UBM2208 - 12] |
0 | 2'27 | Daniel Backes, Peter Moslener | Sparse and sad, deep in thought. Piano and strings. | airy romantic suspended atmosphere fx backwards | E | 121 | |||
|
Hidden Scar [EOS03 - 1] |
0 | 1'44 | Eric Volpatti | Cyclic & obstinate. Electronics, piano & strings. | simple science beds delicate | Em | 124 | |||
|
Dark Descent [EOS03 - 7] |
0 | 1'49 | Eric Volpatti | Undulating & atmospheric. Electronics & piano. | beds luminous patient suspended atmosphere | Eb | 60 | |||
|
Dust [EOS02 - 10] |
0 | 3'13 | David Poirier, Sébastien Saint-Lezin | Disturbing & floating. Distorted electric guitar, synth, female | sinister slow motion fx feedback electric guitar | G | 67 | |||
|
Poussières et Particules [EOS01 - 4] |
0 | 2'46 | David Poirier | Wandering & patient. Electric pianos, electric guitar & electronics. | unstable mysterious suspended atmosphere patient | E | 91 | |||
|
The Last Decade [CEO2014 - 1] |
0 | 1'18 | Elisabeth Skornik, Guy Skornik | Sudden & tragical. Piano & electronics. | tragic historical conflict natural disaster scary | C | 90 | |||
|
Global Warming [CEO2014 - 9] |
0 | 1'44 | Elisabeth Skornik, Guy Skornik | Threatening & tense. Crescendo with paroxism @ 0'40 & 1'03. | investigation patient rising crescendo | G | 78 | |||
|
The Key Idea [CEZ4103 - 6] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Introspective & pensive. Piano & electronics. Backwards fx. | patient atmospheric interrogative suspended atmosphere | Gbm | 70 | |||
|
La Musique Des Ombres Seules [CCB1004 - 11] |
0 | 4'13 | Alice Guerlot-Kourouklis | Ambiant & repetitive. Guitars & electronics. | vibrating flash back dreamy science | G | 106 | |||
|
Urban Nightdrive [UBM2158 - 16] |
0 | 4'32 | Daniel Backes, Tobias Ellenberg | Inspired by big city nights. Play at high darkness! | atmospheric fx backwards investigation dreamy | E | 95 | |||
|
Lethal Engine [UBM2145 - 20] |
0 | 1'52 | Daniel Backes, Peter Moslener | Distorted drone with threatening underscore and bubbly noises. | muffled abyss steady horror | Eb | 97 | |||
|
Mellow Beats [UBM2128 - 1] |
0 | 2'21 | Daniel Backes, Peter Moslener | Floating rhodes chords and smooth hiphop groove. | investigation beds urban 2000 | Am | 89 | |||
|
Blissful Time [UBM2128 - 13] |
0 | 2'55 | Daniel Backes, Peter Moslener | Warm drones make way for a sunny beats. | sting confident 1990 social drama | E | 78 | |||
|
Fooled by Appearancies [CEZ4090 - 24] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Peaceful & intimist. Strings, piano & electronics. | intimate romantic delicate acoustic piano | G | 58 | |||
|
On a Summer's Morn [CEZ4084 - 10] |
0 | 2'37 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Interrogative & tranquil. Electric guitar. | contemporary series childhood melancholic everyday life | A | 102 | |||
|
Shard of Silence [CEZ4087 - 10] |
0 | 3'03 | Two Colors | Ethereal & peaceful. Piano resonances and backwards effects. | suspended atmosphere sparse calm natural disaster | C | 72 | |||
|
It's Fantastic [CEV3019 - 25] |
2'24 | La Fine Equipe | Progressive Hip-hop with a latin feel. Male & female vocal. BPM 94.Lyrics | rap 2000 beat making fx vinyl | Em | 94 | ||||
|
It's Fantastic [CEV3019 - 26] |
Alt. | 2'25 | La Fine Equipe | Progressive Hip-hop with a latin feel. Unusual. Female voice. BPM 94. | beat making hip-hop (all) fashion 2000 | Am | 94 |