| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Wanokuni [UBM2350 - 9] |
0 | 2'27 | Yu Namikoshi | A horn and string led orchestral classic piece for shoguns and | destiny geopolitics Japan koto | Am | 162 | |||
|
Yashima [CEZ4410 - 7] |
0 | 2'48 | Rémo, Renaud Collet | Trap / electro world. Interrogative, floating & nervous. Asia, Japan. | chill trap urban landscape modern electro world | Ebm | 130 | |||
|
La Fascination pour le Japon [CEO2099 - 17] |
1'55 | Pablo Pico | Japan. Peaceful but decided. Piano, koto, vibraphone, strings & | peaceful arts & crafts Japan koto | Am | 60 | ||||
|
La Fascination pour le Japon
[CEO2099 - 32] |
Alt. | 1'52 | Pablo Pico | Japan. Peaceful but decided. Piano, koto, vibraphone, strings & | peaceful Japan koto patient | Am | 60 | |||
|
La Fascination pour le Japon
[CEO2099 - 33] |
Alt. | 2'29 | Pablo Pico | Japan. Peaceful & dreamy. Solo piano. | Japan peaceful country & garden intimate | Dm | 118 | |||
|
La Fascination pour le Japon
[CEO2099 - 34] |
Alt. | 0'34 | Pablo Pico | Asia. Mysterious & decided. Percussion ensemble & strings. | geopolitics mysterious anticipation Japan | Am | 118 | |||
|
Maiko [CEV3023 - 25] |
0 | 1'57 | Imade Saputra | Melancholic & contemplative. Shakuhachi flute & koto. (Japan) | Japan non western classical music ethnic & traditional (all) traditional instrumental ensemble | D | 81 | |||
|
The Forbidden City [CET9060 - 8] |
2'57 | Gabriel Saban, Bo Tian | Sudden & percussive intro with, piano ping erhu & guzheng. Constant | kung fu relentless trailer chinese cinema | Bm | 120 | ||||
|
The Forbidden City Alternate [CET9060 - 18] |
Alt. | 2'57 | Gabriel Saban, Bo Tian | Alternate without percussion. | kung fu relentless chinese cinema cinematic | Bm | 120 | |||
|
Gotanda [UBM2350 - 8] |
0 | 1'42 | Yu Namikoshi | This string and light percussive track brings visions of ride through | Japan koto panoramic driving | Gm | 161 | |||
|
Koto Impression [UBM2350 - 14] |
0 | 1'49 | Yu Namikoshi | Simple yet deep and flowing with a light tension as a great backdrop | cinematic driving interrogative Japan | Bm | 90 | |||
|
Kourakuen [UBM2350 - 15] |
0 | 2'30 | Yu Namikoshi | Strong, simple and a lightly monotonous uneasy feeling for suspense | driving relentless cyclic Japan | Gm | 162 | |||
|
Tokyo Tales [CEZ4410 - 6] |
0 | 3'33 | G.Bonson | Hip-hop beat / electro world. Urban, mysterious & nocturne. Asia, | electro world mysterious modern nocturnal | Em | 120 | |||
|
Veiled Sun [CEO2013 - 8] |
0 | 1'52 | Alain Kremski | Constant & ponctuated. Piano, cello & koto. | steady geopolitics Japan historical narrative | Gm | 62 | |||
|
Myoko [CEV3023 - 2] |
0 | 2'50 | Imade Saputra | Peaceful & serious. Shakuhachi flute, shamisen & koto. (Japan) | Japan non western classical music ethnic & traditional (all) geopolitics | C | 114 | |||
|
Sailor Fuku [CEV3023 - 5] |
0 | 1'34 | Imade Saputra | Joyful & serene. Shakuhachi flute & koto. (Japan) | Japan non western classical music ethnic & traditional (all) shakuhashi | Am | 144 | |||
|
Yosegi [CEV3023 - 10] |
0 | 1'05 | Imade Saputra | Joyful & light. Shakuhachi flute & koto. (Japan) | Japan non western classical music ethnic & traditional (all) koto | Gm | 163 | |||
|
Allure [CEZ4682 - 6] |
3'12 | Iain Harper | Trip hop, Japanese vibe. Quirky, lush & repetitive. Koto theme, | attitude beat making confident groovy | Am | 92 | ||||
|
Allure Alternate 1 [CEZ4682 - 36] |
Alt. | 3'12 | Iain Harper | Underscore version | attitude beat making confident groovy | Am | 92 | |||
|
Allure Alternate 2 [CEZ4682 - 37] |
Alt. | 3'01 | Iain Harper | Faster tempo version | attitude beat making confident groovy | Bbm | 98 | |||
|
Allure Alternate 3 [CEZ4682 - 38] |
Alt. | 3'01 | Iain Harper | Underscore faster tempo version | attitude beat making confident groovy | Bbm | 98 | |||
|
Allure Edit 1 60 sec [CEZ4682 - 39] |
Alt. | 1'00 | Iain Harper | 60 second cut | attitude beat making confident groovy | A | 93 | |||
|
Allure Edit 2 30 sec [CEZ4682 - 40] |
Alt. | 0'30 | Iain Harper | 30 second cut | attitude beat making confident groovy | A | 93 | |||
|
Allure Edit 3 20 sec [CEZ4682 - 41] |
Alt. | 0'20 | Iain Harper | 20 second cut | attitude beat making confident groovy | A | 92 | |||
|
Allure Sting [CEZ4682 - 42] |
Alt. | 0'13 | Iain Harper | Sting | attitude beat making confident groovy | A | 92 | |||
|
Prone to Wander [MAG6086 - 7] |
4'11 | Nekochan | Asian-sounding trip-Hop. Nocturnal, feminine & percussive. Female Lyrics | downtempo melancholic nocturnal teen drama | Bm | 140 | ||||
|
Prone to Wander Alternate 1 [MAG6086 - 19] |
Alt. | 4'11 | Nekochan | Instrumental version. | downtempo melancholic nocturnal teen drama | G | 140 | |||
|
Prone to Wander Alternate 2 [MAG6086 - 20] |
Alt. | 4'11 | Nekochan | Voice & keyboards version (without drums). | downtempo melancholic nocturnal teen drama | Bm | 140 | |||
|
Prone to Wander Alternate 3 [MAG6086 - 21] |
Alt. | 4'11 | Nekochan | Instrumental version with keyboards, without drums. | downtempo melancholic nocturnal teen drama | G | 140 | |||
|
Heiwazima [UBM2350 - 3] |
0 | 3'03 | Yu Namikoshi | Strong emotional epic composition. | destiny driving exotic Japan | Dm | 86 | |||
|
Ebisu [UBM2350 - 5] |
0 | 2'54 | Yu Namikoshi | A light airy traditional piece with stringed and wind instruments. | cyclic exotic Japan mysterious | Gm | 161 | |||
|
Fukushima [UBM2350 - 6] |
0 | 3'03 | Yu Namikoshi | This flute dominated composition conveys a light suspense with | cinematic driving mysterious panoramic | Gm | 85 | |||
|
Japanese Step [UBM2350 - 7] |
0 | 2'38 | Yu Namikoshi | A strong flowing traditional track that would be perfect set to a | geopolitics Japan walking panorama | Am | 150 | |||
|
Jinbocho [UBM2350 - 10] |
0 | 1'42 | Yu Namikoshi | A walk trough the japanese antique and curio shops would be ideal | driving Japan urgent airy | Cm | 161 |