| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Venice Beach [CEZ4092 - 35] |
0 | 3'33 | Hoosky | Changing & fluctuating. Outro with applause. Synth, samples, female | fashion urban abstract hip-hop beat making | Em | 112 | |||
|
World of the News [CEZ4090 - 1] |
0 | 1'23 | Elisabeth Skornik, Guy Skornik | Urgent & determined. Electronics & strings. | breaking news relentless politics urgent | Gbm | 144 | |||
|
The Editorial Line [CEZ4090 - 2] |
0 | 1'04 | Elisabeth Skornik, Guy Skornik | Serious & cyclic. Electronics & strings. Progression. | investigation sport drama industry cyclic | Dm | 127 | |||
|
Scoop [CEZ4090 - 3] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Time tick-tock. Obstiné. Piano & strings @ 1'34. | anticipation investigation sport drama insidious | Ebm | 92 | |||
|
News Analysis [CEZ4090 - 4] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Serious, constant & determined. Electronics. | anticipation investigation relentless pulsation | Gm | 120 | |||
|
Time's Running Out [CEZ4090 - 5] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Obsessive tick-tock. Electronics, electric guitar & strings @ 0'34 | crime movie time (tick-tock) investigation relentless | Dm | 102 | |||
|
Public Profile [CEZ4090 - 6] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Confident & serious. Piano & electronics. Break @ 1'06. | investigation news sport drama anticipation | Cm | 88 | |||
|
Stalking [CEZ4090 - 7] |
0 | 2'26 | Elisabeth Skornik, Guy Skornik | Mysterious & disturbing. Keyboard, percussion & Fx. | investigation anticipation spy insidious | F | 120 | |||
|
The Fly on the Wall [CEZ4090 - 8] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Scary & tragic. Strings, electronics & "Fly Fx" | action movie disturbing investigation tragic | Am | 108 | |||
|
Conspiracy of Silence [CEZ4090 - 9] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Sinister & doutful. Electronics & string Fx. | spy paranormal natural disaster grating | Em | 92 | |||
|
Hacking [CEZ4090 - 10] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Insistent & mysterious. Electronics & Fx. Break @ 1'04. | investigation cybernetics mysterious anticipation | C | 116 | |||
|
Nasty Gossip [CEZ4090 - 11] |
0 | 1'31 | Elisabeth Skornik, Guy Skornik | Bizarre & abstract. String Fx. | insects paranormal tormented chaotic | Eb | 117 | |||
|
Perp Walk [CEZ4090 - 12] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Inexorable & obsessive. Electronics & strings. Progression | investigation sport drama wandering insidious | Am | 179 | |||
|
Paparazzi [CEZ4090 - 13] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Suspense. Insidious. Electronics, tremolo strings & camera shutter Fx. | anticipation spy fx camera insidious | Em | 128 | |||
|
Paparazzi Part 2 [CEZ4090 - 14] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Suspense. Insidious. Electronics & tremolo strings. | urban landscape investigation news politics | Em | 128 | |||
|
Wheels of Justice [CEZ4090 - 15] |
0 | 3'03 | Elisabeth Skornik, Guy Skornik | Inexorable & tormented. Piano, strings & electronics. Break @ 2'04. | tormented action movie mysterious politics | Cm | 74 | |||
|
Victim [CEZ4090 - 16] |
0 | 2'30 | Elisabeth Skornik, Guy Skornik | Sad & sparse. Solo piano. | social drama sparse historical narrative acoustic piano | G | 78 | |||
|
Network of Proof [CEZ4090 - 17] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Suspended & mysterious. Pizz, electronics & string Fx. | insidious spy relentless scansion | Ebm | 76 | |||
|
Eye Witness [CEZ4090 - 18] |
0 | 2'26 | Elisabeth Skornik, Guy Skornik | Enigmatic intro. Chimes & electric guitar. Marimba @ 0'44. Faster & | sport drama social drama action movie insidious | Em | 120 | |||
|
Leak [CEZ4090 - 19] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Enigmatic & constant. Electric keyboards & tennis table ball Fx @ | cybernetics interrogative patient time (tick-tock) | Fm | 75 |