| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
In Motion [UBM2249 - 6] |
0 | 2'12 | Elias Cadre | Deep bass, fast tempo, electronic bubbles, ideal for documentaries | disturbing interrogative synthesizer steady | Cm | 123 | |||
|
Shady Promotion [UBM2249 - 7] |
0 | 2'57 | Elias Cadre | Mysterious and dangerous sound with electronic ticking for images of | abyss sci-fi science complex | Bbm | 69 | |||
|
Fresh Cash and Pretty Girls [UBM2249 - 8] |
0 | 2'48 | Elias Cadre | Modern, smooth sound with mysterious influence, for scenes of danger, | complex suspended atmosphere abyss muffled | Am | 69 | |||
|
Cover Up [UBM2249 - 9] |
0 | 2'02 | Elias Cadre | Ticking drops and electronic spheres sound like images of secret | complex film noir sci-fi muffled | Bbm | 120 | |||
|
Fumbling in the Dark [UBM2249 - 10] |
0 | 2'14 | Elias Cadre | Synthesizer, bass and echoes create a dynamic sound, ideal for | atmospheric complex muffled rumbling | G | 74 | |||
|
Insistence [UBM2249 - 11] |
0 | 1'26 | Elias Cadre | Dark, investigative sound, loopable, ideal or images of science and | sci-fi abyss complex cold | A | 108 | |||
|
What Makes Him Tick [UBM2249 - 12] |
0 | 2'36 | Elias Cadre | Threatening, criminal, thrilling, frightening, dark sound for secret | complex film noir sci-fi abyss | Bm | 104 | |||
|
Agitation [UBM2249 - 13] |
0 | 2'58 | Elias Cadre | Technical, scientific, threatening, dark and pulsating sound for | atmospheric police comedy rumbling synthesizer | Dbm | 97 | |||
|
Signals From Underground [UBM2249 - 14] |
0 | 1'49 | Elias Cadre | Technical, snarring, threatening, loopable electronic spheres for | sci-fi film noir abyss complex | Ab | 112 | |||
|
Conflict of Interests [UBM2249 - 15] |
0 | 1'44 | Elias Cadre | Dynamic, mid-tempo, loopable, electronic, snarring moments. | film noir sci-fi abyss complex | Dm | 61 | |||
|
Spreading Misinformation [UBM2249 - 16] |
0 | 1'49 | Elias Cadre | Deep bass, slow tempo, cold, dark, reduced and pulsating. | complex sci-fi abyss cold | Dbm | 117 | |||
|
Sitting out the Issues [UBM2249 - 17] |
0 | 2'07 | Elias Cadre | Electronic texture, eerie, pulsating track for an atmosphere | paranormal sci-fi science complex | Bb | 102 | |||
|
Hacker Blues [UBM2249 - 18] |
0 | 1'55 | Elias Cadre | Weird, electronic, gloomy sound, reduced and subtle for documentaries | sci-fi science complex cold | B | 108 | |||
|
Fiction [UBM2249 - 19] |
0 | 1'24 | Elias Cadre | Dark underscore, gloomy, threatening, scary and apocalyptic track for | sci-fi science complex rumbling | A | 61 | |||
|
March for Justice [UBM2249 - 20] |
0 | 2'17 | Elias Cadre | Technical, slow threatening sound, loopable, reduced, subtle with | complex dramedy synthesizer sound design | Fm | 60 | |||
|
A Near Presence [UBM2248 - 1] |
0 | 1'51 | Luke Davoll | Thought-provoking track; repetitive, positive; works for | driving acoustic piano post-classical simple | Am | 150 | |||
|
Together Again [UBM2248 - 2] |
0 | 1'08 | Luke Davoll | Hopeful, works for images of weddings, family, children or | acoustic piano post-classical calm country & garden | Db | 120 | |||
|
Keys [UBM2248 - 3] |
0 | 1'24 | Luke Davoll | Fast key sequence, positive mood, atmosphere of departure, works for | acoustic piano driving everyday life country & garden | C | 161 | |||
|
Two Steps [UBM2248 - 4] |
0 | 1'49 | Luke Davoll | Music for a serious end of a drama or a tragicomedy. Thoughtful with | acoustic piano post-classical driving everyday life | Am | 90 | |||
|
It Just is [UBM2248 - 5] |
0 | 1'49 | Luke Davoll | Serious mood, deep sound, medium tempo. Ideal for society, | post-classical melancholic simple calm | C | 89 |