| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Turnable (Reduced) [UBM2251 - 38] |
0 | 2'01 | Daniel Backes, Peter Moslener | Fast and driving rhythm determined by synthesizer. Time is ticking. | disturbing loop steady industry | D | 76 | |||
|
Heading Straight (Reduced) [UBM2251 - 39] |
0 | 2'14 | Daniel Backes, Peter Moslener | Music for images of business and industry: hectic, fast, loopable and | synthesizer urgent loop industry | C | 133 | |||
|
Ticking Tingle (Reduced) [UBM2251 - 40] |
0 | 2'11 | Daniel Backes, Peter Moslener | Warm sound of xylophone, ideal for images of citylife: structured, | crime movie investigation time (tick-tock) steady | Dm | 64 | |||
|
Destiny No.2 (Alternative) [UBM2262 - 12] |
0 | 1'07 | Anselm Kreuzer, Sebastian Parche | Calm, sad, nearly melancholic track that starts with calm strings. | solemn sad intermittent moving | Dbm | 114 | |||
|
Unchangeable Rules
[UBM2262 - 13] |
0 | 0'34 | Anselm Kreuzer, Sebastian Parche | Track starts with strings. The mood develops from sad to threatful | passionate poignant sad violin | C | 129 | |||
|
Maltreated Creature (No Pulse) [UBM2262 - 15] |
0 | 2'14 | Anselm Kreuzer, Sebastian Parche | Loopable beginning with strings. | film noir interrogative mysterious string quartet | Bbm | 83 | |||
|
Sheer Masquerade (Reduced) [UBM2262 - 16] |
0 | 2'30 | Anselm Kreuzer, Sebastian Parche | Magical sound with strings. Ideal for images of an old toy store or a | fantasy mysterious insidious nocturnal | Am | 154 | |||
|
Sweet Pain (Reduced) [UBM2262 - 17] |
0 | 2'14 | Anselm Kreuzer, Sebastian Parche | Accentuated by strings and glockenspiel. Violine creates a | fantasy mysterious insidious nocturnal | Am | 80 | |||
|
Parallel Existence (Extended) [UBM2262 - 18] |
0 | 3'38 | Anselm Kreuzer, Sebastian Parche | Track with sequences of strings that end abruptly and create a | intermittent string orchestra introspective punctuated | Am | 136 | |||
|
Curriculum Vitae (Alternative) [UBM2262 - 19] |
0 | 4'08 | Anselm Kreuzer, Sebastian Parche | Track with a fast beginning that gets more and more dynamic. Ideal | urgent driving time-lapse passionate | Dm | 164 | |||
|
Street To Nowhere
[UBM2262 - 20] |
0 | 1'36 | Anselm Kreuzer, Sebastian Parche | Calm beginning with strings. Despair is expressed. Bleak, painful, | intermittent film noir nocturnal string quartet | Gm | 152 | |||
|
Schizophrenia (Alternative) [UBM2262 - 22] |
0 | 2'47 | Anselm Kreuzer, Sebastian Parche | Disturbing with dramatic strings, abrupt breaks and a negative | film noir mysterious intermittent interrogative | Gm | 117 | |||
|
House of Intrigue (Strings) [UBM2260 - 11] |
0 | 1'45 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Melancholic strings and piano spread a dark premonition. Ideal for | social drama interrogative fantasy changing | Am | 114 | |||
|
Letter from Mom I (Strings) [UBM2260 - 12] |
0 | 2'47 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow, dramatic strings have a sad sound and the feeling of drama, | mysterious intermittent suspended atmosphere film noir | A | 100 | |||
|
Wounds of Mankind (Cello) [UBM2260 - 15] |
0 | 3'02 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Fundamental and melancholic cello in the foreground creates an | melancholic passionate cello intermittent | Bb | 111 | |||
|
Constant Threat (Plus
[UBM2260 - 16] |
0 | 1'45 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Stormy and deep strings that are loopable in sequences accentuate | string orchestra urgent destiny steady | Cm | 110 | |||
|
Deja Vu (Reduced) [UBM2260 - 17] |
0 | 2'36 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow and moving strings touch the emotions of the audience. Perfect | intermittent moving melancholic string orchestra | D | 108 | |||
|
State of Peace (Alternative) [UBM2260 - 18] |
0 | 1'01 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Ideal track for the credits of a moving drama without a happy ending. | moving intermittent introspective panorama | Bm | 78 | |||
|
Take its Course (Strings) [UBM2260 - 19] |
0 | 2'15 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Cello, string quartet harmonize in the main theme that is sadly | dramedy interrogative string quartet tragi-comic | Eb | 71 | |||
|
Refugees 2 [UBM2258 - 21] |
0 | 1'41 | Felix Halbe | Refugees from Middle East travel on water and land on their escape | desolate hot desert sentimental duduk | D | 117 |