Blues in the spirit of the 20's & 30's. Male vocal, guitare, slide Blues in the spirit of the 20's & 30's. Male vocal, guitare, slide Dobro & ukulele. Lyrics
That old mean devil Tryin’ one more time Struttin’ dat stuff Lookin’ so right Got my baby And she’s just treatin’ me fine
Can’t say I don’t wanna Dat it ain’t crossed my mind Somethin’ ‘bout you Sets my soul afire Got my baby And she’s just treatin’ me fine
When I look over my shoulder What do I see every single time Somethin’ like a sugar coated candy treat Just dat old mean devil in disguise
Just dat old mean devil One more time Struttin’ dat stuff Lookin’ so right Got my baby And she’s just treatin’ me fine
When I look over my shoulder What do I see every single time Somethin’ like a sugar coated candy treat Just dat old mean devil in disguise
Just dat old mean devil One more time Struttin’ dat stuff Lookin’ so right Got my baby And she’s just treatin’ me fine
Got my baby And she’s just treatin’ me fine
Got my baby And she’s just treatin’ me fine
TRADUCTION :
Une fois de plus, le diable cherche à me tenter en se déhanchant, déguisé en jolie fille. Pourtant j'ai une copine super avec laquelle je m'entends bien
Mais chaque fois que je tourne la tête, Je vois cette fille jolie comme un sucre d'orge, c'est le diable déguisé
95 BPM Finger snaps and "lalala' introduction. Pizzicati on strings 95 BPM Finger snaps and "lalala' introduction. Pizzicati on strings and piano instrumental hip-hop with male lead rapper. Lyrics are hopeful and motivational about happiness and believing in oneself.
95 BPM finger snaps organ melodic introduction. Pizzicati on strings 95 BPM finger snaps organ melodic introduction. Pizzicati on strings and piano instrumental hip hop motivational that evokes happiness.
95 BPM finger snaps and "lalala' introduction. Pizzicati on strings 95 BPM finger snaps and "lalala' introduction. Pizzicati on strings and piano instrumental hip hop yhat evokes happiness.
95 BPM finger snaps and "lalala' introduction. Pizzicati on strings 95 BPM finger snaps and "lalala' introduction. Pizzicati on strings and piano instrumental hip hop with male lead rapper. Lyrics are hopeful and motivational about happiness and believing in oneself.
95 BPM finger snaps and "lalala' introduction. Pizzicati on strings 95 BPM finger snaps and "lalala' introduction. Pizzicati on strings and piano instrumental hip hop with male lead rapper. Lyrics are hopeful and motivational about happiness and believing in oneself.
98 BPM Old school beat with motivational and uplifting lyrics. Males 98 BPM Old school beat with motivational and uplifting lyrics. Males crew with lead singer and backings. Saxophone solo midsong. Record scratching and use of various samples. Chorus/verse with hook repetition ending.
98 BPM Old school beat with motivational and uplifting lyrics. Males 98 BPM Old school beat with motivational and uplifting lyrics. Males crew with lead singer and backings. Saxophone solo midsong. Record scratching and use of various samples. Chorus/verse with hook repetition ending.
98 BPM Old school beat with motivational and uplifting mood. Male 98 BPM Old school beat with motivational and uplifting mood. Male voice sample backings. Saxophone solo midsong. Record scratching and use of various samples. Chorus/verse with hook repetition ending.
98 BPM Old school beat with motivational and uplifting mood. 98 BPM Old school beat with motivational and uplifting mood. Saxophone solo midsong. Record scratching and use of various samples. Chorus/verse form with slowed down ending.
98 BPM Old school beat with motivational and uplifting lyrics. Males 98 BPM Old school beat with motivational and uplifting lyrics. Males crew with lead singer and backings. Record scratching and use of various samples. Chorus/verse with hook repetition ending.
98 BPM Old school beat with motivational and uplifting lyrics. Males 98 BPM Old school beat with motivational and uplifting lyrics. Males crew with lead singer and backings. Record scratching and use of various samples. Chorus/verse with hook repetition ending.
126 BPM. Dance reggeaton song, cubaton. Spanish rap male vocals, 126 BPM. Dance reggeaton song, cubaton. Spanish rap male vocals, lyrics dealing with social problems. Led by an active & pushing dance beat. High synth & guitar riff. Build up to a rousing chorus feat trumpet hook.
126 BPM. Dance reggeaton beat, cubaton. Led by an active & pushing 126 BPM. Dance reggeaton beat, cubaton. Led by an active & pushing dance beat. High synth & guitar riff. Build up to a rousing chorus feat trumpet hook.
Modern cha cha cha sung in Spanglish. Confident & positive. Male Modern cha cha cha sung in Spanglish. Confident & positive. Male vocal, brass & rhythm. Electric guitar solo @ 2'14.
Lyrics
Oye ! Que rumba te traigo yo. Esto lo traje pa' que muevas los pies. Hands in the air, mi gente Sube, sube, sube.
Tonight the party it's gonna be fun let's go Y las muchachas quieren vacilar. Everybody get ready to jump and get back on the floor Let's burn the roof que esto va a empezar.
It's getting hot, hot, caliente. Everybody get ready to jump and get back on the floor Let's burn the roof que esto va a empezar.
Oye
FR:
Écoutez! Quelle soirée je vous emporte !! Ceci est pour vous faire bouger les pieds Mains en l'air, mon peuple Montez, Montez, Montez
Ce soir, la fête va être amusante Et les filles veulent s'y amuser Tout le monde, préparez-vous à sauter et revenir sur la piste de danse Brûlons le toit cela va commencer
Il commence à faire chaud, chaud, chaud Tout le monde, préparez-vous à sauter et revenir sur la piste de danse Brûlons le toit cela va commencer
Modern cha cha cha. Underscore. Confident & positive. Rhythm & brass Modern cha cha cha. Underscore. Confident & positive. Rhythm & brass section. Electric guitar solo @ 2'14.
Bitter sweet salsa sung in spanglish. Male vocal, percussion, piano & Bitter sweet salsa sung in spanglish. Male vocal, percussion, piano & brass section.
Lyrics
He mama, he mama, he mama mi tierra bella me llama. He mama, he mama, he mama mi tierra bella me llama.
Oye salió el sol Mucha gente motivada teniendo el control Hace falta la tierra pero aquí estoy yo
Mi tierra me llama, taking all for all Sólo pensarte me hace llorar, quiero regresar.
Sólo pensarte me hace llorar, Quiero volver pa' vacilar
He mama, he mama, he mama mi tierra bella me llama.
He mama, he mama, he mama mi tierra bella me llama.
Take it slow, let it flow
Form the east to the west coast. North and south, La cosa se pone mejor. Latinos hang out
Tumbao con flow montuno y guaguanco Y el negro vaciló
Oye, groove it baby Oye bailador, Sube que sube, que sube. I wanna go back, tengo ganas del volver a ver. Mi tierra me llama. Mi gente mi isla que me vio nacer. Mi tierra me llama. Cantar con mi familia que hace tiempo me ve. Mi tierra me llama. Todo esta listo, vacilando en el week end. Mi tierra me llama. Sólo pensarte me hace llorar.
Mi tierra me llama. Sólo pensarte me hace llorar, Quiero volver para vacilar.
FR:
Eh maman (x 3)
Ma belle terre m’appelle Eh maman (x 3) Ma belle terre m’appelle
Écoute, le soleil se lève Beaucoup de gens motivés ont le contrôle Ma terre me manque, mais je suis ici
Ma terre m’appelle, en prenant tout par tout
Simplement d'y penser me fait pleurer J'ai envie de rentrer Simplement d'y penser me fait pleurer Je veux rentrer pour m'amuser
Prenez votre temps, laisser couler De l'est à la côte ouest Nord et sud Tout commence à devenir mieux Latinos "sortez"
Tumbao avec du "flow" montuno guaguancô Et le noir s'amuse
Hey, bouge-toi ma petite Hey danseur
Montez, montez Je veux rentrer Ma terre m’appelle
Mon peuple de mon île, qui m'a vu naître Ma terre m'appelle
Chanter avec ma famille, on ne s'est pas vu depuis longtemps Ma terre m'appelle Tout est prêt, on s'amuse tout le week-end Ma terre m'appelle
Simplement d'y penser me fait pleurer J'ai envie de rentrer Simplement d'y penser me fait pleurer Je veux rentrer pour m'amuser
Explicit Lyrics. Latin hip-hop sung in Spanglish. Cool & sexy. Male Explicit Lyrics. Latin hip-hop sung in Spanglish. Cool & sexy. Male vocal, choir & rhythm.
Lyrics
Oh la la. Oh la la la la ... Oh, Come on baby let's go, On the road, gonna tell you some things that you don't know.
You look so good, Party in the club and you wanna go, i said now.
Vamo' a baila’ hasta mañana, Que yo te quiero ver. Ya motivaste mi cuerpo, y te quiero tener,
Y te pones caliente, gotas corren por mi frente, sexo fluye en el ambiente, y nos sentimos bien.
Sigo mirando como tú menea’. Mientras tanto sube la marea.
Vamo’ a la barra y buscamos un par de trago’ y hablamos, Bien relajado la pasamos, Y nos sentimos bien.
Oh la la la la... Girl, You make me feel so good, I did know how... woo, Oh girl, Oh oh oh girl,
Finally bounce from the club, Straight to the hotel, Till’ six in the morning, I know I make you feel so horny, Make sex on top of my money.
Party Outro. party in the club and you wanna go, i said now.
FR:
Oh la la Oh Viens ma petite, allons-y
Sur la route je vais te dire certaines choses que tu ne savais pas Tu es charmante Fête dans le club et tu veux partir je te dis maintenant
On va danser jusqu'au matin Je veux te voir
Tu as déjà motivé mon corps Et je veux t'avoir
Et tu deviens chaude Des gouttes coulent sur mon front
Le sexe est dans l'environnement Et nous nous sommes bien à l’aise
Je continue à regarder comme tu bouges En attendant la marée est montée
Allons dans le bar et prenons Quelques verres
Bien relaxés, et passons un bon moment Ma petite
Tu me fais sentir si bon
Je savais comment ... woo Oh ma petite
Finalement on se casse du club
Directement à l'hôtel Jusqu'à six heures du matin Je sais que tu vas devenir chaude
Allons faire le sexe sur mon argent Fête dans le club et tu veux partir je te dis maintenant
Underscore, no rhythm. 120 BPM. Glitch ambient electro that evokes Underscore, no rhythm. 120 BPM. Glitch ambient electro that evokes scientific, medical and corporate atmosphere. Vocal female sample. Futuristic and contemplative with elegant character. Fade-out ending.
120 BPM. Glitch ambient electro that evokes scientific, medical and 120 BPM. Glitch ambient electro that evokes scientific, medical and corporate atmosphere. Vocal female sample. Futuristic and contemplative with elegant character. Progressive add-ons until the fade-out ending.
Traditional song from the Caribbean region of Colombia, sung in Traditional song from the Caribbean region of Colombia, sung in Spanish. Rootsy cumbia, emotional & rural. Female singer, Latin percussion, Spanish guitar, choir, claps & tiple @ 2'15. Lyrics
Azúca me llamo yo, Azúca me llamo yo, Azúca me puso el padre, cuando me metio la sal.
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca la refina, (Azúca) Azúca, azúca será, (Azúca) Azúca me han de llama, (Azúca) Azúca, azúca será, (Azúca)
Azúca, Azúca. El loro y la lora estaban loriando, El loro y la lora estaban loriando, Y yo por la reja estaba mirando Y yo por la reja estaba mirando El loro comiendo y yo trabajando El loro comiendo y yo trabajando Trabaja compañero, trabaja. (Azúca) Trabaja voca arriba trabaja. (Azúca) Trabaja medio lado trabaja.
Con que se mantiene, con la flor del verano. Con que se mantiene, con la flor del verano. Trabaja compañero, trabaja. Trabaja medio lado trabaja. Trabaja voca arriba trabaja. Trabaja voca arriba trabaja.
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca me puso el padre, (Azúca) Cuando me metio la sal, (Azúca)
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca la refina, (Azúca) Azúca me han de llama, (Azúca) Azúca, azúca será, (Azúca)
Mentira ha sido tu amor Mentira ha sido tu amor Falso fue tu juramento, hojas que se lleva el viento. Mentira ha sido tu amor Mentira ha sido tu amor Falso fue tu juramento, hojas que se lleva el viento.
Azúca, Ay con que se mantiene Azúca, Con la flor del verano Azúca, ay me han de llamar, cuando me metio la sal.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Songwriter(s) :
Traditional
LC :
10347
Album :
Latin Songs: In a Traditional Mood
Release date :
01/04/2020
Performed by :
Aida Bossa
Publisher(s) :
Frederic Leibovitz Editeur - Mantarraya Music
ISRC :
FRZPA2006760
Azúcar - El Loro y la Lora Azúcar - El Loro y la Lora Alternate [CEL7001 - 12]
Underscore. Traditional from the Caribbean region of Colombia. Rootsy Underscore. Traditional from the Caribbean region of Colombia. Rootsy cumbia, emotional & rural. Spanish Guitar, latin percussion, choir, claps & tiple @ 2'10.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Fenesta vascia 'e padrona crudele, Quanta suspire mm'haje fatto jettare!... Mm'arde stu core, comm'a na cannela, Bella, quanno te sento annommenare! Oje piglia la 'sperienza de la neve! La neve? Fredda e se fa maniare... E tu comme si' tanta aspra e crudele?! Muorto mme vide e nun mme vu? ' ajutare!?...
Vorr? A addeventare no picciuotto, Co na langella a ghire vennenn'acqua, Pe' mme ne j? Da chisti palazzuotte: Belli ffemmene meje, ah! Chi v? ' acqua... Se vota na nennella da ll? 'ncoppa: Chi? 'sto ninno ca va vennenn'acqua? E io responno, co parole accorte: So' lacreme d'ammore e non? Acqua!...
Finestra bassa di una padrona crudele, quanti sospiri mi hai fatto buttare. Mi arde questo cuore, come una candela, bella quando ti sento nominare.
Prendi l'esperienza della neve. La neve e' fredda e si fa toccare. E tu come sei tanto aspra e crudele? Mi vedi morto e non mi vuoi aiutare?
Vorrei diventare un bambino, con una lancella andare e vendere acqua, per andarmene via da questi palazzotti. Belle donne mie, ah. Chi vuole acqua.
Si gira una ragazza da li sopra: "Chi e' questo ragazzo che vende acqua?" E io rispondo, con parole misurate: "Sono lacrime d'amore e non e' acqua".
Français
Fenêtre basse d’une maîtresse cruelle, que de soupirs tu m’as fait gaspiller… mon cœur brûle comme une bougie, ma belle, si j’entends prononcer ton nom ! Prends donc exemple sur la neige : elle est froide, mais elle se laisse caresser, et avec moi, tu es si âpre et cruelle, que tu me vois mourir et tu ne veux pas m’aider ?
Je voudrais devenir un vendeur ambulant, qui vend l’eau avec sa carafe, pour crier d’une maison à l’autre : “Mes belles femmes, qui veut de l’eau ?” Et une fille me voit de son balcon et me dit : “Qui est ce garçon qui vend de l’eau ?” et je lui répondrais avec des mots attristés : “Ce sont des larmes d’amour, ce n’est pas de l’eau !.....”
English
Low window of cruel mistress, How many sighs I made for you! My heart burns, like a candle When I hear your name, my beauty!
Oh, be like the snow! The snow is cold but one can touch it. And you, how can you be so stern and cruel? Seeing me dying, don't you want to help me?
I wish I was a boy again Who sells water in a street, To go away from here to big houses: Dear ladies! Ah! Who wants some water?
If any girl asks from balcony: "Who is this guy who sells water?" I'll answer ,with reserve: "It's my tears of love, it's not water!"
Salsa sung in Spanglish. Festive & lively. Male singer, piano, latin Salsa sung in Spanglish. Festive & lively. Male singer, piano, latin percussion & brass section.
Lyrics
esto es a lo niche, caliche, venite, nos vamos pa los Yores, señores come on.
esto es a lo niche, caliche, venite, nos vamos a lo punta talon, punta talon.
y comenzó vacilon, llegaron los que son, llevando un nuevo sound pa los Yores, oye latino no te asombres, vamo' a hacer desorden, este ritmo lleva mi nombre,
Y ve vo' jabés, movéte movéte, y ve vo' jabés, Mirá cojé,
y ve vo' jabés, movéte movéte, y ve vo' jabés, cuidao y te caés.
hey Cali, What's going on, this is a lo niche, del barrio song, cuero pa' la calle, campaneo básico, Do you feel it ? ti-ti có, ti-ti có.
FR:
Ça c’est à la façon des noirs, “caleninen” Venez !
Nous allons à New-York
Messieurs, venez.
Ça c’est à la façon des noirs, “caleninen” Venez !
Nous allons à New-York,
Messieurs, venez
Nous allons en, pointe, talon, pointe talon
Et la fête a commencé Ceux qui sont venus, y sont
En amenant un nouveau son à New York Hey latino, ne soyez pas surpris
On va faire du désordre Ce rythme porte mon nom
Et tu le sais bien Bouge-toi, bouge-toi Et tu le sais bien Regarde, attrape
Et tu le sais bien Bouge-toi, bouge-toi Et tu le sais bien Regarde, attrape
Fait gaffe, ne tombe pas par terre
Hey Cali
Qu’est ce qui se passe?
Ça c’est à la façon des noirs Chanson du quartier
Cuir pour la rue
Frappement basique de la cloche L'avez-vous ressenti ? Ti ti co, ti ti co
Jazzy song in the style of the 30' & 40'. Sensual & old-fashionned. Jazzy song in the style of the 30' & 40'. Sensual & old-fashionned. Female voice. Solo saxophone @ 0'50.Lyrics
I love you anyway Since the day you went away Did’nt tell me that You wouldn’t stay
I see you in my dreams I don’t know what it means But Why do I MIND If you don’t CARE
I love you anywhere On a PLANE in the air And if you stay so high MY LOVE WILL never die
I love you on the moon I love you in that tune Come an’ be fair In this love affair
Foxtrot in the style of the 30' & 40'. Small ensemble feat piano. Foxtrot in the style of the 30' & 40'. Small ensemble feat piano. Carefree & old-fashionned. Solo saxophone @ 0'50.
124 BPM Electro trap with pitched up and down female voice sampled on 124 BPM Electro trap with pitched up and down female voice sampled on a crazy dark and dangerous angry beat with neon acid synth and bass. Guns sounds and explosions with male rapper. Outro part with another male just being quoted as a sample.
124 BPM Electro trap crazy dark and dangerous angry beat with neon 124 BPM Electro trap crazy dark and dangerous angry beat with neon acid synth and bass. Guns sounds and explosions, risers and drops. Outro part muffled with sirens and steep cut ending.
124 BPM Electro trap with pitched up and down female voice sampled on 124 BPM Electro trap with pitched up and down female voice sampled on a crazy dark and dangerous angry beat with neon acid synth and bass. Guns sounds and explosions with male rapper starting his verse on the fade out ending.
124 BPM Electro trap with pitched up and down female voice sampled on 124 BPM Electro trap with pitched up and down female voice sampled on a crazy dark and dangerous angry beat with neon acid synth and bass. First part with steep fade out ending.
