102 BPM Old school hip-hop with record scratch and sound effects. 102 BPM Old school hip-hop with record scratch and sound effects. Male lead rapper with back vocals shouting "Up up". The mood and the lyrics are motivational and feel good. Chorus/verse form with a break before ending.
102 BPM Old school hip hop with record scratch and sound effects. 102 BPM Old school hip hop with record scratch and sound effects. Male lead rapper with back vocals shouting "Up up". The mood and the lyrics are motivational and feel good. Chorus/verse form with a break before ending.
102 BPM Old school hip hop with record scratch and sound effects. 102 BPM Old school hip hop with record scratch and sound effects. Voice samples. The mood is motivational and feel good. Chorus/verse form with a break before ending.
102 BPM Old school hip hop with sound effects. The mood is 102 BPM Old school hip hop with sound effects. The mood is motivational and feel good. Chorus/verse form with a break before ending.
102 BPM Old school hip hop with record scratch and sound effects. 102 BPM Old school hip hop with record scratch and sound effects. Male lead rapper with back vocals shouting "Up up". The mood and the lyrics are motivational and feel good. Chorus/verse form.
102 BPM Old school hip hop with record scratch and sound effects. 102 BPM Old school hip hop with record scratch and sound effects. Male lead rapper with back vocals shouting "Up up". The mood and the lyrics are motivational and feel good. Chorus/verse form.
Salsa sung in Spanglish. Festive & lively. Male singer, piano, latin Salsa sung in Spanglish. Festive & lively. Male singer, piano, latin percussion & brass section.
Lyrics
esto es a lo niche, caliche, venite, nos vamos pa los Yores, señores come on.
esto es a lo niche, caliche, venite, nos vamos a lo punta talon, punta talon.
y comenzó vacilon, llegaron los que son, llevando un nuevo sound pa los Yores, oye latino no te asombres, vamo' a hacer desorden, este ritmo lleva mi nombre,
Y ve vo' jabés, movéte movéte, y ve vo' jabés, Mirá cojé,
y ve vo' jabés, movéte movéte, y ve vo' jabés, cuidao y te caés.
hey Cali, What's going on, this is a lo niche, del barrio song, cuero pa' la calle, campaneo básico, Do you feel it ? ti-ti có, ti-ti có.
FR:
Ça c’est à la façon des noirs, “caleninen” Venez !
Nous allons à New-York
Messieurs, venez.
Ça c’est à la façon des noirs, “caleninen” Venez !
Nous allons à New-York,
Messieurs, venez
Nous allons en, pointe, talon, pointe talon
Et la fête a commencé Ceux qui sont venus, y sont
En amenant un nouveau son à New York Hey latino, ne soyez pas surpris
On va faire du désordre Ce rythme porte mon nom
Et tu le sais bien Bouge-toi, bouge-toi Et tu le sais bien Regarde, attrape
Et tu le sais bien Bouge-toi, bouge-toi Et tu le sais bien Regarde, attrape
Fait gaffe, ne tombe pas par terre
Hey Cali
Qu’est ce qui se passe?
Ça c’est à la façon des noirs Chanson du quartier
Cuir pour la rue
Frappement basique de la cloche L'avez-vous ressenti ? Ti ti co, ti ti co
Latin boogaloo sung in spanglish. Dancing & positive. Male vocal, Latin boogaloo sung in spanglish. Dancing & positive. Male vocal, rhythm, piano & brass section. Solo saxophone @ 2'19.
Lyrics
You and me, are looking for some one, to make us feel good,
you and me, are ready for action, for more satisfaction.
Hoy en la noche tengo ganas de conoce' una muchacha, i see that girl in the club
i crush on her, i feel to dance some chacha.
Esos ojitos blue, y su long dark hair, she realy got me crazy, la quiero conocer,
and all the nigth long i gone be with her.
you and me no vamos a goza,
ve mujer te voy a enamorar.
FR:
Toi et moi
On est à la recherche de quelqu'un Pour qu’on se sente bien
Toi et moi On est prêt pour l'action Pour plus de satisfaction
Ce soir j'ai envie de connaitre une fille Je vois cette fille dans le club
Je craque pour elle J'ai le sentiment de danser un peu de cha cha
Ces yeux bleus Et ses longs cheveux noirs
Elle me rend vraiment fou Je veux la rencontrer et toute la nuit Je veux être avec elle
Toi et moi, on va s'amuser Viens, femme. Je vais te faire tomber amoureuse
Latin funky/rap sung in Spanglish. Lively & positive. Male singer, Latin funky/rap sung in Spanglish. Lively & positive. Male singer, percussion & brass section.
Lyrics
From there i come from, My beauty island, So put yo hand on the air, Mi ghetto,
Run take a plane to go San Andres, a beautiful place to pass it the best, non stress, come and flex,
Take a walk on the white sand, with the sun on yo face, Feel the cool breeze front a the sea, Is really nice thing, as yo can see, Is just like a dream, A paradise life, I'm proud to be raizal, Follow me....
Come and jam, with mi culture song, Put your hands in the air, If yo love to dance,
With my ting shingalin, Wath wuman me see, Eo, Eo, Eo
FR:
D’où, je viens Mon île de beauté
Donc, mettez vos mains en l'air Mon ghetto
Prendre un avion pour aller à San Andres
Un bel endroit pour passer le meilleur Pas de stress Venez et relaxez-vous Faites une promenade sur le sable blanc Avec le soleil sur vos visages Sentez-vous le font de brise fraîche de la mer
C’est une belle chose Comme vous pouvez le voir C'est comme un rêve Une vie de paradis Je suis fier d'être “raizal” Suivez-moi ....
Venez et amusez-vous Ma chanson de culte
Mettez vos mains en l'air Si vous aimez danser
Avec mon truc « shingalin » Quelle femme me regarde Eo Eo
Explicit Lyrics. Salsa brava/mambo. Cool & festive. Male vocal & Explicit Lyrics. Salsa brava/mambo. Cool & festive. Male vocal & rhythm. Solo trombone @ 1'01.
Lyrics
Dispuesta a hacer un daño en la disco, Nadie la para, Si la ves, dile que baile reggae conmigo, Que le tengo ganas
Sudando, gozando este ritmo caliente, Ven mamita que te quiero al frente, Baila el saoco que te traje, Morena,
Es pa ti, no es pa cualquiera, Pégate, enseña tu tumbao, Báilame de medio lao, Tu ropa como pintura,
Que al borde de la locura, estoy, Si tú no vienes pa ca yo voy, Por que tu hombre quiero ser hoy, Déjame tocarte la piel no temas, Quiero sentirte pa ver si quemas,
Suelta tu, suelto yo, Por que tonight tu hombre soy yo, Enséñame o te enseño yo, Se que tu quieres, No digas que no,
suelta tu, suelto yo, Por que del ritmo me encargo yo, Enséñame, te enseño yo Mi melodía ya te envolvió,
FR:
Prêt à faire des dommages en boîte Personne ne l'arrête Si vous la voyez, dites-lui de danser du reggae avec moi Car j'ai envie
On transpire, on profite de ce rythme chaud Venez ma petite je te veux devant moi Dansez tout le « saoco » que je t'ai apporté Morena,
Il est pour toi, pas pour n'importe qui
Colle-toi, montre ton "Tumbao" Danse du côté Tes vêtements comme la peinture Au bord de la folie, j’y suis
Si tu ne viens pas ici, j'y vais Car ton homme je veux l'être aujourd'hui Laisse-moi toucher ta peau, n’ais pas peur Je veux te sentir pour voir si t’es brûlante
Lâche-toi, je lâche Parce que je suis ton homme ce soir Montre-le moi ou je le fais Je sais que tu veux Ne dis pas non
Lâche-toi, je lâche Parce que du rythme je m'en occupe Montre-moi, ou je le fais Ma mélodie t'a déjà embrassée
Norbert Galouo - José Miguel Ortegon Tovar - Francisco Smith Angulo
LC :
10347
Album :
The Latin Beat - Señor Ortegon & his Orchestra
Release date :
22/04/2015
Performed by :
Sr Ortegon - Stan Galouo
Publisher(s) :
Frederic Leibovitz Editeur
ISRC :
FRZPA1504410
Rise Up [SUPRA019 - 7]
2'29
69 BPM. Anthemic pop rap, hip hop. Empowering, combative. Rising 69 BPM. Anthemic pop rap, hip hop. Empowering, combative. Rising handclaps intro, stadium like. Heavy & plodding beat, motivational & determined. Piano chords samples, eletric guitar. Led by assured & militant male rap vocal.
69 BPM. Anthemic pop rap, hip hop. Empowering, combative. Rising 69 BPM. Anthemic pop rap, hip hop. Empowering, combative. Rising handclaps intro, stadium like. Heavy & plodding beat, motivational & determined. Piano chords samples, electric guitar. Led by assured & militant male rap vocal.
69 BPM. Anthemic pop rap, hip hop. Empowering, combative. Rising 69 BPM. Anthemic pop rap, hip hop. Empowering, combative. Rising handclaps intro, stadium like. Heavy & plodding beat, motivational & determined. Piano chords samples, electric guitar. Led by assured & militant male rap vocal.
124 BPM. Rowdy epic pop rap, hip hop. Riding handclaps rhythmic 124 BPM. Rowdy epic pop rap, hip hop. Riding handclaps rhythmic pattern, stadium like. Empowering, epic. Motivational & combative male rap vocals, electric guitar. Heroic bridge at 1'09'', grand rise to an anthemic top. Hard training, sports.
124 BPM. Rowdy epic pop rap, hip hop. Riding handclaps rhythmic 124 BPM. Rowdy epic pop rap, hip hop. Riding handclaps rhythmic pattern, stadium like. Empowering, epic. Motivational & combative male rap vocals, electric guitar. Heroic bridge at 1'09'', grand rise to an anthemic top. Hard training, sports.
124 BPM. Rowdy epic pop rap, hip hop. Riding handclaps rhythmic 124 BPM. Rowdy epic pop rap, hip hop. Riding handclaps rhythmic pattern, stadium like. Empowering, epic. Motivational & combative, epic choir & electric guitar. Heroic bridge at 1'09'', grand rise to an anthemic top. Hard training, sports.
124 BPM. Rowdy epic pop rap, hip hop. Riding handclaps rhythmic 124 BPM. Rowdy epic pop rap, hip hop. Riding handclaps rhythmic pattern, stadium like. Empowering, epic. Motivational & combative male rap vocals, electric guitar. Heroic bridge at 22'', grand rise to an anthemic top. Hard training, sports.
67 BPM. Rowdy pop rap, hip hop. Very heavy & plodding rhythmic feat 67 BPM. Rowdy pop rap, hip hop. Very heavy & plodding rhythmic feat handclaps, stadium like. Led by scrappy & combative male rap vocals, military drums, motivational. Empowering chorus feat "Let's go!" backing vocals, epic & anthemic choir.
67 BPM. Rowdy pop rap, hip hop. Very heavy & plodding rhythmic feat 67 BPM. Rowdy pop rap, hip hop. Very heavy & plodding rhythmic feat handclaps, stadium like. Scrappy & rough electric guitar riff, military drums, motivational. Empowering chorus feat epic & anthemic choir.
67 BPM. Rowdy pop rap, hip hop. Very heavy & plodding rhythmic feat 67 BPM. Rowdy pop rap, hip hop. Very heavy & plodding rhythmic feat handclaps, stadium like. Led by scrappy & combative male rap vocals, military drums, motivational. Empowering chorus feat "Let's go!" backing vocals, epic & anthemic choir.
67 BPM. Rowdy pop rap, hip hop. Very heavy & plodding rhythmic feat 67 BPM. Rowdy pop rap, hip hop. Very heavy & plodding rhythmic feat handclaps, stadium like. Led by scrappy & combative male rap vocals, military drums, motivational. Empowering chorus feat "Let's go!" backing vocals, epic & anthemic choir.
82 BPM. Orchestral epic pop, empowering female vocals. From touching 82 BPM. Orchestral epic pop, empowering female vocals. From touching & delicate piano line, setting off at 35'' to an overwheling top with symphonic orchestra & synths. Encouraging & uplifting message. Reveal.
82 BPM. Instrumental version. Orchestral epic pop, empowering. From 82 BPM. Instrumental version. Orchestral epic pop, empowering. From touching & delicate piano line, setting off at 35'' to an overwheling top with symphonic orchestra & synths. Encouraging & uplifting. Reveal.
Indie rock song with a bluesy feeling. Catchy riff, driving & Indie rock song with a bluesy feeling. Catchy riff, driving & percussive. Rock band with male singer & claps.Lyrics
I don’t know where you’re hiding I’m shaking like a fool ‘Ain’t ready for this girl you break the rules
Well I’ve spent the night out ’til the light of day haven’t closed my eyes but haven’t seen you there
now run to me yeah run to me my naughty queen I want you to be mine babe ooh ooh ooh ooh
I don’t know where you’re hiding I’m shaking like a fool ‘Ain’t ready for this girl you break the rules
Well I’ve spent the night out ’til the light of day haven’t closed my eyes but haven’t seen you there
now run to me yeah run to me my naughty queen I want you to be mine babe ooh ooh I want you to be mine babe ooh ooh
now run to me yeah run to me my naughty queen I want you to be mine babe
Indie rock with a bluesy feeling. Catchy riff, driving & percussive. Indie rock with a bluesy feeling. Catchy riff, driving & percussive. Rock band & claps.
Danceable & energetic Colombian vallenato, sung in Spanish. Accordion Danceable & energetic Colombian vallenato, sung in Spanish. Accordion solo @ 1'10. Male singer, bass, snare drum rolls & Latin percussion.Lyrics
Ya pasaron tres días, tres días, tres días, tres días, tres días
de aquel mensaje. Me dejaste en leído y no contestas. Ay mis amigos te vieron vacilando Y gozando con champeta...
Ya pasaron
tres días, tres días, tres días, tres días, tres días
de aquel mensaje. Me dejaste en leído y no contestas. Ay, mis amigos me dicen que te deje que tu no vales la pena,
me tienes dando vueltas y sin datos en el phone.
Te gusta, te encanta Que vaya hasta tu casa Te llame, te ruegue Y nunca aflojas nada Te gusta, te encanta Que te ponga mensajes Me dices: "no papi, Tal vez será mañana"
Y es que ya yo Me estoy volviendo loco, Me estoy partiendo el coco Pensando en tu amor
Y es que ya yo No se que es lo que pasa, Me voy corriendo a casa A ahogarme en licor.
Vea y con gente de sesión Nos vamos a tomar hasta el agua de los floreros Que dice !
Bueno bueno, pasen otro, pasen otro que estoy seco !
Ya pasaron pasaron pasaron tres días, tres días, tres días, tres días, tres días
de aquel mensaje. Lo dejaste en leído y no contestas. Ay, mis amigos me dicen que te deje que tu no vales la pena,
me tienes dando vueltas y sin datos en el phone.
Te gusta, te encanta Que vaya hasta tu casa Te llame, te ruegue Y nunca aflojas nada Te gusta, te encanta Que te ponga mensajes Me dices: "no papi, Tal vez será mañana"
Y es que ya yo Me estoy volviendo loco, Y me estoy partiendo el coco Pensando en tu amor
Y es que ya yo No se que es lo que pasa, Me voy corriendo a casa A ahogarme en licor.
Te gusta, te encanta Que vaya hasta tu casa Te llame, te ruegue Y nunca aflojas nada Te gusta, te encanta Que te ponga mensajes Me dices: "no papi, Tal vez será mañana"
Te gusta, te encanta Que vaya hasta tu casa Te llame, te ruegue Y nunca, y nunca aflojas nada Te gusta, te encanta Que te ponga mensajes Me dices: "no papi, Tal vez será mañana"
Cha cha cha in the style of the 50's & 60's. Kitsch, latin, fun & Cha cha cha in the style of the 50's & 60's. Kitsch, latin, fun & rousing. Sung in Spanglish. Female singer, brass & cuban percussion. Rock guitar @ 0'40 & Hammond organ solo @ 1'20.
Lyrics
Te mueves por aquí Te mueves por allá Lo único que yo quiero es Rico cha cha chá
Mi baile es así lo tienes que gozar esta es la forma de bailar, mi cha cha chá
si prestas atención siguiendo el ritmo porque es hora de bailar
mi cha cha chá feel the groove sígueme a mi cadera así mueve los pies de esta manera do the cha cha cha chá
Cha cha cha in the style of the 50's & 60's. Kitsch, latin, fun & Cha cha cha in the style of the 50's & 60's. Kitsch, latin, fun & rousing. Sung in Spanglish. Brass & Cuban percussion. Rock guitar @ 0'40 & Hammond organ solo @ 1'20.
Latin gangsta hip-hop sung in Spanglish. Festive. Male vocal & Latin gangsta hip-hop sung in Spanglish. Festive. Male vocal & thythm. Solo trumpet @ 2'00.
Lyrics
Welcome every body come on to my party
I know, you know we like it, Welcome every body come on to my party Hee yes i like it Welcome every body come on to my party WI know, you know we like it Welcome every body come on to my party Hey yee you like it Hello ladys, Miren quien llegó
The soneros of the party pana black y Ortegon. we have some fun, For the chicks rum, Every body In the party pa’ quedarse drunk. And jump
feel the sound with the groove
Of this song Movimiento De cadera, Muevete como tu quieras Lo que traigo es sabor. si me pides que quede me quedo Si me pides q me valla me voy
Si me pides que quede me quedo Si me pides q me valla me voy me voy
La rumba esta candela,
Mi chicha esta que quema,
Tengo algo que decirte, Tu te vas o te queda, Conmigo, Por que sigo aqui, The roof is un firme, Keep
it hot keep it hot.
FR:
Bienvenue tout le monde, venez à ma soirée Je sais, tu sais que nous aimons Bienvenue tout le monde venez à ma soirée Hee oui j’aime
Bienvenue tout le monde, venez à ma soirée On sait, tu sais que nous aimons Bienvenue tout le monde, venez à ma soirée Hey yee tu l’aimes
Bonjour les filles Regardez qui est venu?
Les "soneros" de la soirée Pana Black et Ortegon Nous avons du "fun"
Pour les filles du rhum
Toute le monde en soirée pour finir bourré Et saute Écoute le son Avec le "groove"
De cette chanson
Mouvement des hanches Bouge toi comme tu veux
Ce que j’apporte c’est le goût La rumba est en feu
Ma "chica" est en train de brûler J’ai quelque chose à te dire Tu pars ou tu restes avec moi Parce que je suis toujours là
Le toit est en feux Garde la chaleur
Si vous me demandez de rester, je reste Si vous me demandez, je suis parti je suis Si vous me demandez de rester, je resterai Si vous me demandez, je suis parti je vais je vais
98 BPM Classic hip-hop with a male lead singer with crowdy backings. 98 BPM Classic hip-hop with a male lead singer with crowdy backings. The beat is composed of record scratch, funky wah wah guitars, flute, slightly out of tune honky style piano and clear arpeggios. Chorus/verse/chorus form.
98 BPM Classic hip hop. The beat is composed of record scratch, funky 98 BPM Classic hip hop. The beat is composed of record scratch, funky wah wah guitars, flute, slightly out of tune honky style piano and clear arpeggios. Chorus/verse/chorus form.
98 BPM Classic hip hop. The beat is composed slightly out of tune 98 BPM Classic hip hop. The beat is composed slightly out of tune honky style piano and clear arpeggios and record scratch. Chorus/verse/chorus form.
98 BPM Classic hip hop with a male lead singer with crowdy backings. 98 BPM Classic hip hop with a male lead singer with crowdy backings. The beat is composed of record scratch, funky wah wah guitars, flute, slightly out of tune honky style piano and clear arpeggios. Verse into chorus form.
98 BPM Classic hip hop with a male lead singer with crowdy backings. 98 BPM Classic hip hop with a male lead singer with crowdy backings. The beat is composed of record scratch, funky wah wah guitars, flute, slightly out of tune honky style piano and clear arpeggios. Chorus form.
63 BPM. Heavy & anthemic hip hop song, militant & confident male rap 63 BPM. Heavy & anthemic hip hop song, militant & confident male rap vocals. Empowering, combative. Driven by a very plodding beat, stadium like, collective. Alarming like synth hook & epic rises FX.
63 BPM. Heavy & anthemic hip hop song, militant & confident male rap 63 BPM. Heavy & anthemic hip hop song, militant & confident male rap vocals. Empowering, combative. Driven by a very plodding beat, stadium like, collective. Alarming like synth hook & epic rises FX.
63 BPM. Heavy & anthemic hip hop song, militant & confident male rap 63 BPM. Heavy & anthemic hip hop song, militant & confident male rap vocals. Empowering, combative. Driven by a very plodding beat, stadium like, collective. Alarming like synth hook & epic rises FX.
63 BPM. Heavy & anthemic hip hop song, militant & confident male rap 63 BPM. Heavy & anthemic hip hop song, militant & confident male rap vocals. Empowering, combative. Driven by a very plodding beat, stadium like, collective. Alarming like synth hook & epic rises FX.
75 BPM. Rowdy strong electro rock. Fade in to a brash & combative 75 BPM. Rowdy strong electro rock. Fade in to a brash & combative riff. Strong plodding beat with handclaps, heavy & determined. Militant, motivating. Empowering chorus.
73 BPM. Epic pop rap, anthemic. Rising intro with grandiose & 73 BPM. Epic pop rap, anthemic. Rising intro with grandiose & thrilling features, high choir. Beat drop on a heavy & determined chorus, assured rap mal vocals. Combative, empowering. Solid, unified & motivational.
73 BPM. Epic pop rap, anthemic. Rising intro with grandiose & 73 BPM. Epic pop rap, anthemic. Rising intro with grandiose & thrilling features, high choir. Beat drop on a heavy & determined chorus, assured & striking FX. Combative, empowering. Solid, unified & motivational.
73 BPM. Epic pop rap, anthemic. Rising intro with grandiose & 73 BPM. Epic pop rap, anthemic. Rising intro with grandiose & thrilling features, high choir. Beat drop on a heavy & determined chorus, assured rap mal vocals. Combative, empowering. Solid, unified & motivational.
75 BPM. Motivational & anthemic pop rap. Led by swag male rap vocals 75 BPM. Motivational & anthemic pop rap. Led by swag male rap vocals positive and encouraging. Anthemic chorus, feat brass section, gathering. Empowering rises to puissant beat drops.
75 BPM. Motivational & anthemic pop rap. Led by swag male rap vocals 75 BPM. Motivational & anthemic pop rap. Led by swag male rap vocals positive and encouraging. Anthemic chorus, feat brass section, gathering. Empowering rises to puissant beat drops.
75 BPM. Motivational & anthemic pop rap. Led by swag male rap vocals 75 BPM. Motivational & anthemic pop rap. Led by swag male rap vocals positive and encouraging. Anthemic chorus, feat brass section, gathering. Empowering.
86 BPM. Rowdy alternative rap, pop rap. From a gritty distorted 86 BPM. Rowdy alternative rap, pop rap. From a gritty distorted guitar riff, heavy crowd percussions (handclaps, pounding), stadium like. Strong, collective & combative. Assured male rap vocals, backed by anthemic brasses for the chorus.
86 BPM. Rowdy alternative rap, pop rap. From a gritty distorted 86 BPM. Rowdy alternative rap, pop rap. From a gritty distorted guitar riff, heavy crowd percussions (handclaps, pounding), stadium like. Strong, collective & combative. Assured male rap vocals, backed by anthemic brasses for the chorus.
86 BPM. Rowdy alternative rap, pop rap. From a gritty distorted 86 BPM. Rowdy alternative rap, pop rap. From a gritty distorted guitar riff, heavy crowd percussions (handclaps, pounding), stadium like. Strong, collective & combative. Assured male rap vocals, backed by anthemic brasses for the chorus.
86 BPM. Rowdy alternative rap, pop rap. From a gritty distorted 86 BPM. Rowdy alternative rap, pop rap. From a gritty distorted guitar riff, heavy crowd percussions (handclaps, pounding), stadium like. Strong, collective & combative. Assured male rap vocals, backed by anthemic brasses for the chorus.
60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass 60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass samples loop, introduction. Angry & militant male rap vocals, reinforced by combative backing vocals in the chorus. Intense trap beat.
60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass 60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass samples loop, introduction. Confident and intense trap beat.
60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass 60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass samples loop, introduction. Confident and intense trap beat.
60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass 60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass samples loop, introduction. Angry & militant male rap vocals, reinforced by combative backing vocals in the chorus. Intense trap beat.
60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass 60 BPM. Epic pop rap, trap. Gathering. Built on a anthemic brass samples loop, introduction. Angry & militant male rap vocals, reinforced by combative backing vocals in the chorus. Intense trap beat.
