Gospel song from the spiritual repertoire composed by Reverend Gospel song from the spiritual repertoire composed by Reverend Charles Albert Tindley in 1905. "When everything goes wrong, There's troubles in your home Oh, lord, Oh Lord , Stand by me..." Singer, choir, percussion & bass. Instrumental tr-24.Lyrics
Folksong that became popular during the social movements of the 50s Folksong that became popular during the social movements of the 50s and 60s. Also known as Bahamian Lullaby. "All my trials, Lord, Soon be over." Lead vocal & choir in a gospel spirit. Organ @ 0'55. Percussion & ebow guitar @ 1'23. Instrumental tr-27.Lyrics
Romance in waltz time. Melancholic, loving & sentimental. Male & Romance in waltz time. Melancholic, loving & sentimental. Male & female duet. Orchestra, string ensemble, piano & rhythm. In the spirit of Broadway musicals of 40s & 50s. Suggested for happy endings.Lyrics
WE MAY FALL IN LOVE
Music by Julien Vega
Lyrics by John Greaves & Julien vega
I don’t want to fall in love
It’s not a game I wish to choose
Sweet as your advances are
I must regrettably refuse
Love Is just a game of fools
So maybe we could bend the rules
Play the game, lose every time
You bet a dollar, win a dime
I will take that broken heart and heal it
Maybe there will come a day you’ll feel it
‘cause there is something you can’t disguise
There in your eyes
We may fall in love
Will I ever love again, Will I? Will I?
Let me wash away the pain
Love is meant for other men Not I Not I
Let me help you love again
There is such a lot to find
Circumstances
But you need an open mind
Please don’t take this personally,
Take some chances
It simply wasn’t means to be.
I will take that broken heart and heal it
But I can’t let you do it
Maybe there will come a day you’ll feel it
I am impervious to it
But there is something you can’t disguise
I see it in your eyes
We may fall in love
Tonight
You keep calling She hears you Fell no shame I want you
And I love how it feels And I love how it feels And I love
(You keep calling my name) You keep calling Do you see me (Ride in the name of love in the name of love in the name of love ouch) Picture me naked In your dreams (In my dreams)
And I love how it feels (How it feels) And I love how it feels And I love
You keep calling my name
Is she jealous of me like i’m jealous of her? Does she think about me like I thing about her?
Avant-garde pop/folktronica ballad. Introduction with celestial voice Avant-garde pop/folktronica ballad. Introduction with celestial voice & guitar. Female singer @ 0'45 & progression, rhythm @ 1'30 with sampled vocal loop. Only instrumental @ 1'45 & fade out.Lyrics
We’ve crossed the landscape Far the Avenue I’ve let my heart heal Oh we’ll see it throughNow the grass is green Let’s go for a walk And all that’s left between The silence in our love
God God Above The silence in our love
Plea Perfect Plea Plea is to be Perfect Plea
God Above
Plea Perfect Plea Plea is to be Perfect Plea
Perfect name is God Plea Perfect PleaThe silence in our love
You’re above all thing GodMy god aboveOh LordYou’re above all things God
Salsa/mambo. Passionnate & dancing. Male singer, brass section & Salsa/mambo. Passionnate & dancing. Male singer, brass section & rhythm. Solo trumpet @ 1'50.Lyrics
La muchacha se fue
Se fue se fue
Y yo no se porque
Esa muchacha se fue
Se fue se fue
Pa donde pa donde se fue
Si tu me ve
Por ahi? busca?ndole
Es que me desespere
Ya te vua deci porque?
Suelta....
Esa mucha se fue y medejo el corazo?n roto
Con el alma echa polvo
Yo me recuperare?
Tu va ve
Pa cuando no se
La muchacha se fue
Se fueeeee...
La muchacha se fue
Se fue se fue
Desde q te fuiste
Las cosas no andan mal
Pero si quere?s volver
Con gusto sere? tu man
Compai mala mia
Me quedaron mal
Esta travesi?a
Te quedo en pan?al
EN:
The girl is gone
She's gone, she's gone
And I don't know why
She's gone, she's gone
It was left
Where?
I don't know
If you see me
Go there in search of her
And, because I'm desperate
Now you're going to say why?
Get off my back...
That girl's gone and left me heartbroken.
With the soul made dust
I'm going to be fine
You will see it
When?
I don't know
Since you left
Things are not bad
But if you want to come back
With pleasure I will be your man
"Compay" what a misfortune
She planted me
This story
That story was too big for you
FR:
La fille est partie
Elle est partie, elle est partie
Et je ne sais pas pourquoi
Elle est partie, elle est partieIl a e?te? laisse?Ou??Je ne sais pas
Si vous me voyezPars la?, a? sa recherche
Et, parce que je suis de?sespe?re?
Maintenant, tu vas dire pourquoi?
La?che-moi ...
Cette fille est partie et m'a laisse? le cœur brise?
Avec l'a?me faite poussie?re
Je vais m'en sortir
Vous le verrezQuand? Je ne sais pas
Depuis ton de?partLes choses ne sont pas mal
Mais si tu veux revenirAvec plaisir je serai ton homme
"Compay" quel malheur Elle m'a plante?
Cette histoire
Cette histoire e?tait trop grande pour toi
Salsa sung in Spanglish. Festive & lively. Male singer, piano, latin Salsa sung in Spanglish. Festive & lively. Male singer, piano, latin percussion & brass section.Lyrics
esto es a lo niche, caliche,venite,
nos vamos pa los Yores, sen?ores come on.
esto es a lo niche,caliche,venite,
nos vamos a lo punta talon, punta talon.
y comenzo? vacilon,
llegaron los que son,
llevando un nuevo sound pa los Yores,
oye latino no te asombres,
vamo' a hacer desorden,
este ritmo lleva mi nombre,
Y ve vo' jabe?s, move?te move?te,
y ve vo' jabe?s, Mira? coje?,
y ve vo' jabe?s, move?te move?te,
y ve vo' jabe?s, cuidao y te cae?s.
hey Cali,
What's going on,
this is a lo niche,
del barrio song,
cuero pa' la calle,
campaneo ba?sico,
Do you feel it ?
ti-ti co?, ti-ti co?.
EN:
That's the black way, "caleninen" Come on!
We're going to New York
Gentlemen, come.
That's the black way, "caleninen" Come!
We're going to New York,
Gentlemen, come
We go in, toe, heel, toe heel
And the party started
Those who came, are there
Bringing a new sound to New York
Hey Latino, don't be surprised
We're gonna make a mess
This rhythm bears my name
And you know that
Move it, move it, move it
And you know that
Look, catch
And you know that
Move it, move it, move it
And you know that
Look, catch
Be careful, don't fall on the floor
Hey Cali
What's going on?
That's the black way.
Neighborhood song
Leather for the street
Basic striking of the bell
Did you feel it?
Ti ti co, ti ti co
FR:
C?a c’est a? la fac?on des noirs, “caleninen” Venez !
Nous allons a? New-York
Messieurs, venez.
C?a c’est a? la fac?on des noirs, “caleninen” Venez !
Nous allons a? New-York,
Messieurs, venez
Nous allons en, pointe, talon, pointe talon
Et la fe?te a commence?
Ceux qui sont venus, y sont
En amenant un nouveau son a? New York
Hey latino, ne soyez pas surpris
On va faire du de?sordre
Ce rythme porte mon nom
Et tu le sais bien
Bouge-toi, bouge-toi
Et tu le sais bien
Regarde, attrape
Et tu le sais bien
Bouge-toi, bouge-toi
Et tu le sais bien
Regarde, attrape
Fait gaffe, ne tombe pas par terre
Hey Cali
Qu’est ce qui se passe?
C?a c’est a? la fac?on des noirs
Chanson du quartier
Cuir pour la rue
Frappement basique de la cloche
L'avez-vous ressenti ?
Ti ti co, ti ti co
Spicy cha cha cha in the NY style with a kitschy touch. Sung in Spicy cha cha cha in the NY style with a kitschy touch. Sung in Spanglish. Male singer & band with brass & cuban percussion. Latin.Lyrics
I made this Swing
Under a coco tree
This blended cha cha Just for your hips
Here is your baby...
Gial I'm muy picante man
Just wanna have some fun
Bailando rico son
And groove it
And dance it
Que rico
Spicy cha cha cha with a kitschy touch. Band with brass section & Spicy cha cha cha with a kitschy touch. Band with brass section & cuban percussion. Latin.
Salsa, cha cha cha & soul music fusion. Decided, dancing & sensual. Salsa, cha cha cha & soul music fusion. Decided, dancing & sensual. Sung in Spanish. Male singer, latin rhythm & keyboard. Lead electric guitar @ 1'35.Lyrics
There was so much love
that I had for you babe no debió pasar, terminar así
You know that you mean everything to me y ahora tú te vas pa' hacerme sufrir
We had so many momentos nuestras caricias que no tienen fin now for something stupid te quieres marchar come with me y vamos a arreglarlo ya
chorus: wanna be with you again, I can't find the word to say please don't go away.
SONEOS: -Fueron tantas cosas bonitas, piénsalo recapacita, esto no puede suceder -No te vayas no, no lo tomes así fue tan solo un error -y si tu te vas yo me vo'a quedar solo en libertad, pero prefiero tu condena
Ya no puedo soportarlo si no te tengo no puedo seguir si vamos a separarnos piénsalo bien que después tú te vas a arrepentir
chorus: wanna be with you again, I can't find the word to say please don't go away.
SONEOS:
-Todo lo que quiero es hallar una salida, si tú te vas yo me quedo sin vitamina -Oh my babe, please don't go please don't go, no puedo vivir without you... si es que yo tengo lo que quieres -piénsalo bien, recapacita bebe, como te quiero yo nadie te va a querer tú ve... I wanna be with you again.
Underscore. Salsa, cha cha cha & soul music fusion. Decided, dancing Underscore. Salsa, cha cha cha & soul music fusion. Decided, dancing & sensual. Congas, latin rhythm & keyboard. Lead electric guitar @ 1'35.
Underscore. Salsa, cha cha cha & soul music fusion. Decided, dancing Underscore. Salsa, cha cha cha & soul music fusion. Decided, dancing & sensual. Congas, latin rhythm & keyboard.
Traditional lament from the Caribbean region of Colombia, sung in Traditional lament from the Caribbean region of Colombia, sung in Spanish. Poignant & touching. Female singer, claps & Spanish guitar. Lyrics
Yo te doy mi corazón Llora gavilán Sió sió gavilán Y tú a mí me das el tuyo Llora gavilán Sió sió gavilán Sió sió gavilán Que me encuentro el desvarío Llora gavilán Sió sió gavilán Sió sió gavilán Yo soy como el gallo negro Llora gavilán Sió sió Que me encuentro el desvarío Llora gavilán Sió sió gavilán Sió sió gavilán Yo soy como el gallo negro Llora gavilán Sió sió
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Underscore. Traditional from the Caribbean region of Colombia. Underscore. Traditional from the Caribbean region of Colombia. Melancholic & touching. Spanish guitar & claps.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Post-punk revival / electro pop with a 80's vibe. Classy intro then Post-punk revival / electro pop with a 80's vibe. Classy intro then relentless. Constant guitar riff. Arty. Electric guitar, male voice, synth & rhythm.Lyrics
Is the world combine ?
Love, creep and all you stole... Is the world combine ? Is the world combine ?
Instrumental alternate. Post-punk revival / electro pop with a 80's Instrumental alternate. Post-punk revival / electro pop with a 80's vibe. Instrumental. Suggested for fashion shows. Catchy, lively & cyclic. Electric guitar, synth & rhythm.
Folk rock ballad. Melancholic, arid & wandering. Male singer, Folk rock ballad. Melancholic, arid & wandering. Male singer, electric and acoustic guitars, & rhythm with tambourine.Lyrics
Through the huge deserts, i wanna live with the sand peopleWith the same customsOne person told me, sea and earth indulge in battlefor the glory of myths and temples.So i'd go, i want to knowSo i'd go, to see the land of the unknownwhen i was younger, we learned life iswonderfulYes it is if you live every moment like the last onewithout money in the pocket, you can live true moments, Wonderful!It's what this old man makes me understand
So i'd go, i want to knowSo i'd go , to see the land of the unknown
Folk rock. Melancholic, arid & obstinate. Electric and acoustic Folk rock. Melancholic, arid & obstinate. Electric and acoustic guitars & rhythm with tambourine.
