| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Bass Is The Boss [UBM2179 - 12] |
0 | 2'07 | Cheeky, joyful, cool. | beds 1970 1960 confident | Em | 95 | ||||
|
Tuesday [UBM2106 - 6] |
0 | 5'02 | George Whitty | Soft jazz fusion, light guitar theme and vibes. | beds 1960 1970 confident | Fm | 103 | |||
|
Antonio [UBM2106 - 14] |
0 | 2'42 | John Grunt | Late night funk. Celebraties, talk show and boulevard. | brass hits daytime TV confident lively | Am | 92 | |||
|
Hey Now [MPMA0007 - 1] |
1'56 | Iain Mahanty | Fun, upbeat, quirky instrumentals using electronic and pop style to | daytime TV advertising pop rock fashion | G | 118 | ||||
|
Hey Now Underscore [MPMA0007 - 6] |
Alt. | 1'14 | Iain Mahanty | Fun, upbeat, quirky instrumentals using electronic and pop style to | daytime TV catchy groovy pop rock | Em | 112 | |||
|
Imma Talk [ISC040 - 5] |
3'09 | IDALIA, Sandia | Soul indie pop. Hybrid, hypnotic, powerful & elegant. Uplifting Lyrics | dark pop teen drama female singer uplifting | Gbm | 88 | ||||
|
Imma Talk Alternate [ISC040 - 15] |
Alt. | 3'09 | IDALIA, Sandia | Alternate without vocal. | teen drama dark pop uplifting celebs | Gbm | 88 | |||
|
It Must Be Love [CEZ4556 - 4] |
2'47 | Grand David | Funk, 80s, California funk, West Coast. Sunny, joyful, catchy & | fashion 1980 daytime TV advertising | Bm | 112 | ||||
|
It Must Be Love Alternate [CEZ4556 - 18] |
Alt. | 2'47 | Grand David | Instrumental Version. | fashion 1980 daytime TV advertising | Bm | 112 | |||
|
Sunshine at Midnight [CEZ4563 - 17] |
2'00 | Jon Du | French House. Powerful, federative & dancing. Synths, bass slap, Lyrics | French touch fashion catchy electro funk | Bm | 129 | ||||
|
Sunshine at Midnight Alternate [CEZ4563 - 29] |
Alt. | 2'00 | Jon Du | Alternate version without vocal. | French touch fashion catchy electro funk | Bm | 130 | |||
|
Party Obsession [CEZ4469 - 1] |
0 | 2'52 | Rémo | Electro beat & Acid house. Heady, groovy & powerful. Hypnotic. | club danceable mechanical sport fashion | D | 125 | |||
|
Express Makeover [CEZ4247 - 4] |
0 | 4'18 | Philippe Bozec | Electro funk. Powerful & rhythmic. Synth, guitar, slapping bass & | fashion celebs French touch modern | Em | 126 | |||
|
Lady Swagger [CEZ4247 - 10] |
3'17 | Vermair | Electro French Touch. Dynamic & cut-up. Synth, female sampled voice, | electroclash celebs fashion modern | Cm | 120 | ||||
|
Lady Swagger 2 [CEZ4247 - 24] |
Alt. | 1'40 | Boris Popov | Electro clash. Pushy & arrogant. Synth, pitched voices & rhythm. | electroclash fashion modern celebs | Am | 120 | |||
|
Investigative 09 [UBM2176 - 9] |
0 | 1'54 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Brusque, ominous, tumultuous. | beds 1990 spy investigation | Cm | 112 | |||
|
Funky Neutrality [UBM2179 - 2] |
0 | 2'46 | Vivid & nonchalant ; life-style flair. | 1970 beds United States of America 1980 | Am | 110 | ||||
|
Night Time In The City [UBM2179 - 13] |
0 | 2'08 | Swinging, coltish, energetic. | funky wah-wah guitar 1970 confident | Dm | 164 | ||||
|
Destiny [UBM2106 - 3] |
0 | 2'46 | John Grunt | Disco era, late-night brass funk. | kitsch & cheesy 1970 1980 confident | Cm | 120 | |||
|
Indian Summer [UBM2156 - 7] |
0 | 4'29 | Christoph Lienemann | Hammered Dulcimer with overtone flute and drums. | exotic interrogative confident dulcimer | Em | 119 | |||
|
Funky Attack [UBM2124 - 14] |
0 | 2'44 | Daniel Backes, Peter Moslener | Groovy slap-bass-driven funk rock. | funky beds airy lively | Gbm | 111 | |||
|
Body Art [CEZ4047 - 35] |
0 | 1'43 | Marc-Olivier Dupin | Sophisticated & slightly edgy. Double bass solo & Fx. | abstract art film noir walking bass sparse | Gm | 132 | |||
|
Words [CEZ4041 - 10] |
0 | 1'13 | Marc-Olivier Dupin | Freeform slow to fast. Trumbling thoughts. Solo double bass. | interrogative intermittent silence abstract art | Em | 112 |