| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Affairs of State [CEZ4290 - 17] |
2'11 | Gréco Casadesus, Gregory Cotti | Determined, interrogative & dignified. Cinematic orchestra, trumpet, | docu fiction politics disturbing contemporary history | Am | 103 | ||||
|
Affairs of State Alternate
[CEZ4290 - 39] |
Alt. | 1'19 | Gréco Casadesus, Gregory Cotti | Determined, interrogative & majestic. Cinematic orchestra, trumpet & | contemporary history cinematic orchestra opening credits TV politics | Am | 103 | |||
|
History in the Making [CEZ4290 - 22] |
0 | 1'56 | Gréco Casadesus, Gregory Cotti | Powerful, urgent & solemn. Constant progression. Cinematic orchestra | opening credits TV contemporary history cinematic orchestra tragic | C | 104 | |||
|
A Remakable Destiny Alternate
[CEZ4290 - 35] |
2'03 | Gabriel Saban, Philippe Briand | Determined & moving. Constant progression. Cinematic orchestra. | unifying cinematic orchestra uplifting contemporary history | Bm | 90 | ||||
|
A Remakable Destiny [CEZ4290 - 12] |
Alt. | 2'03 | Gabriel Saban, Philippe Briand | Determined & moving. Constant progression. Cinematic orchestra & | opening credits TV contemporary history cinematic orchestra docu fiction | Ebm | 90 | |||
|
The World to Come Alternate
[CEZ4290 - 52] |
2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | opening credits TV contemporary history cinematic orchestra docu fiction | Cm | 120 | ||||
|
The World to Come [CEZ4290 - 27] |
Alt. | 2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | docu fiction cinematic orchestra opening credits TV cinematic percussion | Cm | 80 | |||
|
A Thousand Words per Day [CEO2044 - 18] |
0 | 1'19 | Gréco Casadesus | Determined & exhilarating. String orchestra & keyboard. | string orchestra historical narrative strict destiny | C | 126 | |||
|
The Boer War [CEO2044 - 20] |
0 | 1'07 | Gréco Casadesus | Tense & powerful. Symphony orchestra. | historical narrative symphony orchestra jerky archive footage | Em | 140 | |||
|
Political Crime [CEZ4288 - 10] |
0 | 2'25 | Gautier Galard, Laetitia Placido | Suspense. Threatening & sad. Electronics & cinematic strings. | crime movie disturbing contemporary history historical narrative | Em | 132 | |||
|
The Night has Eyes [CEZ4288 - 23] |
0 | 2'08 | John Greaves, Baptiste Thiry | Suspense. Frightening & black. Constant & final progression. | scary horror suspense disturbing | Cm | 140 | |||
|
Crucial Decision [CEZ4284 - 4] |
0 | 1'12 | Julien Baril | Sudden, serious & ominous. Hybrid orchestra. | suspense investigation cinematic orchestra scary | Dm | 81 | |||
|
The Impulse Behind Power [CEZ4284 - 7] |
0 | 2'03 | Julien Baril | Imperative, determined & serious. Hybrid orchestra. | relentless contemporary history inexorable whirling | Bm | 90 | |||
|
For Reasons of State [CEZ4284 - 10] |
0 | 1'29 | Julien Baril | Punctuated, worrying & imperative. Hybrid orchestra. | trailer historical conflict warlike contemporary history | Bbm | 85 | |||
|
Pushy Strings [UBM2270 - 12] |
0 | 1'49 | Daniel Backes, Peter Moslener | Fast and slightly dramatic track yet optimistic and uplifting. | driving confident adventure game acoustic piano | Dm | 123 | |||
|
Sinister Scene [UBM2270 - 15] |
0 | 2'13 | Daniel Backes, Peter Moslener | Gloomy, heavy track with a deep piano. Ideal for dark images and | interrogative investigation film noir disturbing | Em | 75 | |||
|
Harmful Discoveries [UBM2270 - 23] |
0 | 1'41 | Daniel Backes, Peter Moslener | Calm beginning but constantly upraising pressure and seriousness. | acoustic piano confident panorama building | Dm | 126 | |||
|
Secret Walk [UBM2268 - 5] |
0 | 2'13 | Bernhard Hering, Matthias Krüger-Wendel | Threatening and driving strings and drums create a mood of secrets, | interrogative investigation vibraphone funny scary | Fm | 83 | |||
|
Escape From Reality [CEO2036 - 5] |
0'51 | Gréco Casadesus | Urgent & dramatic. Strings & percussion. | historical narrative social drama crime movie relentless | Am | 138 | ||||
|
Escape From Reality 2 [CEO2036 - 16] |
Alt. | 1'06 | Gréco Casadesus | Tense & dramatic. String ensemble. | historical narrative string orchestra tormented spy | Dm | 130 | |||
|
Who Knows Who? [CEZ4252 - 1] |
2'09 | Elisabeth Skornik, Guy Skornik | Intriguing, mysterious & sparse. Paino, sound design, strings @ 0'55 | mysterious narrative suspense interrogative | Gbm | 115 | ||||
|
Who Knows Who? 2 [CEZ4252 - 20] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Mysterious, minimalist & sparse. Piano & sound design. | mysterious suspense sparse interrogative | Gbm | 114 | |||
|
Peaceful Family [UBM2201 - 11] |
0 | 1'41 | Anselm Kreuzer | Childlike & comical. Bassoon, glockenspiel, shaker, toy piano. | bassoon naive animation & cartoons comical | C | 125 | |||
|
Lost In Village [CEO2032 - 5] |
2'39 | Selma Mutal | Suspended then determined @ 0'40. Delay fx, glass harmonica, staccato | rhythm change fx delay war (movies) relentless | Am | 110 | ||||
|
Lost In Village 2 [CEO2032 - 12] |
Alt. | 2'01 | Selma Mutal | Determined & serious march. Staccato strings & timpanies. | steady relentless staccato suspense | Am | 110 | |||
|
Leone Ginzburg Variation 1 [CEO2028 - 1] |
0 | 1'26 | Baptiste Thiry | Dramatic & determined. String ensemble. | historical narrative destiny string orchestra strict | Cm | 118 |