| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Juventino Waltz [CEV3032 - 64] |
0 | 2'35 | Michel Haumont | Moving & passionate. Solo acoustic guitar. | South America folk guitar waltz movement Spain | Em | 112 | |||
|
Sigh Of Relief [UBM2161 - 21] |
0 | 2'07 | Anselm Kreuzer | Peaceful, reflective, calm. | patient romantic comedy confident social drama | E | 107 | |||
|
Dramatic Food Fight [UBM2163 - 15] |
0 | 2'30 | Anselm Kreuzer | Merciless, lively, troubled; aggressive. | explosive final building adventure | Gm | 120 | |||
|
Negative 10 [UBM2137 - 10] |
0 | 1'11 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Angrily mumbling, bassoon. | horror disturbing relentless psychotic | F | 149 | |||
|
New Hope [UBM2157 - 22] |
0 | 2'19 | Anselm Kreuzer | Magic, subtle; leading into emphatic finale. | final mysterious sequencing confident | Dm | 140 | |||
|
Cul-De-Sac (Voice Edit) [CEZ4092 - 38] |
2'20 | Hoosky | Dark & haunting. Outro. Synth, samples, pitched voices & rhythm. | abyss muffled hypnotic relentless | C | 88 | ||||
|
Cul-De-Sac [CEZ4092 - 27] |
Alt. | 2'16 | Hoosky | Mysterious & uneasy. Steady beat with hand-claps & deep synth bass | abstract hip-hop investigation sport drama urban landscape | C | 88 | |||
|
Movin' On [CEV3024 - 7] |
0 | 2'19 | Mark Alberts | 60's inspired melodic riff. Postive & determined. | 1960 England lively rock (all) | A | 146 | |||
|
Circus Parade [CEZ4086 - 1] |
0 | 1'31 | Jerome Germond | Circus overture. Uplifting march. Circus band. | circus circus animals brass band circus music | Cm | 120 | |||
|
The Living Dead [CEZ4081 - 17] |
0 | 1'00 | Cyrille Aufort | Sudden, scary & paroxysmal. String ensemble. | horror psychotic scary paranormal | C | 111 | |||
|
Capoeira Nova [CEZ4076 - 39] |
0 | 2'10 | Silvano Michelino | Carefree & lively. Onomatopoeia, electric guitar & percussion. Fx | fx phasing onomatopoeias fiery Brazil | Gm | 120 | |||
|
The End of the Tunnel [CEZ4074 - 34] |
0 | 2'02 | Elisabeth Skornik, Guy Skornik | Part 1 tuning & crescendo Orchestra. Part 2 @ 0'57 determined | fx orchestra tuning up complex disturbing rising | Gm | 128 | |||
|
At Court [CEV3006 - 50] |
0 | 3'43 | Piotr Moss | Solemn then changing. Symphony orchestra with percussion. | 17th century changing renaissance solemn | A | 68 | |||
|
The Golden Age [CEZ4065 - 19] |
0 | 1'04 | Cyrille Aufort | Tender, peaceful & refined. Orchestra with piano. | destiny romantic romantic comedy chamber orchestra | Dm | 62 | |||
|
The End of the Story [CEZ4065 - 41] |
0 | 0'36 | Cyrille Aufort | Tragic. String orchestra & piano. | poignant destiny tragic final | Gm | 90 | |||
|
Storming of the Citadel [CEZ4064 - 9] |
0 | 2'40 | Bernard Becker | Violent, resolute & emphatic. Dramatic finale. Orchestra. | inexorable epic fantasy symphony orchestra | Ebm | 112 | |||
|
Family Affair 31 [CEO2002 - 31] |
0 | 0'25 | Arnaud de Buchy | Conclusion. | final B movie string section sentimental | Am | 70 | |||
|
One Zero [CEZ4059 - 1] |
0 | 2'57 | Arnaud Rebotini | Gentle & positive. Slowly building. Pulsing electric piano & rhythmic | science cybernetics architecture & design patient | Am | 153 | |||
|
Prendre la Mer [CEZ4057 - 1] |
0 | 1'55 | Pierre-André Athané | The adventure begins! String section overture. Strident theme with | high seas adventure panorama airy | Bm | 80 | |||
|
The High Sea [CEZ4057 - 4] |
0 | 1'37 | Pierre-André Athané | Strong & emotional string theme rising a falling. | destiny moving high seas lyrical | Em | 163 | |||
|
Bonne Espérance [CEZ4057 - 7] |
0 | 1'12 | Cyrille Aufort | Delicate & cautious strings with slow ascending chords. | high seas string orchestra airy rising | Bb | 63 |