| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Recent Discovery (extended) [CEZ4355 - 28] |
4'27 | Hiroki Ishikura | Sci fi / electro minimalism. Relentless, inexorable & toxic. Constant | inexorable relentless sci-fi electro minimalism | Bbm | 110 | ||||
|
A Recent Discovery [CEZ4355 - 11] |
Alt. | 3'17 | Hiroki Ishikura | Sci fi / electro minimalism. Relentless, inexorable & toxic. Constant | inexorable sci-fi science crescendo | Bbm | 120 | |||
|
Together Forever [CEZ4354 - 4] |
2'28 | Narumi Omori | Dream pop / indie pop. Heavy intro. Dreamy, peaceful & misty. | dreamy dream pop fx reverb airy | G | 100 | ||||
|
Together Forever 2 [CEZ4354 - 17] |
Alt. | 2'28 | Narumi Omori | Dream pop / indie pop. Heavy intro. Dreamy, peaceful & misty. | dream pop fx reverb dreamy modern | G | 100 | |||
|
Start Again [CEZ4354 - 6] |
0 | 2'48 | Sham Makdessi, Morgan Sansous | Dream pop. Catchy, determined & airy. Electric guitar, snap & rhythm. | dream pop driving catchy modern | G | 87 | |||
|
The Lonely City [CEZ4354 - 15] |
0 | 2'59 | The Mean Pandas | Dream pop. Panoramic, rigorous & determined. Electric guitar & | driving dream pop luminous modern | Cm | 89 | |||
|
Exomind [CET9008 - 11] |
3'24 | Gabriel Saban, Philippe Briand | Fervid & inspirational intro evolving gradually with modular synth | space majestic trailer cinematic | Eb | 100 | ||||
|
Exomind - No Perc [CET9008 - 24] |
Alt. | 3'24 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | space sci-fi triumphant adventure | Eb | 100 | |||
|
Millennium Exhibition [CEO2078 - 7] |
0 | 1'48 | Gréco Casadesus, Gregory Cotti | Adventure / underscore. Solemn & determined but calm. String | majestic unifying proud historical narrative | G | 140 | |||
|
Attore di Peplum [CEO2074 - 10] |
0 | 2'04 | Bruno Alexiu | Peplum/adventure. Falsely tragic intro. Grotesque & tragicomic march. | peplum kitsch & cheesy newsreel changing | Dm | 141 | |||
|
United [UBM2287 - 3] |
0 | 2'33 | Aint, Tobias Zwiefler | Atmospheric arm waving festival sounds. | club eurodance uplifting catchy | Bb | 128 | |||
|
Blizzard Hunter [CEZ4348 - 10] |
0 | 4'07 | Stephen Yang | Trailer/sci fi movie. Percussive, forceful, epic & discontinued. | historical conflict action game powerful & imposing disturbing | Ebm | 140 | |||
|
Returning Home [CEZ4337 - 3] |
2'57 | Sebastijan Duh | Adventure & swashbuckler. Pastoral & solemn. @ 1'08 tempo changing. @ | adventure epic destiny docu fiction | F | 110 | ||||
|
Returning Home Alternate [CEZ4337 - 25] |
Alt. | 2'57 | Sebastijan Duh | Adventure & swashbuckler. Pastoral & solemn. @ 1'08 tempo changing. @ | adventure swashbuckler docu fiction epic | F | 111 | |||
|
Hope on the Horizon [CEZ4339 - 2] |
0 | 2'09 | Baptiste Thiry | Atmospheric, cold & cyclic. Synth, sound design & string section. | cybernetics uplifting industry arpeggio | Fm | 98 | |||
|
Final Boss [CEZ4334 - 10] |
0 | 3'13 | Mathieu Dalençon, Morgan Sansous | Dubstep / drum n' bass. Urgent, rhythmic & explosive. First person | dubstep retrogaming chase rhythmic | Gm | 90 | |||
|
Duluth [CEZ4327 - 7] |
2'05 | Barthélémy Corbelet | Melancholic, drifting but inexorable. Acoustic guitar, rhythm @ 0'44 | wandering geopolitics investigation melancholic | Dm | 97 | ||||
|
Duluth rhythm part [CEZ4327 - 18] |
Alt. | 1'21 | Barthélémy Corbelet | Sad, drifting & inexorable. Rhythm with piano & organ. | wandering suspended atmosphere crime movie geopolitics | Dm | 97 | |||
|
Duluth Alternate 2 [CEZ4327 - 19] |
Alt. | 2'05 | Barthélémy Corbelet | Moody, drifting & lonely. Acoustic guitar, piano @ 0'44 & organ. | geopolitics desolate investigation atmospheric | Dm | 97 | |||
|
Duluth Alternate 3 [CEZ4327 - 20] |
Alt. | 2'06 | Barthélémy Corbelet | Moody, drifting & lonely. Acoustic guitar & drums @ 0'44. | desolate social drama anticipation suspended atmosphere | Dm | 145 | |||
|
Once and Forever [CEZ4329 - 1] |
0 | 2'39 | Martin Duru, Jean-Sebastien Nouveau, Pierre André Pernin | Electro corporate. Propulsive, catchy & unifying. Arpeggiator, piano | driving confident corporate convention cybernetics | Bm | 104 | |||
|
Santa Cruz [CEO2058 - 5] |
0 | 1'48 | Gregory Cotti | Powerful & exhilarating. Constant progression, percussion & cinematic | docu fiction geopolitics cinematic percussion confident | C | 127 | |||
|
Augmented Future [CEO2053 - 1] |
0 | 4'03 | Stéphane Lopez | Analog electro. Rigorous, intense & determined. Build up & climax @ | cybernetics sci-fi cyclic space | Em | 140 | |||
|
Space Under the Seas [EOS24 - 2] |
0 | 2'39 | Clinton Charles, Sandy Mahut | Nocturnal & mysterious. Acoustic guitar, female choir, piano, synth, | nocturnal steady fantasy mysterious | C | 61 | |||
|
Le départ vers Londres [CEO2048 - 11] |
0 | 2'15 | Emmanuel Denis | Sport. Panoramic & exhilarating. Changing @ 1'24. | synthesizer changing daytime TV uplifting | A | 129 | |||
|
Pipe Dreams [CEZ4315 - 20] |
2'05 | Grand David | Hypnotic, relax & psyche. Organ, strings, electric guitar & Indian | easy listening (all) lazy dreamy exotic | Ebm | 74 | ||||
|
Pipe Dreams 2 [CEZ4315 - 32] |
Alt. | 2'06 | Grand David | Hypnotic, relax & exotic. Organ, strings, electric guitar & sitar. | relaxed exotic hypnotic dreamy | Ebm | 74 | |||
|
No Way in Hell [CEZ4313 - 7] |
0 | 3'06 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Brutal, violent & urgent. Metal band. | thrash metal aggressive & violent double bass drum pedal horror | Em | 98 |