| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Jade Palace Alternate [CET9060 - 17] |
2'54 | Gabriel Saban, Bo Tian | Alternate without percussion. | anime & manga (Japan) chinese cinema sentimental cinematic | Bm | 89 | ||||
|
Jade Palace [CET9060 - 6] |
Alt. | 2'54 | Gabriel Saban, Bo Tian | Romantic & thoughtful intro with piano & gentle strings building-up | anime & manga (Japan) chinese cinema sentimental cinematic | Bm | 90 | |||
|
Samurai Redemption Alternate [CET9060 - 19] |
2'53 | Gabriel Saban, Bo Tian | Alternate without percussion. | warlike kung fu adventure driving | Bm | 98 | ||||
|
Samurai Redemption [CET9060 - 9] |
Alt. | 2'53 | Gabriel Saban, Bo Tian | Impressive intro with low taiko evolving with koto sound & piano ping | warlike kung fu adventure driving | Bm | 98 | |||
|
Guardian Spirits Alternate [CET9060 - 20] |
3'21 | Gabriel Saban, Bo Tian | Alternate without percussion. | chinese cinema Asia adventure cinematic | Bm | 144 | ||||
|
Guardian Spirits [CET9060 - 10] |
Alt. | 3'21 | Gabriel Saban, Bo Tian | Peaceful & meditative intro with piano & emotional strings. | chinese cinema Asia adventure cinematic | Bm | 144 | |||
|
A Possible Reintegration [CEO2135 - 8] |
0 | 1'54 | Baptiste Thiry | Interrogative, delicate but worried, insistent & moving. | patient original score moving anticipation | G | 149 | |||
|
Time Balance [CEO2135 - 9] |
0 | 2'18 | Baptiste Thiry | Waiting, suspended & doubtful. Questionning & moving @ 1'03. Piano, | interrogative original score insidious mysterious | D | 75 | |||
|
Last Chance Train [CEO2134 - 4] |
0 | 1'32 | Antoine Glatard | Tragic, punctuated & disturbing. String orchestra with pizzicato | tragic funereal inexorable original score | Eb | 78 | |||
|
An Unbearable Wait [CEO2134 - 8] |
0 | 1'30 | Antoine Glatard | Suspended, tragic & constant. Drone, timpani & low strings. | desolate drone inexorable disturbing | Eb | 107 | |||
|
Northern Sentinel [CEC8015 - 10] |
0 | 1'21 | Yum BGM | Disturbing, suspended & haunting. Strings, ethnic flute & Chinese | original score disturbing historical narrative historical conflict | A | 76 | |||
|
Mikhaïl and Ivan Cello &
[CEO2124 - 16] |
1'15 | Gréco Casadesus | Peaceful, refined & moving. Clarinet, cello & string orchestra. | retro cinema destiny peaceful sentimental | G | 86 | ||||
|
Mikhaïl and Ivan [CEO2124 - 1] |
Alt. | 1'18 | Gréco Casadesus | Russia. Peaceful, pastoral & moving. Rhythm changing @0'32. Accordion | moving hollywood classic pastoral sentimental | G | 89 | |||
|
The Opening of the Archives
[CEO2106 - 15] |
2'14 | Alice Guerlot Kourouklis | Alternate without strings. Urgent, moving & determined. | archive footage cyclic destiny driving | B | 90 | ||||
|
The Opening of the Archives [CEO2106 - 3] |
Alt. | 2'14 | Alice Guerlot Kourouklis | Urgent, moving & determined. Minimalist/repetitive music. Woodwind | archive footage cyclic destiny punctuated | B | 90 | |||
|
New Beginnings [CET9016 - 9] |
2:58 | Gabriel Saban, Anne-Sophie Versnaeyen | Tranquil, confident & emotional . Staccato strings & piano arpeggio | moving neo-classical music romantic confident | A | 140 | ||||
|
New Beginnings Alternate [CET9016 - 21] |
Alt. | 2'58 | Gabriel Saban, Anne-Sophie Versnaeyen | Alternate without percussion. Serene, confident & emotional . | moving neo-classical music romantic confident | A | 140 | |||
|
At the End of the Universe [CEG5014 - 8] |
0 | 2'12 | Gréco Casadesus, Delphine Malaussena | Desolate, worrying & panoramic. String orchestra & sound design. The | space cosmic music airy disturbing | Dm | 65 | |||
|
Premier Mari [CEO2049 - 3] |
0 | 2'26 | Lucas Napoleone | Peaceful & dreamy. Flute, piano & string orchestra. | romantic feminine country & garden romantic comedy | C | 116 | |||
|
Still There [UBM2260 - 5] |
0 | 2'06 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow strings create a melancholic and thoughtful atmosphere. Ideal | film noir historical narrative panorama disturbing | E | 110 | |||
|
State of Peace [UBM2260 - 7] |
0 | 3'10 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Ideal track for the credits of a moving drama without a happy ending. | moving intermittent introspective panorama | Bm | 78 | |||
|
Through a Child's Eyes [CEZ4223 - 21] |
0 | 2'11 | Sebastijan Duh | Corporate. Positive & determined. Constant progression. Piano & | neo-classical music corporate convention destiny uplifting | F | 128 | |||
|
Darkest Hour [UBM2237 - 12] |
0 | 1'36 | Felix Halbe | Gloomy, dismal orchestra track. Mournful, depressed, full of regret. | melancholic historical conflict sad restrained | Gb | 76 | |||
|
Japanese Influence 2 [CEZ4197 - 50] |
1'45 | Elisabeth Skornik, Guy Skornik | Peaceful but punctuated. Electronics & tick tock. | time (tick-tock) arts & crafts steady beds | Gb | 71 | ||||
|
Japanese Influence [CEZ4197 - 16] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Peaceful & restrained. Piano, electronics & female voice @ 1'35. | electro world arts & crafts delicate Japan | Dbm | 70 | |||
|
Simple, Magical 3 [CEZ4159 - 40] |
1'31 | Baptiste Thiry | Peaceful & romantic. String ensemble. | suspended atmosphere interrogative restrained animation & cartoons | Am | 111 | ||||
|
Simple, Magical [CEZ4159 - 23] |
Alt. | 1'31 | Baptiste Thiry | Mysterious & magical. Strings, celesta & flute. | circus music spring animation & cartoons magical | Em | 95 | |||
|
Looking East [CEZ4151 - 14] |
2'25 | Elisabeth Skornik, Guy Skornik | Serious & cyclique. Asian & Indian influences. Metallophone, string | strict arts & crafts confident corporate (all) | Eb | 105 | ||||
|
Looking East 2 [CEZ4151 - 44] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Peaceful & cyclic. Like an Indian raga. Solo piano. | suspended atmosphere confident cyclic intermittent | Eb | 105 | |||
|
Looking East 3 [CEZ4151 - 45] |
Alt. | 1'51 | Elisabeth Skornik, Guy Skornik | Exotic & easy going. Metallophone & string orchestra. | geopolitics time (tick-tock) calm confident | Eb | 105 |