| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
World Citizen [CEZ4067 - 24] |
0 | 2'30 | Nicolas Mizrachi, Jean-Francois Morin | Folk ballad. Confident & determined. Acoustic guitar & rhythm @ 0'35. | folk ballad confident tracking shot social drama | Em | 86 | |||
|
Dream and Illusion [CEZ4065 - 12] |
0 | 1'39 | Cyrille Aufort | Pensive, secretive & sentimental. Orchestra with harp & piano. | destiny romantic introspective moving | Gm | 65 | |||
|
Pace up and down [CEZ4065 - 20] |
0 | 1'23 | Piotr Moss | Melancolic & romantic. Piano & cello duet. | sentimental destiny melancholic Twentieth century music | A | 86 | |||
|
Les Cousins d'Italie [CEZ4063 - 16] |
0 | 1'54 | Pierre-André Athané | Tender & nostalgic. Clarinet, cello, guitar & double-bass. | everyday life swaying Italian cinema childhood | Am | 93 | |||
|
Les Copains d'Avant [CEZ4063 - 22] |
0 | 2'23 | Pierre-André Athané | Nostalgic & tender. Solo guitars. Spiritual. | intimate folk ballad introspective melancholic | D | 100 | |||
|
Dimanche Après-Midi [CEZ4063 - 23] |
0 | 2'25 | Pierre-André Athané | Melancholic & intimate. Piano & cello. | old-fashioned destiny moving sentimental | Bm | 117 | |||
|
Organic Matter [CEZ4062 - 18] |
0 | 2'40 | Selma Mutal | Peaceful & mechanical. Piano, zither & percussion. | patient corporate video simple steady | Dbm | 118 | |||
|
Energy Storage [CEZ4062 - 36] |
0 | 1'12 | Nicolas Mizrachi, Jean-Francois Morin | Bonus track. Repetitive & odd. Slow vibrato guitar & shimmering | vibrating suspended atmosphere cybernetics drone | E | 85 | |||
|
Nimbus [CEZ4059 - 8] |
0 | 2'59 | Sébastien Roux | Empty ambient drone with high glassy tone & reverse chords. | atmospheric architecture & design electro minimalism space | D | 72 | |||
|
Future Memory [CEZ4059 - 20] |
0 | 2'07 | Benoît Courribet | Unique & challenging. Thic resonant drone with manipulated xylophone | architecture & design hypnotic investigation electroacoustic music | G | 74 | |||
|
The Missed Encounter [CEZ4060 - 14] |
0 | 1'49 | Teddy Lasry | Introspective. Hesitant. Clarinet & piano. Based on "Moonlight | sentimental introspective moving historical narrative | B | 76 | |||
|
Volozhin [CEZ4060 - 36] |
0 | 1'58 | Teddy Lasry | Distant. Narrative. Piano & accordion. | narrative desolate historical conflict sparse | Dm | 71 | |||
|
Kaddish Pour Benjamin 2 [CEZ4060 - 37] |
2'02 | Teddy Lasry | Solo cello. | cello Judaism tragic kaddish | Cm | 67 | ||||
|
Kaddish Pour Benjamin [CEZ4060 - 4] |
Alt. | 2'13 | Teddy Lasry | Prayer of mourning. Cello & accordion. | Judaism kaddish tragic social drama | Cm | 68 | |||
|
Belle-Ile [CEZ4058 - 8] |
0 | 1'41 | Armand Boileau | Emotional folktune. Longing. Solo accordion & harp @ 0'39. | diatonic accordion melancholic Celtic music country & garden | Am | 75 | |||
|
Marvel Of The Deep [CEZ4058 - 36] |
0 | 2'29 | Daniel Darras, Youenn Le Berre | Descending into the abyss. Deep resonant drone & shimmering strings. | space underwater synth pad airy | E | 144 | |||
|
Marie Galante [CEZ4057 - 10] |
0 | 2'23 | Dominique Cravic, Silvano Michelino, Fay Lovsky | Free & open. Simply rootsy guitar, melodica & marimba. | Antilles carefree peaceful open air | G | 102 | |||
|
Forsaken [CEZ4056 - 10] |
0 | 2'27 | Nicolas Mizrachi, Jean-Francois Morin | The sobering result of violence. Mellow & sad cello with fx piano. | sad melancholic narrative poignant | Db | 60 | |||
|
Hillbilly Folks [CEZ4053 - 9] |
0 | 1'19 | Silvain Vanot | Old-time music. Auto-harp, acoustic guitar & harmonica. playing a | old time United States of America carefree 1960 | G | 137 | |||
|
Green Pastures [CEZ4053 - 11] |
0 | 2'00 | Nicolas Mizrachi, Jean-Francois Morin | Longing. Strummed acoustic guitar with sentimental slide guitar | road movie tracking shot adventure country ballad | G | 126 | |||
|
Highwaymen [CEZ4053 - 12] |
0 | 1'58 | Pierre-André Athané, Olivier Lebé | Plaintive. Toughtful & sad. Delicate finger picked guitar & strings. | folk ballad melancholic folk guitar introspective | Gm | 82 |