| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
In Remission [CEZ4067 - 17] |
0 | 2'57 | Alice Guerlot Kourouklis | Peaceful & restrained. Pulsating, electric guitar & electronics. | fx heartbeat pulsation muffled peaceful | Em | 93 | |||
|
Rêve Animal [CEZ4066 - 37] |
0 | 2'01 | Calin Ioachimescu | Bewitching, disturbing & unusual. Electronics, percussion & flutes. | tropical forest mysterious birds natural disaster | Bb | 120 | |||
|
Black Mass [CEZ4064 - 17] |
0 | 3'51 | Bernard Becker | Mystical, mournful & menacing. Powerful, aggressive & implacable @ | mystical men's chorus fantasy warlike | Fm | 97 | |||
|
Father Time [CEZ4062 - 24] |
0 | 2'36 | Line Adam | Happy & mechanical. Neo-classical. Piano, cello & pizz. | industry neo-classical music cyclic corporate video | Bb | 129 | |||
|
The Hours [CEZ4062 - 33] |
0 | 2'44 | Alice Guerlot Kourouklis | Clock movement. Repetitive, crystalline & sad. Glockenspiel, keyboard | time (tick-tock) patient steady crystalline | Am | 77 | |||
|
La Ligne De Démarcation [CEZ4060 - 19] |
0 | 0'56 | Teddy Lasry | Unsettled. Theme of "Mayn Shetl" (tr 3). Solo piano with echo fx. | sinister historical narrative tragic social drama | Dm | 73 | |||
|
Selva Profunda [CEZ4055 - 2] |
0 | 2'29 | Silvano Michelino | Mysterious & bewitching. Bass flute & percussion. rhythm @ 0'43. | primitive art tropical forest mystical calm | Dm | 70 | |||
|
Danca Da Cobra [CEZ4047 - 3] |
0 | 1'44 | Césarius Alvim | Powerful & rhythmic. Double bass ensemble. | world jazz geopolitics wild primitive art | Em | 93 | |||
|
The Unexpected [CEZ4047 - 41] |
0 | 1'46 | Alain Feron | Challenging & narrative. Orchestral percussion with tubular bells. | abstract art crystalline percussion ensemble metallic | Abm | 99 | |||
|
The Threat [CEZ4043 - 14] |
0 | 2'28 | Loïs Blanca | Loud. Atmospheric crescendo. Long string drone with pizz bass. | drone historical conflict steady desolate | Am | 136 | |||
|
Compulsion [CEZ4041 - 11] |
0 | 1'45 | Marc-Olivier Dupin | Hard answering lines. Forceful & compelling. Clarinet & violin. | abstract art psychological drama contemporary serious music (all) tormented | Dm | 93 | |||
|
Between Emotions [CEZ4041 - 35] |
0 | 2'33 | Loïs Blanca | Dark & threatening. Unknown. Slow strings & piano. | steady cold desolate horror | Db | 111 | |||
|
Black Heart [CEZ4041 - 38] |
0 | 1'38 | Loïs Blanca | Building tension. Dark drone with heartbeat. | drone natural disaster sinister desolate | Bbm | 86 | |||
|
Rumors of the World [EOS142 - 4] |
0 | 3'19 | Damien Poupart-Taussat | Staccato, vivid & unsettling. String orchestra with ostinato. | original score string orchestra destiny historical narrative | Am | 93 | |||
|
Far From Home [AMS5066 - 5] |
2'51 | Philippe Briand, Salvador Casais | Rock. Punchy, bluesy & determined. Break @ 0'31, @1'03. Rock band, | cinematic rock driving action game attitude | Em | 126 | ||||
|
Far From Home Alternate 1 [AMS5066 - 31] |
Alt. | 2'51 | Philippe Briand, Salvador Casais | Version without percussion | cinematic rock driving action game attitude | Em | 126 | |||
|
Far From Home Alternate 2 [AMS5066 - 32] |
Alt. | 2'51 | Philippe Briand, Salvador Casais | Version with percussion only | cinematic rock driving action game attitude | Am | 126 | |||
|
Far From Home Alternate 3 [AMS5066 - 33] |
Alt. | 2'51 | Philippe Briand, Salvador Casais | Bed version | cinematic rock driving action game attitude | Em | 126 | |||
|
Far From Home Alternate 4 [AMS5066 - 34] |
Alt. | 2'51 | Philippe Briand, Salvador Casais | Underscore version | cinematic rock driving action game attitude | Em | 126 | |||
|
Far From Home Edit 1 30 sec [AMS5066 - 35] |
Alt. | 0'32 | Philippe Briand, Salvador Casais | 30 second cut | cinematic rock driving action game attitude | Em | 126 | |||
|
Far From Home Edit 2 15 sec [AMS5066 - 36] |
Alt. | 0'16 | Philippe Briand, Salvador Casais | 15 second cut | cinematic rock driving action game attitude | Em | 126 | |||
|
In The Hall of the Mountain
[AMS5056 - 5] |
2'32 | Dmytro Berezhnyi from P.D. | Classical remix. Driving & catchy. From "In the Hall of the Mountain | classical arrangement powerful & imposing EDM heavy | Bm | 124 | ||||
|
In The Hall of the Mountain
[AMS5056 - 39] |
Alt. | 2'32 | Dmytro Berezhnyi from P.D. | Version without percussion | classical arrangement EDM relentless advertising | Bm | 124 | |||
|
In The Hall of the Mountain
[AMS5056 - 40] |
Alt. | 2'32 | Dmytro Berezhnyi from P.D. | Version with percussion only | classical arrangement powerful & imposing EDM heavy | Gbm | 123 | |||
|
In The Hall of the Mountain
[AMS5056 - 41] |
Alt. | 2'32 | Dmytro Berezhnyi from P.D. | Version without strings | classical arrangement powerful & imposing EDM heavy | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 42] |
Alt. | 2'32 | Dmytro Berezhnyi from P.D. | Version without choir | classical arrangement powerful & imposing EDM heavy | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 43] |
Alt. | 2'32 | Dmytro Berezhnyi from P.D. | Bed version | classical arrangement EDM relentless advertising | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 44] |
Alt. | 2'32 | Dmytro Berezhnyi from P.D. | Underscore version | classical arrangement powerful & imposing EDM heavy | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 45] |
Alt. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | classical arrangement powerful & imposing EDM heavy | Gbm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 46] |
Alt. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | classical arrangement powerful & imposing EDM heavy | Bm | 125 | |||
|
Power Love Connections [MAG6098 - 7] |
3'48 | Fille Unique | Synth pop. Vibrant, rough, hypnotic, nocturnal & constantly Lyrics | hypnotic uplifting romantic powerful & imposing | Dm | 122 | ||||
|
Power Love Connections Edit 1
[MAG6098 - 37] |
Alt. | 1'00 | Fille Unique | 60 seconds instrumental cut | hypnotic uplifting romantic powerful & imposing | Dm | 122 | |||
|
Power Love Connections Edit 2
[MAG6098 - 38] |
Alt. | 0'30 | Fille Unique | 30 seconds instrumental cut | hypnotic uplifting romantic powerful & imposing | Dm | 122 | |||
|
Power Love Connections Edit 3
[MAG6098 - 39] |
Alt. | 0'20 | Fille Unique | 20 seconds instrumental cut. | hypnotic uplifting romantic powerful & imposing | Dm | 121 | |||
|
Power Love Connections Edit 4
[MAG6098 - 40] |
Alt. | 0'14 | Fille Unique | Sting. | hypnotic uplifting romantic powerful & imposing | Dm | 119 | |||
|
The Guardians of Time [EOS129 - 1] |
0 | 2'24 | Ingrid Obled | Cold, pure & fading. Nyckelharpa, double bass and recordings of ice. | abyss sparse fx whale song nyckelharpa | Am | 144 | |||
|
Granular Drone SFX 3 From A
[CSDL1022 - 17] |
2'20 | Salvador Casais, Thomas Dubreuil | Sound design element. Panoramic & mechanical granular drone with | drones by key anticipation disturbing synth pad | Am | 89 | ||||
|
Granular Drone SFX 3 in A [CSDL1022 - 18] |
Alt. | 0'20 | Salvador Casais, Thomas Dubreuil | Panoramic granular drone in A | drones by key anticipation disturbing synth pad | A | 151 | |||
|
Granular Drone SFX 3 in B [CSDL1022 - 19] |
Alt. | 0'20 | Salvador Casais, Thomas Dubreuil | Panoramic granular drone in B | drones by key anticipation disturbing synth pad | B | 113 | |||
|
Granular Drone SFX 3 in C [CSDL1022 - 20] |
Alt. | 0'20 | Salvador Casais, Thomas Dubreuil | Panoramic granular drone in C | drones by key anticipation disturbing synth pad | C | 103 | |||
|
Granular Drone SFX 3 in D [CSDL1022 - 21] |
Alt. | 0'20 | Salvador Casais, Thomas Dubreuil | Panoramic granular drone in D | drones by key anticipation disturbing synth pad | D | 112 | |||
|
Granular Drone SFX 3 in E [CSDL1022 - 22] |
Alt. | 0'20 | Salvador Casais, Thomas Dubreuil | Panoramic granular drone in E | drones by key anticipation disturbing synth pad | E | 154 | |||
|
Granular Drone SFX 3 in F [CSDL1022 - 23] |
Alt. | 0'20 | Salvador Casais, Thomas Dubreuil | Panoramic granular drone in F | drones by key anticipation disturbing synth pad | F | 117 | |||
|
Granular Drone SFX 3 in G [CSDL1022 - 24] |
Alt. | 0'20 | Salvador Casais, Thomas Dubreuil | Panoramic granular drone in G | drones by key anticipation disturbing synth pad | G | 118 | |||
|
Hydrogen [UBM2301 - 12] |
0 | 3'25 | David Mate | Deep, mid-tempo, consistent, soaring. Lightly dramatic. | time-lapse downtempo synthesizer relentless | Bm | 104 |