| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Incarceration [CEZ4040 - 24] |
0 | 1'47 | Elisabeth Skornik, Guy Skornik | Dark shimmering drone with FX stabs. | cold steady desolate sparse | D | 172 | |||
|
The Awakening [CEZ4038 - 3] |
0 | 2'00 | Teddy Lasry | Fog effect. Ethereal. Fender piano & clarinet. | desolate geopolitics interrogative introspective | G | 63 | |||
|
Dunes [CEZ4038 - 10] |
0 | 2'19 | Teddy Lasry | Resonances. Wave movement effect. Hammond organ & piano | drone natural disaster desolate disturbing | E | 88 | |||
|
Breezy Weather [CEZ4038 - 14] |
0 | 2'01 | Teddy Lasry | Calm wind effect. Harmonic flutes. | windy hot desert drone fx breathing | A | 129 | |||
|
Deserts (Part 5) [CEZ4038 - 23] |
0 | 1'56 | Laurent Caillon | Sinister & desolate. Slow motion. Cello ensemble. | natural disaster drone historical narrative sinister | Gm | 136 | |||
|
Deserts (Part 6) [CEZ4038 - 24] |
0 | 1'53 | Laurent Caillon | Dramatic & Unstable. Cellos. | drone disturbing sinister suspended atmosphere | C | 120 | |||
|
Deserts Drones (Part 2) [CEZ4038 - 26] |
0 | 2'26 | Teddy Lasry | Mysterious. Fender Piano, organ & double bass. | muffled investigation sinister desolate | C | 104 | |||
|
Deserts Drones (Part 3) [CEZ4038 - 27] |
0 | 1'25 | Teddy Lasry | Strange. Mysterious. Bottles played like a pan flute. | hypnotic prehistory hot desert muffled | F | 97 | |||
|
Deserts Drones (Part 4) [CEZ4038 - 28] |
0 | 2'11 | Teddy Lasry | Solitude. Panoramic. Cellos, double bass & accordion. | desolate sad natural disaster drone | Dm | 77 | |||
|
Gaia Science [CEZ4034 - 6] |
0 | 1'42 | Elisabeth Skornik, Guy Skornik | Natural & organic. Drone with piano & flute. | confident corporate (all) didjeridoo suspended atmosphere | C | 79 | |||
|
Transition [CEZ4034 - 30] |
0 | 1'27 | Elisabeth Skornik, Guy Skornik | Dark & heavy. Mechanical sound wash with Fx. | abyss strict robotic sound design | B | 91 | |||
|
Astrolab [CEZ4034 - 41] |
0 | 1'22 | Elisabeth Skornik, Guy Skornik | Gentle ambient guitar & synth arpeggio's. | airy space new age hypnotic | Dbm | 97 | |||
|
Supernova [CEZ4034 - 42] |
0 | 1'27 | Elisabeth Skornik, Guy Skornik | Dark & threatening synths with slow lo-fi organ & Fx. | abyss rumbling sci-fi space | Dm | 62 | |||
|
Magnetic Storm [CEZ4033 - 3] |
0 | 3'44 | Christian Zanesi | Disturbing & futuristic. Harsh textures & FX over synthetic wind. | natural disaster rumbling fx storm disturbing | Abm | 136 | |||
|
Angels Whisper [CEZ4033 - 11] |
0 | 3'17 | Christian Zanesi | Delicate & shimmering tones with playful female whispering. | magical fantasy sci-fi sound design | G | 62 | |||
|
Magnetic Landscapes (part 2) [CEZ4033 - 12] |
0 | 2'39 | Christian Zanesi | Ambient & empty. High pitched, piercing drone with FX. | high-pitched contemporary art electroacoustic music sci-fi | Dbm | 100 | |||
|
Resonnance [CEZ4033 - 17] |
0 | 3'36 | Christian Zanesi | Evocative & quasi religious. Ceremony. Gentle chimes with pulse. | metallic pulsation official ceremony hypnotic | Bm | 68 | |||
|
Training Centre [CEZ4702 - 8] |
2'01 | Louis Edlinger | Electronica bed. Atmospheric, futuristic & groovy. Synth & rhythm. | confident teaching science interiors & cooking | Gm | 120 | ||||
|
Training Centre Alternate 1 [CEZ4702 - 55] |
Alt. | 2'02 | Louis Edlinger | Alternate no rhythm. | Cm | 156 | ||||
|
Training Centre Alternate 2 [CEZ4702 - 56] |
Alt. | 2'02 | Louis Edlinger | Underscore version. | Gm | 120 | ||||
|
Training Centre Edit 60 sec [CEZ4702 - 57] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Gm | 120 | ||||
|
Training Centre Edit 30 sec [CEZ4702 - 58] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Gm | 120 | ||||
|
Training Centre Edit 20 sec [CEZ4702 - 59] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Gm | 120 | ||||
|
Training Centre Edit Sting [CEZ4702 - 60] |
Alt. | 0'18 | Louis Edlinger | Sting. | Gm | 120 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 | ||||
|
Truth Matters More [CEG5061 - 10] |
2'42 | Nill O'maha | Cinematic. Melancholic, repetitive & obsessive. Ethereal electric | cinematic cyclic moving hypnotic | Bm | 128 | ||||
|
Truth Matters More Alternate 1 [CEG5061 - 30] |
Alt. | 2'42 | Nill O'maha | Version without percussion | cinematic cyclic moving hypnotic | Bm | 129 | |||
|
Truth Matters More Alternate 2 [CEG5061 - 31] |
Alt. | 2'41 | Nill O'maha | Underscore version | cinematic cyclic moving hypnotic | Bm | 128 |