| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Still Machines [MAG6032 - 7] |
0 | 2'39 | Christof Déjean | Electroacoustic music/electro minimalism. Disturbing, tense & | suspense disturbing investigation electroacoustic music | Fm | 68 | |||
|
Cadavers in the Desert [CEG5006 - 20] |
0 | 2'11 | Abaji | Soundscape. Desolate, alarming & toxic. Trumpet, duduk & sequencing. | geopolitics investigation sinister social drama | C | 117 | |||
|
Baikal 2 [CEG5003 - 42] |
2'11 | Abaji | Panoramic & desolate. Male voice, accordion, percussion & synths. | Central Asia atmospheric wandering panoramic | Ab | 92 | ||||
|
Baikal [CEG5003 - 24] |
Alt. | 2'12 | Abaji | Panoramic & desolate. Accordion, percussion & synths. | hot desert atmospheric wandering panoramic | Ab | 82 | |||
|
Lurking Fear [CEG5001 - 17] |
2'30 | Abaji | Tv series. Investigation. Crime series. Frightening & suspended. | investigation sinister beds scary | B | 152 | ||||
|
Lurking Fear 2 [CEG5001 - 39] |
Alt. | 1'41 | Abaji | Tv series. Investigation. Frightening & suspended. Sequencing. | abyss investigation sinister steady | B | 94 | |||
|
De Sang Froid Alternate 1 [CEO2056 - 21] |
1'33 | Elisabeth Skornik, Guy Skornik | Fatal, tragic & punctuated. Timpani & string cluster. | historical conflict inexorable punctuated war (movies) | Em | 94 | ||||
|
De Sang Froid [CEO2056 - 8] |
Alt. | 1'23 | Elisabeth Skornik, Guy Skornik | Imperious, insistent & punctuated. String orchestra & percussion. | historical conflict war (movies) inexorable politics | F | 141 | |||
|
Invisible Frontier [CEO2054 - 20] |
0 | 2'46 | Eric Lohrer | Investigation. Mysterious & dark. Electric guitar & sequencing. | calm panorama atmospheric suspended atmosphere | E | 90 | |||
|
Enforced Labor [CCB1029 - 13] |
0 | 2'37 | Christophe Zurfluh | Lost civilizations. Geopolitics. Disturbing & nocturnal. Sequencing & | psychotic antiquity scary contemporary art | D | 74 | |||
|
The Death Toll Alternate
[CEZ4288 - 47] |
2'07 | Julien Vega | Dark, heavy & inexorable. Cinematic strings & electronics. | natural disaster sequencing social drama spy | Gm | 74 | ||||
|
The Death Toll [CEZ4288 - 19] |
Alt. | 2'09 | Julien Vega | Dark, heavy & inexorable. Cinematic strings & electronics. | social drama investigation tragic desolate | Gm | 70 | |||
|
Sinister Groove [UBM2271 - 7] |
0 | 1'50 | Daniel Backes, Peter Moslener | Dark track with a steady threat. Synthesizer, percussion. | disturbing synthesizer time (tick-tock) abyss | D | 130 | |||
|
In Motion [UBM2249 - 6] |
0 | 2'12 | Elias Cadre | Deep bass, fast tempo, electronic bubbles, ideal for documentaries | disturbing interrogative synthesizer steady | Cm | 123 | |||
|
Fresh Cash and Pretty Girls [UBM2249 - 8] |
0 | 2'48 | Elias Cadre | Modern, smooth sound with mysterious influence, for scenes of danger, | complex suspended atmosphere abyss muffled | Am | 69 | |||
|
Hacker Blues [UBM2249 - 18] |
0 | 1'55 | Elias Cadre | Weird, electronic, gloomy sound, reduced and subtle for documentaries | sci-fi science complex cold | B | 108 | |||
|
Microscopie [CEZ4241 - 18] |
0 | 2'03 | John Greaves | Deep & mysterious. Electronics. | abyss muffled mysterious science | Dbm | 118 | |||
|
Difficult Story [UBM2244 - 14] |
0 | 2'09 | Tony Delmonte, Anselm Kreuzer | Constant & warlike. Underscore. Strings, electronic percussion, | steady nocturnal film noir rumbling | Dm | 60 | |||
|
Difficult Question [UBM2244 - 16] |
0 | 1'55 | Tony Delmonte, Anselm Kreuzer | Squeaking and disturbing. Underscore. Strings, bassoon, clarinet, | funny scary cold desert horror cold | Cm | 110 | |||
|
Mer Blanche [CCB1013 - 4] |
0 | 1'28 | Renaud Garcia-Fons | Obstinate & abstract. Spectral chase. Accordion, double-bass & | bowed double bass trains chromatic accordion chaotic | Fm | 126 | |||
|
Rumble in the Jungle [CEZ4106 - 23] |
0 | 1'40 | Eric Lohrer, Didier Malherbe | Powerful, chaotic & interrogative. Alto clarinet & percussions. | savanna world music warlike interrogative | Gm | 100 | |||
|
Wounds [CEZ4023 - 48] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Martial & jerky. Percussions, synth & electronics. | disturbing investigation paranormal spy | C | 111 | |||
|
Intimate Enemy [CEZ4097 - 15] |
3'10 | Denis Levaillant | Nightmarish & brutal. Piano, percussion & electronics. | cinematic horror psychotic changing | Am | 84 | ||||
|
Intimate Enemy 2 [CEZ4097 - 47] |
Alt. | 3'09 | Denis Levaillant | Brutal & scary. Percussion & electronics. | changing intermittent horror warlike | Am | 84 | |||
|
Intimate Enemy 3 [CEZ4097 - 48] |
Alt. | 3'11 | Denis Levaillant | Sepulchral & murky. Treated orchestra & electronics. | space cinematic drone scary | Am | 78 | |||
|
Intimate Enemy 4 [CEZ4097 - 49] |
Alt. | 1'02 | Denis Levaillant | Violent & inexorable. Percussion ensemble & electronics. | warlike aggressive & violent epic action movie | Em | 84 | |||
|
Preparing For Distress [UBM2161 - 16] |
0 | 1'45 | Anselm Kreuzer | Dangerous, percussive, criminal. | spy disturbing investigation chase | Cm | 130 |