| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Digital Abyss [CEG5026 - 3] |
0 | 3'17 | Vincent Henquinet | Introspective, dreamy & floating. Analog synth with bubble fx. Beauty | suspended atmosphere calm electro ambient space | A | 106 | |||
|
Sea Creatures [CEG5026 - 18] |
0 | 2'44 | Michel Redolfi | Mysterious, weird & mysterious. Textures & animal FX. Sea animals FX | weird calls underwater humid | Am | 123 | |||
|
The Threat [CEG5026 - 23] |
0 | 2'28 | Françoise Marchesseau | Drone crescendo with double bass building-up to a spooky climax. | natural disaster underwater mysterious underground | Am | 99 | |||
|
A Cosmic Dream [CEO2113 - 4] |
0 | 02'28 | Vincent Carlo | Spacey, soaring, calm & retro-futuristic. Electronics & pads. | mysterious atmospheric space weird | Dm | 60 | |||
|
Brutalist Architecture [CEO2113 - 6] |
0 | 02'13 | Vincent Carlo | Mysterious, foggy, minimalist, constant & punctuated. Synth pads, | scary relentless communism natural disaster | Abm | 60 | |||
|
Strength of Will [CEO2113 - 10] |
0 | 02'06 | Vincent Carlo | Dark, deep, mysterious & buzzing. Drone, sound-design & intermittent | wandering natural disaster mysterious soundscape | Gm | 68 | |||
|
Dockyard Dawn [CEZ4434 - 13] |
0 | 02'16 | Gregory Cotti | Detective stories. Mysterious & atmospheric. Sequencing, concertina & | mysterious investigation disturbing suspense | Cm | 60 | |||
|
Who's the Mole? [CEZ4422 - 5] |
0 | 01'56 | Sebastijan Duh | Drone. Opening impact. Frightening & suddain. Sequencing & percussion. | drone suspense investigation scary | Dbm | 60 | |||
|
No Next Day [CEZ4422 - 14] |
0 | 02'48 | Eric Lohrer | Underscore. Dark & desolate. Electric guitar & synth pad. | beds desolate natural disaster space | G | 110 | |||
|
A Context of Fear [CEZ4422 - 17] |
0 | 02'02 | Mathieu Laurent | Underscore. Dark, frightening & desolate. Sequencing. | scary beds disturbing investigation | Cm | 118 | |||
|
On the Edge of Silence [CEZ4422 - 21] |
0 | 02'48 | Benoit Cimbé | Drone. Suspended & disturbing. Sequencing. | drone mysterious sequencing disturbing | Cm | 120 | |||
|
Virgin Territory [CEZ4420 - 15] |
0 | 2'09 | Thomas Didier | Electronica. Quiet, introspective & sad. Waiting. Synth, chopped | wandering calm introspective abyss | Dm | 78 | |||
|
Aerosol [CEZ4420 - 16] |
0 | 1'17 | Joachim Baumerder | Electro ambient. Drone. Suspended, toxic & disturbing. Sound-design. | mysterious natural disaster abyss desolate | Abm | 62 | |||
|
Death of the Father [CEO2110 - 2] |
0 | 2'40 | Pablo Pico | Suspense. Underscore. Tense, sparse, accentuated & neoclassical @ | insidious mysterious beds disturbing | Dm | 100 | |||
|
Before the Crime [CEO2110 - 10] |
0 | 2'18 | Pablo Pico | Drone. Accentuated disturbing & tense. Atmospheric & calm @ 1'23. | disturbing suspense tragic historical conflict | Dm | 90 | |||
|
Tuning into the Waves [MAG6042 - 9] |
0 | 1'32 | Bernard Parmegiani | Ondulating, repetitive & mechanical. Electro fx evoking the radio | electroacoustic music 1960 disturbing abyss | Bm | 67 | |||
|
The Walls are Speaking [MAG6042 - 12] |
0 | 2'26 | Bernard Parmegiani | Creepy, horrifying & tormented. Treated sound & vintage synth. | disturbing desolate electroacoustic music sinister | C | 72 | |||
|
Mounting Horror [CEG5022 - 9] |
0 | 1'27 | Selma Mutal | Terrifying, anticipating & suspenseful. Low drone & electronics. | sinister scary horror halloween | G | 165 | |||
|
Off the Grid [CEZ4387 - 23] |
0 | 2'57 | Hiroki Ishikura | Soundscape / dark ambient. Opaque, progressive & organic. Fx delay. | modern mysterious soundscape pulsation | Bbm | 120 | |||
|
In a Voodoo Ritual [CEG5019 - 19] |
2'21 | Michel Roche | Eerie, mystical, hypnotic & wild. Underlying brutality. Ethnic | Caribbean disturbing suspended atmosphere humid | Am | 80 | ||||
|
In a Voodoo Ritual Alternate [CEG5019 - 38] |
Alt. | 2'00 | Michel Roche | Eerie, mystical, hypnotic & wild. Ethnic percussion & sound design fx. | underground suspense Caribbean disturbing | Am | 80 |