| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Le Silence de la Forêt [CEO2038 - 16] |
0 | 1'35 | Jérôme Lemonnier | Mysterious & sparse. Hang drum, voices & piano. | suspended atmosphere paranormal scary muffled | A | 66 | |||
|
Deep Packet Inspection [UBM2249 - 5] |
0 | 2'06 | Elias Cadre | Electronic spheres, loopable, drops, ticking, minimal and modern. | complex sci-fi film noir unstable | Bbm | 122 | |||
|
Fresh Cash and Pretty Girls [UBM2249 - 8] |
0 | 2'48 | Elias Cadre | Modern, smooth sound with mysterious influence, for scenes of danger, | complex suspended atmosphere abyss muffled | Am | 69 | |||
|
Signals From Underground [UBM2249 - 14] |
0 | 1'49 | Elias Cadre | Technical, snarring, threatening, loopable electronic spheres for | sci-fi film noir abyss complex | Ab | 112 | |||
|
Conflict of Interests [UBM2249 - 15] |
0 | 1'44 | Elias Cadre | Dynamic, mid-tempo, loopable, electronic, snarring moments. | film noir sci-fi abyss complex | Dm | 61 | |||
|
Fiction [UBM2249 - 19] |
0 | 1'24 | Elias Cadre | Dark underscore, gloomy, threatening, scary and apocalyptic track for | sci-fi science complex rumbling | A | 61 | |||
|
Wounds of Mankind [UBM2260 - 3] |
0 | 3'15 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Fundamental and melancholic cello in the foreground creates an | melancholic passionate cello intermittent | Gm | 164 | |||
|
The Silence of the Victim [CEO2036 - 8] |
0 | 2'19 | Gréco Casadesus | Drone. Disturbing & suspended. Strings & electronics. | disturbing crime movie investigation sinister | G | 62 | |||
|
Green Solitude 3 [CEO2035 - 12] |
2'56 | Bruno Alexiu | Desolate, suspended & airy. Drone. Electronics. | natural disaster drone suspended atmosphere synth pad | D | 60 | ||||
|
Green Solitude [CEO2035 - 2] |
Alt. | 1'43 | Bruno Alexiu | Calme, suspended & interrogative. Piano & electronic pads. | natural disaster suspended atmosphere airy desolate | D | 79 | |||
|
Deep Web [CEZ4254 - 14] |
0 | 2'35 | Thierry Caroubi | Disturbing & obsessive. Piano & electronics. | beds atmospheric steady disturbing | C | 130 | |||
|
Magic in the Air [CEZ4243 - 26] |
0 | 0'31 | Piotr Moss | Peaceful, undulating & magical. Solo harp. | link magical harp undulating | B | 112 | |||
|
Secret Stuff [CEZ4242 - 8] |
0 | 2'23 | Christophe Zurfluh | Serious & patient. Electronics. | electro ambient suspended atmosphere space hypnotic | Gm | 66 | |||
|
Ominous Disorders [UBM2244 - 7] |
0 | 2'08 | Tony Delmonte, Anselm Kreuzer | Avantgarde & strange. Underscore. Clarinet, toy piano, synth. | funny scary interrogative abyss complex | Abm | 172 | |||
|
Stroke of Fate [UBM2244 - 13] |
0 | 2'01 | Tony Delmonte, Anselm Kreuzer | Strange & cold. Underscore. Strings, percussion. | mysterious abyss calm steady | Dm | 60 | |||
|
Collateral Damage [CEZ4231 - 20] |
0 | 2'14 | Christophe Zurfluh | Electro Middle East. Frightening & resonant. Electronics. | Arab world abyss Central Asia geopolitics | Dm | 78 | |||
|
City in Ruins [CEZ4231 - 22] |
0 | 2'24 | Christophe Zurfluh | Drone. Desolate & disturbing. Electronics & duduk. | geopolitics Arab world sudden abyss | D | 118 | |||
|
Lost In Village [CEO2032 - 5] |
2'39 | Selma Mutal | Suspended then determined @ 0'40. Delay fx, glass harmonica, staccato | rhythm change fx delay war (movies) relentless | Am | 110 | ||||
|
Lost In Village 2 [CEO2032 - 12] |
Alt. | 2'01 | Selma Mutal | Determined & serious march. Staccato strings & timpanies. | steady relentless staccato suspense | Am | 110 | |||
|
Argo [CEZ4222 - 7] |
0 | 4'57 | Christoph Harbonnier, Michel Redolfi | Airy, peaceful & moving. Cosmic choir & electronics. | space magical sci-fi airy | Gm | 72 | |||
|
The Forest of Pandora [CEZ4222 - 11] |
0 | 1'33 | Michel Redolfi | Magical, cosmic & organic. Electronics. | synth pad space cosmic music sci-fi | G | 86 | |||
|
Gothos [CEZ4222 - 16] |
0 | 2'23 | Michel Redolfi | Airy, peaceful & moving. Cosmic electronic sound. | space docu fiction suspended atmosphere cosmic music | G | 82 |