| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Data Center [CEZ4309 - 4] |
0 | 2'05 | Thomas Didier | Analog electro. Percussive, heavy & tense. Analog synth & rhythm. | relentless electro beat horror disturbing | Fm | 90 | |||
|
Dropping Bottle [EOS22 - 4] |
0 | 3'07 | Eric Volpatti | Sound design. Mysterious, obstinate & dark. Synth, piano & | interrogative investigation science social drama | Bbm | 148 | |||
|
Restoration [CEZ4290 - 4] |
2'04 | Gabriel Saban, Philippe Briand | Neoclassical. Solemn & exhilarating. Cinematic orchestra, choir & | docu fiction unifying historical movie catchy | Cm | 116 | ||||
|
Restoration Alternate Version
[CEZ4290 - 29] |
Alt. | 2'04 | Gabriel Saban, Philippe Briand | Neoclassical. Solemn & exhilarating. Cinematic orchestra & percussion. | docu fiction historical movie opening credits TV contemporary history | Cm | 116 | |||
|
Restoration Alternate Version
[CEZ4290 - 30] |
Alt. | 2'00 | Gabriel Saban, Philippe Briand | Neoclassical. Solemn & exhilarating. Cinematic orchestra & percussion. | neo-classical music corporate convention historical movie contemporary history | Cm | 116 | |||
|
The Forgotten People [CEZ4290 - 9] |
0 | 1'53 | Sebastijan Duh | Powerful & dramatic. Constant progression. Cinematic orchestra & | epic contemporary history cinematic orchestra adventure | Cm | 103 | |||
|
Centuries of History [CEZ4290 - 13] |
2'15 | Gabriel Saban, Philippe Briand | Exhilarating & solemn. Neoclassical. Cinematic orchestra, female | historical movie cinematic orchestra docu fiction contemporary history | Em | 178 | ||||
|
Centuries of History
[CEZ4290 - 36] |
Alt. | 2'15 | Gabriel Saban, Philippe Briand | Exhilarating & solemn. Neoclassical. Cinematic orchestra & female | historical movie cinematic orchestra solemn neo-classical music | Em | 178 | |||
|
Centuries of History
[CEZ4290 - 37] |
Alt. | 2'14 | Gabriel Saban, Philippe Briand | Exhilarating & solemn. Neoclassical. Cinematic orchestra & percussion. | historical movie opening credits TV neo-classical music solemn | B | 178 | |||
|
Affairs of State [CEZ4290 - 17] |
2'11 | Gréco Casadesus, Gregory Cotti | Determined, interrogative & dignified. Cinematic orchestra, trumpet, | docu fiction politics disturbing contemporary history | Am | 103 | ||||
|
Affairs of State Alternate
[CEZ4290 - 39] |
Alt. | 1'19 | Gréco Casadesus, Gregory Cotti | Determined, interrogative & majestic. Cinematic orchestra, trumpet & | contemporary history cinematic orchestra opening credits TV politics | Am | 103 | |||
|
The Witness Box [CEZ4295 - 5] |
0 | 2'29 | Sham Makdessi, Morgan Sansous | Trip hop / downtempo. Interrogative, mysterious & disturbing. Piano, | investigation spy sport drama social drama | Cm | 60 | |||
|
Guilty or Not [CEZ4295 - 18] |
0 | 3'14 | Chomsk' | Hip hop / beat making. Percussive, arty & interrogative. Synth & | interrogative modern arty beat making | Fm | 100 | |||
|
Good Cop Bad Cop [CEZ4295 - 21] |
0 | 3'06 | Chomsk' | Hip hop. Strange, percussive & urban. Synth, sampled female voice & | investigation urban beat making spy | Ebm | 107 | |||
|
Down in the Mouth [CEZ4263 - 9] |
0 | 3'53 | Chris & Sean | Downtempo / Trip-hop. Pensive, dreamy but determined. Synth, mute | modern nocturnal urban downtempo | Gm | 120 | |||
|
Blind Alley [CEZ4262 - 16] |
0 | 2'47 | Vincent Leibovitz | Hip hop / Trap. Urban, mysterious & dark. Synth & rhythm. | modern urban nocturnal urban landscape | Dm | 71 | |||
|
Collaborative Economy [CEZ4255 - 2] |
0 | 2'04 | Sebastijan Duh | Underscore. Wandering & sad. Moving & marching @ 0'59. Electric | beds introspective dreamy everyday life | C | 60 | |||
|
Who Knows Who? [CEZ4252 - 1] |
2'09 | Elisabeth Skornik, Guy Skornik | Intriguing, mysterious & sparse. Paino, sound design, strings @ 0'55 | mysterious narrative suspense interrogative | Gbm | 115 | ||||
|
Who Knows Who? 2 [CEZ4252 - 20] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Mysterious, minimalist & sparse. Piano & sound design. | mysterious suspense sparse interrogative | Gbm | 114 | |||
|
Stand by the Truth [CEZ4252 - 8] |
2'22 | Elisabeth Skornik, Guy Skornik | Questionning & reflective. Synth pads with constant bass line, piano | mysterious investigation wandering atmospheric | G | 109 | ||||
|
Stand By The Truth 2 [CEZ4252 - 26] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Questioning & reflective. Synth pads with constant bass line, choir, | mysterious investigation wandering atmospheric | G | 109 | |||
|
Public Opinion [CEZ4252 - 9] |
2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | mysterious crime movie interrogative corporate video | Fm | 162 | ||||
|
Public Opinion 2 [CEZ4252 - 27] |
Alt. | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with | mysterious crime movie interrogative cyclic | F | 161 | |||
|
Top Secret [CEZ4252 - 18] |
2'40 | Elisabeth Skornik, Guy Skornik | Suspense, intriguing & insidious. Electronics. Strings & brass @ | mysterious urban investigation spy | Eb | 62 | ||||
|
Top Secret 2 [CEZ4252 - 34] |
Alt. | 1'52 | Elisabeth Skornik, Guy Skornik | Urgent, weird & intriguing. Electronics. Build up gradually. | punctuated crime movie heavy mysterious | Bbm | 124 | |||
|
Projection [CEO2034 - 4] |
0 | 2'09 | Vincent Leibovitz | Intro with fade in. Repetitive & cristalline. Electronics. Build up. | arty post-classical sci-fi crystalline | C | 76 | |||
|
Looking for Shelter [CEZ4203 - 8] |
0 | 2'40 | Smooth One | Beat making. Interrogative & sinuous. Bass, piano, trumpet, electric | interrogative suspense modern electric bass | Gb | 151 | |||
|
Murky Area [CEZ4204 - 4] |
0 | 2'29 | Smooth One | Wandering & sad. Synth & rhythm. | investigation social drama wandering inexorable | Cm | 164 | |||
|
Restricted Access [CEZ4204 - 12] |
0 | 4'11 | Rémo | Future beat. Dark & absent. Synth & rhythm. | desolate future beat modern atmospheric | Gbm | 140 |