| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Alma De São Luis [CEZ4076 - 16] |
0 | 1'27 | Silvano Michelino, Pedro Martins | Bumba meu boi. Afro-Indian dance & ritual from Maranhão state. | Bumba meu boi primitive art ethnic percussion ensemble wild | Ebm | 65 | |||
|
Aigues-Mortes [CEZ4072 - 10] |
0 | 2'25 | Renaud Garcia-Fons | Inexorable & moving. Double bass & lutes. | double basses (all) natural disaster geopolitics duet | Am | 70 | |||
|
Metro [CEZ4069 - 4] |
0 | 1'52 | Patrick Chartol, Claire Michael, Jean-Michel Vallet | Serious & obstinate. Sax, piano, flute & rhythm. | strict anticipation industry interrogative | Abm | 100 | |||
|
Sparkling Rain [CEZ4069 - 6] |
0 | 3'58 | Line Adam | Weird & restrained. Pizz string ensemble, solo violin @ 0'39. | arts & crafts sparkling melancholic pizzicato | D | 142 | |||
|
The Acoustic Machines [CEZ4069 - 13] |
0 | 3'03 | Hélène Breschand, Didier Petit | Mysterious, serious & haunting. Harp & cello. | geopolitics contemporary art industry inexorable | G | 93 | |||
|
The Industrial Era [CEZ4069 - 24] |
0 | 2'24 | Jean-François Vrod | Constant & linear. Minimalist electro-noise music. | complex steady industry mechanical | E | 103 | |||
|
De Afwezige [CCB1003 - 19] |
0 | 2'02 | Line Adam | Simple, naïve & melancholic. Small ensemble with marimba. | melancholic animation & cartoons abstract art arts & crafts | A | 163 | |||
|
The Wasteland [CEZ4067 - 7] |
0 | 1'50 | Alice Guerlot Kourouklis | Wandering, dreamy & lonely. Electric guitars with delay. | wandering suspended atmosphere calm social drama | E | 62 | |||
|
Toads and Insects [CEZ4066 - 9] |
0 | 2'34 | Philippe Hersant | Nocturnal, bucolic, mysterious. Bassoon, trombone, piano, violin, & | melancholic pastoral country & garden narrative | Gbm | 117 | |||
|
Winter in Camelot [CEV3006 - 56] |
0 | 1'23 | Julien Vega | Solemn & serious. Cello, harp & pad. | calls suspended atmosphere high seas middle-Ages | D | 110 | |||
|
Confusion [CEZ4065 - 25] |
0 | 0'59 | Pierrick Hardy | Tormented & enigmatic. String quartet & clarinet. | string quartet wandering interrogative melancholic | Dm | 110 | |||
|
Nadir [CEV3003 - 12] |
0 | 1'03 | Olivier Samouillan | Wandering & mysterious. Clarinet, double-bass & pads. | Balkans geopolitics suspended atmosphere sad | Em | 63 | |||
|
First Meeting [CEV3002 - 9] |
0 | 4'01 | Dominique Grimaldi, Renaud Pion | Cyclic, mysterious & contemplative. Clarinet & bass guitar. | wandering geopolitics mysterious steady | Db | 82 | |||
|
Micro Manage [CEZ4062 - 13] |
0 | 1'53 | Olivier Lebé | Repetitive movement. Serious & introspective. Electronic. Sparse | strict science cybernetics electro minimalism | Am | 166 | |||
|
Modernisation [CEZ4062 - 30] |
0 | 2'10 | Jean-Francois Morin, Nicolas Mizrachi | Dark & oppressive. Electro-indus. Ambient drone with hard disturbing | metallic grating sport drama industry | Em | 90 | |||
|
B2B [CEZ4059 - 2] |
0 | 2'59 | Arnaud Rebotini, Christian Zanesi | Builds up gradualy. Random electro/synth patterns with grainy sound | cybernetics electro industrial industry robotic | Bm | 107 | |||
|
Groove Addict [CEZ4059 - 29] |
0 | 2'50 | Eddie Ladoire, Sébastien Roux | Conceptual & ambient. Layered resonant guitar feedback & sine waves. | contemporary art cybernetics 2000 complex | Bm | 78 | |||
|
Berlin 1933 [CEZ4060 - 15] |
0 | 3'38 | Teddy Lasry | Worrying & menacing. Bass drone & accordion. Bass-clarinet played | sinister historical conflict disturbing drone | E | 108 | |||
|
Bessarabia [CEZ4060 - 24] |
0 | 2'44 | Teddy Lasry | Roving & questioning. Violin, percussion, piano & double-bass. | Judaism Israel melancholic geopolitics | Cm | 123 | |||
|
Inuit [CEZ4058 - 17] |
0 | 2'15 | Piotr Moss | Mysterious & alien. Simple, single resonant waterphone & vibraphone | cold desert glassharmonica luminous mysterious | Am | 117 |