| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Source of Innovation [CEZ4197 - 8] |
2'21 | Guy Skornik, Elisabeth Skornik | Positive & determined with a barocco touch. Keybords & strings @ | strict neo-classical music arts & crafts unifying | Cm | 120 | ||||
|
Source of Innovation 2 [CEZ4197 - 35] |
Alt. | 1'13 | Elisabeth Skornik, Guy Skornik | Positive & determined with a barocco touch. String ensemble. | neo-classical music heritage unifying arts & crafts | Cm | 120 | |||
|
Japanese Influence [CEZ4197 - 16] |
2'32 | Elisabeth Skornik, Guy Skornik | Peaceful & restrained. Piano, electronics & female voice @ 1'35. | electro world arts & crafts delicate Japan | Dbm | 70 | ||||
|
Japanese Influence 2 [CEZ4197 - 50] |
Alt. | 1'45 | Elisabeth Skornik, Guy Skornik | Peaceful but punctuated. Electronics & tick tock. | time (tick-tock) arts & crafts steady beds | Gb | 71 | |||
|
Fast Vehicles [MAG6007 - 12] |
0 | 0'59 | Hugo Lascoux | Atmospheric & percussive. Samples, claps & rhythm. | abstract hip-hop modern atmospheric beat making | Am | 84 | |||
|
Night Theme [MAG6007 - 14] |
0 | 0'52 | Hugo Lascoux | Curious & pensive. String and piano samples & rhythm. | loop modern beat making broken beat | Bb | 91 | |||
|
A Date With Promise [CEZ4185 - 1] |
1'26 | Alain Vankenhove, Eric Daniel | Tender & peaceful. Flugelhorn & acoustic guitar. | flugel horn urban landscape intimate panoramic | D | 66 | ||||
|
A Date With Promise 2 [CEZ4185 - 19] |
Alt. | 1'53 | Alain Vankenhove, Eric Daniel | Joyful & sentimental. Flugelhorn, acoustic guitar & electronics | flugel horn pastoral suspended atmosphere peaceful | D | 140 | |||
|
Hope in Vain [CEZ4185 - 13] |
2'35 | Alain Vankenhove, Sophia Domancich | Disturbing & heavy. Trumpet, electronics, rhythm & fx footsteps. | trumpet disturbing nocturnal urban landscape | Ebm | 110 | ||||
|
Hope in Vain 2 [CEZ4185 - 23] |
Alt. | 2'32 | Alain Vankenhove, Sophia Domancich | Disturbing & heavy. Trumpet, electronics & rhythm. | urban nocturnal social drama disturbing | Ebm | 110 | |||
|
In the Meantime [CEZ4193 - 10] |
2'14 | Colo Colo | Intense & dreamy. Rock band with synth & male singer.Lyrics | new wave (style) catchy 1990 England | D | 162 | ||||
|
In the Meantime 2 [CEZ4193 - 31] |
Alt. | 2'14 | Colo Colo | Intense & dreamy. Rock band with synth. | new wave (style) 1990 England band | D | 161 | |||
|
Never Change [CEZ4193 - 11] |
3'13 | Pascal Macaigne | Sentimental & sustained. Rock band with synth & male singer. Fx delay.Lyrics | pop rock romantic comedy fx delay band | D | 130 | ||||
|
Never Change 2 [CEZ4193 - 32] |
Alt. | 3'13 | Pascal Macaigne | Sentimental & sustained. Rock band with synth. Fx delay. | pop rock romantic comedy fx delay band | D | 130 | |||
|
Occult Persuasion [CCB1021 - 3] |
0 | 3'46 | Bill Laswell | Urban & nocturnal. Bass, Hammond organ, electric guitar & rhythm. | dub social drama electric bass fx delay | Gbm | 117 | |||
|
Balaton [CEZ4184 - 9] |
0 | 2'08 | Selma Mutal | Stripped & interrogative. Saz, piano & electronics. | geopolitics Hungary cimbalom sad | Gm | 76 | |||
|
Vilno Vilna Vilnus [CEZ4184 - 17] |
0 | 3'36 | Agnès Vesterman | Sad & solitary. Solo cello. | desolate cello Yiddish destiny | A | 106 | |||
|
Out of the Woods [MAG6005 - 1] |
0 | 4'27 | Valentin Fayaud | Hypnotic & dreamy. Synth, female ethnic voices, electric guitar & | modern electro world electronica dreamy | Gbm | 126 | |||
|
Alter Ego [MAG6005 - 7] |
2'33 | L'Age d'Or | Humid & sad. Synth, male and female ehtnic voices @ 2'02 & rhythm. | modern fx rain rain electro ambient | Gbm | 131 | ||||
|
Alter Ego 2 [MAG6005 - 18] |
Alt. | 1'44 | L'Age d'Or | Exotic & sad. Synth, female and male ethnics voices & rhythm. | introduction nocturnal female ethnic voice Africa | Gbm | 130 | |||
|
Escher's Stairwell [CEZ4182 - 15] |
0 | 2'20 | John Greaves | Strange & cyclic. Synth & synth pads | contemporary art hypnotic patient steady | Eb | 120 | |||
|
Happy Families [CEZ4183 - 1] |
0 | 1'44 | Julien Vega | Interrogative & narrative. Pizz, piano, marimba & percussion. | dramedy interrogative funny ironical & mischievous | Am | 100 | |||
|
Painted Ladies [CEZ4177 - 17] |
1'43 | Eric Lohrer | Wandering & pensive. Electric and acoustic guitar duet. Fx phasing. | hot desert suspended atmosphere interrogative atmospheric | C | 77 | ||||
|
Painted Ladies 2 [CEZ4177 - 25] |
Alt. | 2'01 | Eric Lohrer | Wandering & pensive. Electric guitar & banjo @ 0'40. | airy hot desert suspended atmosphere interrogative | G | 112 | |||
|
Painted Ladies 3 [CEZ4177 - 26] |
Alt. | 1'41 | Eric Lohrer | Wandering & pensive. Solo electric guitar. | airy hot desert suspended atmosphere interrogative | D | 72 | |||
|
Desertification [CEZ4186 - 11] |
0 | 3'18 | Bernard Grimaldi | Melancholic & desolated. Duduk, cymbalum & strings. | Maghreb Central Asia desolate geopolitics | Am | 104 | |||
|
Over the Mountains and the
[CEZ4186 - 21] |
0 | 2'43 | Frédéric Dunis, Bernard Grimaldi | Emotional, sentimental & majestic. String orchestra & choir. | romantic moving hollywood classic lyrical | Em | 78 | |||
|
Presentiment of Danger [UBM2174 - 17] |
0 | 2'45 | Anselm Kreuzer | Haunting, dark, dangerous; with climax. | final interrogative marimba mysterious | Bb | 80 | |||
|
The Styx [CEO2027 - 23] |
0 | 1'14 | Bernard Grimaldi | Strange & oniric with a Middle-Eastern touch. Viola da gamba & string | contemporary middle-eastern music heritage primitive art desolate | Gm | 97 |