| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Lizard Lounge [CCB1026 - 9] |
0 | 2'18 | Ray Bartok | Experimental rock. Nocturne, relax & confident. Rock band with | band nocturnal experimental rock contemporary art | Ebm | 98 | |||
|
Coupe de France [CEO2040 - 1] |
1'52 | Arnaud de Boisfleury | Documentary. Determined & urgent. Flugelhorn, piano & strings. | string section flugel horn driving small ensemble | Bm | 157 | ||||
|
Coupe de France Alternate
[CEO2040 - 13] |
Alt. | 1'52 | Arnaud de Boisfleury | Determined & interrogative. Solo piano. | French cinema acoustic piano confident old-fashioned | Gbm | 147 | |||
|
The Clockmaker [CEZ4304 - 13] |
0 | 1'51 | John Greaves, Baptiste Thiry | Craft, corporate, time. Cyclic & constant. Piano, pizz & electronics. | repetitive music patient arts & crafts delicate | G | 110 | |||
|
Roadscape [CEZ4303 - 2] |
2'24 | Gabriel Saban, Philippe Briand | Advertisement. Corporate. Unifyng & moving. Build up. Electronics & | corporate video advertising unifying uplifting | Db | 104 | ||||
|
Roadscape Alternate Version 1 [CEZ4303 - 23] |
Alt. | 2'22 | Gabriel Saban, Philippe Briand | Melancholic & moving. Build up. Keyboard, glockenspiel, harp, piano & | neo-classical music corporate convention destiny politics | Db | 104 | |||
|
Roadscape Alternate Version 2 [CEZ4303 - 24] |
Alt. | 2'24 | Gabriel Saban, Philippe Briand | Unifying & moving. Build up. Electronics & strings. | corporate convention unifying building advertising | Db | 104 | |||
|
Keeping Mum [CEZ4298 - 3] |
0 | 2'05 | Gabriel Saban, Philippe Briand | Determined & interrogative. Pizz & small instrumental ensemble. | dramedy pizzicato interrogative animation & cartoons | Cm | 120 | |||
|
Time Square [CEZ4297 - 3] |
0 | 3'11 | André Charlier, Benoît Sourisse | Relax & carefree. 50s. Jazz quintet with trumpet, sax, piano & rhythm. | hard bop jazz club jazz quintet trumpet | Gm | 118 | |||
|
White Fang [CEO2044 - 2] |
1'54 | Gréco Casadesus | Exhilarating & panoramic. Symphony orchestra & cello. | adventure hollywood classic symphony orchestra panoramic | Am | 108 | ||||
|
White Fang Alternate Version
[CEO2044 - 38] |
Alt. | 1'50 | Gréco Casadesus | Nostalgic, peaceful & panoramic. Oboe & strings. | panorama high seas oboe hollywood classic | Gbm | 72 | |||
|
Life of a Pioneer [CEO2044 - 9] |
2'01 | Gréco Casadesus, Gregory Cotti | Peaceful & still. String orchestra, piano & guitar. | suspended atmosphere intimate peaceful pastoral | Fm | 74 | ||||
|
Life of a Pioneer Alternate
[CEO2044 - 41] |
Alt. | 2'00 | Gréco Casadesus, Gregory Cotti | Suspended & restrained. String orchestra. | string orchestra high seas destiny hollywood classic | Fm | 65 | |||
|
The Cradle of Humanity [CEO2043 - 1] |
1'40 | Gregory Cotti | Tender & exhilarating. Piano, cinematic strings & electronics. | panoramic country & garden panorama moving | C | 151 | ||||
|
The Cradle of Humanity
[CEO2043 - 13] |
Alt. | 1'51 | Gregory Cotti | Tender & exhilarating. Piano & cinematic strings. | geopolitics majestic panoramic airy | Am | 149 | |||
|
Never Let Go [CEZ4286 - 10] |
0 | 2'17 | Gabriel Saban, Philippe Briand | TV series. Determined & urgent. Constant progression. Cinematic | politics crime movie investigation relentless | Eb | 107 | |||
|
Après la Pluie [CCB1025 - 7] |
0 | 5'39 | Renaud Garcia-Fons | Sad & moving jazzy ballad. Double-bass, vibes, accordion & percussion. | bowed double bass sad chromatic accordion changing | Am | 105 | |||
|
Cyber Attack [CEZ4285 - 5] |
0 | 1'48 | Sebastijan Duh | Urgent & tense suspense. Cinematic orchestra, electronics & rhythm @ | historical conflict action movie relentless suspense | Abm | 130 | |||
|
Sinister Groove [UBM2271 - 7] |
0 | 1'50 | Daniel Backes, Peter Moslener | Dark track with a steady threat. Synthesizer, percussion. | disturbing synthesizer time (tick-tock) abyss | D | 130 | |||
|
Dizzy Awakening [UBM2266 - 8] |
0 | 1'15 | Achim Zweschper | Distorted flute creates a feeling of numbness and disorientation. | fx delay mysterious flute electro organic | A | 111 | |||
|
The Enemy Approaches [UBM2266 - 23] |
0 | 2'09 | Achim Zweschper | Fearful, dark, strained. The enemy approaches. Hopeless. | beds scary horror abyss | G | 84 | |||
|
Mild Awakening [UBM2265 - 3] |
0 | 1'04 | Daniel Backes, Peter Moslener | Reduced marimba track, tension is built up. Ideal for investigative | marimba melodic panorama simple | Em | 97 | |||
|
Slackerstrum [UBM2265 - 18] |
0 | 0'51 | Daniel Backes, Peter Moslener | Thoughtful, serious singer-songwriter sound. Ideal for serene reports | folk guitar introspective panoramic everyday life | B | 83 | |||
|
Mysterious Harp [UBM2264 - 7] |
0 | 0'16 | Daniel Backes, Peter Moslener | Mysterious harp sound evokes a feeling of uncertainty. | animation & cartoons rising harp interrogative | Cm | 83 | |||
|
A Strange Traveller [EOS20 - 7] |
0 | 3'22 | Anthony Mowat | Patient & rhythmic. Drums, bass, synth, electric guitar. | film noir neutral drums steady | Dm | 162 | |||
|
A Stranger Traveller [EOS20 - 15] |
0 | 3'28 | Anthony Mowat | Patient & rhythmic. Drums, bass, synth, electric guitar. | film noir drums steady investigation | Dm | 162 |