| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Flor De Soledad [CEV3036 - 12] |
0 | 1'48 | Manuel Delgado-Martinez | Melancholic & sentimental. Solo flamenco guitar. (Spain) | flamenco guitar Flamenco Spain Gypsies geopolitics | G | 120 | |||
|
A Game of Cards [CEZ4095 - 28] |
0 | 1'53 | Marcel Ballot | Relaxed & retro. Melodica & piano. | do-it-yourself carefree retro cinema old-fashioned | G | 118 | |||
|
The First Crop [CEZ4095 - 31] |
0 | 2'04 | Selma Mutal | Fluid & cyclic. Solo piano. | country & garden pastoral romantic comedy delicate | D | 123 | |||
|
Swallows' Dance [CEZ4095 - 32] |
0 | 2'20 | Christian Mesmin | Tender & engaging. Piano, violin & rhythm @ 0'52. | pastoral country & garden gardening melancholic | Em | 165 | |||
|
The White Plains [CEV3033 - 3] |
0 | 2'51 | Alexandre Ponomarenko, Oleg Ponomarenko | Tragic & moving. Acoustic guitar, accordion, balalaïka & double | ethnic & traditional (all) Russia traditional instrumental ensemble folk guitar | Em | 72 | |||
|
Nevsky Prospect [CEV3033 - 6] |
3'13 | Alexandre Ponomarenko, Oleg Ponomarenko | Waltz. Nostalgic & danceable. Violin, bayan accordion, balalaïka, | ethnic & traditional (all) traditional instrumental ensemble Russia bayan accordion | Am | 100 | ||||
|
Nevsky Prospect 2 [CEV3033 - 15] |
Alt. | 1'42 | Alexandre Ponomarenko, Oleg Ponomarenko | Waltz. Danceable & retro. Guitar & double bass. (Russia). | Russia everyday life ethnic & traditional (all) melodic | Am | 98 | |||
|
Nevsky Prospect 3 [CEV3033 - 16] |
Alt. | 2'03 | Alexandre Ponomarenko, Oleg Ponomarenko | Melancholic & moving. Solo balalaïka. (Russia) | balalaïka Russia ethnic & traditional (all) geopolitics | A | 68 | |||
|
Nevsky Prospect 4 [CEV3033 - 17] |
Alt. | 2'05 | Alexandre Ponomarenko, Oleg Ponomarenko | Waltz. Nostalgic & danceable. Solo bayan accordion. (Russia) | ethnic & traditional (all) Russia bayan accordion geopolitics | A | 99 | |||
|
Rumble Road [CEZ4098 - 23] |
0 | 1'54 | Mark Alberts | Garage Rock/ Surf. 60's inspired. Upfront & tense. | 1960 twangy guitar road movie driving | Em | 140 | |||
|
In The Night Sky [CEZ4096 - 23] |
0 | 1'15 | John Greaves | Celestial & soothing. Fender Rhodes, harmonica & little bells. | peaceful country & garden lazy dreamy | D | 81 | |||
|
Breaking News [CEZ4094 - 3] |
1'15 | Elisabeth Skornik, Guy Skornik | Determined & accentuated. Stings, brass & electronics. | breaking news driving politics urgent | E | 119 | ||||
|
Breaking News 2 [CEZ4094 - 19] |
Alt. | 1'15 | Elisabeth Skornik, Guy Skornik | Accentuated & cyclic. Electronics & strings. | breaking news driving politics uplifting | Em | 120 | |||
|
Breaking News 3 [CEZ4094 - 20] |
Alt. | 1'15 | Elisabeth Skornik, Guy Skornik | Accentuated & cyclic. Electronics. | breaking news driving politics uplifting | E | 120 | |||
|
Financial Report [CEZ4094 - 4] |
0'42 | Elisabeth Skornik, Guy Skornik | Urgent & serious. Electronics. | investigation breaking news driving politics | A | 120 | ||||
|
Financial Report 2 [CEZ4094 - 21] |
Alt. | 0'42 | Elisabeth Skornik, Guy Skornik | Urgent & accentuated. Electronics & strings. | investigation breaking news driving politics | A | 120 | |||
|
Financial Report 3 [CEZ4094 - 22] |
Alt. | 0'57 | Elisabeth Skornik, Guy Skornik | Urgent & repetitive. Electronics. | investigation breaking news driving politics | A | 120 | |||
|
Financial Report 4 [CEZ4094 - 23] |
Alt. | 0'26 | Elisabeth Skornik, Guy Skornik | Jingle. Urgent. Electronics. | investigation breaking news driving politics | A | 120 | |||
|
Global Crisis [CEZ4094 - 7] |
0 | 1'18 | Thierry Caroubi | Urgent & emphatic. Orchestra, percussion & choir. | adventure game adventure news cinematic | Gm | 120 | |||
|
Non Stop News [CEZ4094 - 17] |
0 | 1'01 | Mathias Delplanque | Positive & determined. Electronics. | news talk-show corporate (all) driving | D | 106 | |||
|
Investigative 04 [UBM2176 - 4] |
0 | 1'34 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Weird, futuristic, nervous, colorful. | urgent disturbing chase beds | Cm | 85 | |||
|
Investigative 16 [UBM2176 - 16] |
0 | 2'09 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Repetitive piano in futuristic synth spheres. | scary horror wandering muffled | Am | 162 | |||
|
Deadly Science [UBM2161 - 9] |
0 | 1'42 | Anselm Kreuzer | Dark, dangerous, evil ; dramatic thriller. | disturbing panorama scary mysterious | Dbm | 130 | |||
|
Surprising Discovery [UBM2161 - 19] |
0 | 1'39 | Anselm Kreuzer | Amazed, excited, hopeful ; nature. | fx backwards happy & joyful geopolitics marimba | Dm | 107 | |||
|
Walking In A Circle [UBM2179 - 6] |
0 | 3'00 | Relaxed yet winking & slightly humorous. | sting beds 1960 1970 | Am | 100 | ||||
|
I Think Of You [UBM2170 - 19] |
0 | 2'15 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Warm, sparse, affecting. | marimba intermittent sparse restrained | C | 81 | |||
|
Don't Forget Nothing [UBM2170 - 28] |
0 | 2'11 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Propulsive, positive, playful. | industry beds confident geopolitics | Bm | 100 | |||
|
Wide Clubby Horizon [UBM2158 - 23] |
0 | 3'02 | Daniel Backes, Tobias Ellenberg | Housy beat with synths and far-away piano. | rhythm section beds atmospheric drum machine | Gb | 120 |