Electro world / future beat. Tender and subtile intro then lively & Electro world / future beat. Tender and subtile intro then lively & percussive. Asia. Erhu (Chinese violin), synth, voices & rhythm @ 0'59. Piano outro @ 2'47.
Traditional song from the Caribbean region of Colombia, sung in Traditional song from the Caribbean region of Colombia, sung in Spanish. Rootsy cumbia, emotional & rural. Female singer, Latin percussion, Spanish guitar, choir, claps & tiple @ 2'15. Lyrics
Azúca me llamo yo, Azúca me llamo yo, Azúca me puso el padre, cuando me metio la sal.
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca la refina, (Azúca) Azúca, azúca será, (Azúca) Azúca me han de llama, (Azúca) Azúca, azúca será, (Azúca)
Azúca, Azúca. El loro y la lora estaban loriando, El loro y la lora estaban loriando, Y yo por la reja estaba mirando Y yo por la reja estaba mirando El loro comiendo y yo trabajando El loro comiendo y yo trabajando Trabaja compañero, trabaja. (Azúca) Trabaja voca arriba trabaja. (Azúca) Trabaja medio lado trabaja.
Con que se mantiene, con la flor del verano. Con que se mantiene, con la flor del verano. Trabaja compañero, trabaja. Trabaja medio lado trabaja. Trabaja voca arriba trabaja. Trabaja voca arriba trabaja.
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca me puso el padre, (Azúca) Cuando me metio la sal, (Azúca)
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca la refina, (Azúca) Azúca me han de llama, (Azúca) Azúca, azúca será, (Azúca)
Mentira ha sido tu amor Mentira ha sido tu amor Falso fue tu juramento, hojas que se lleva el viento. Mentira ha sido tu amor Mentira ha sido tu amor Falso fue tu juramento, hojas que se lleva el viento.
Azúca, Ay con que se mantiene Azúca, Con la flor del verano Azúca, ay me han de llamar, cuando me metio la sal.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Songwriter(s) :
Traditional
LC :
10347
Album :
Latin Songs: In a Traditional Mood
Release date :
01/04/2020
Performed by :
Aida Bossa
Publisher(s) :
Frederic Leibovitz Editeur - Mantarraya Music
ISRC :
FRZPA2006760
Azúcar - El Loro y la Lora Azúcar - El Loro y la Lora Alternate [CEL7001 - 12]
Underscore. Traditional from the Caribbean region of Colombia. Rootsy Underscore. Traditional from the Caribbean region of Colombia. Rootsy cumbia, emotional & rural. Spanish Guitar, latin percussion, choir, claps & tiple @ 2'10.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Post-punk revival / electro pop with a 80's vibe. Energetic, steady & Post-punk revival / electro pop with a 80's vibe. Energetic, steady & classy. Electric guitar, male singer & rhythm.Lyrics
It’s strange, before, a goodbyeyour faith in god upset mewe’re all gonna die i’m waiting for the thunderto blow that strength awayfor the first timemake yourself weakface reality Take your timemeet your demonswe can beat them i need someone to find a newto find a new fate It’s strange , you fall , with your prideand let’s go down the sun, to feel the good timei’m waiting for the thunderto blow that strength awayjust cause you feel it , it doesn’t mean anythingi don’t blame you now take your timemeet your demonsyou can beat themi need someone to find a newto find a new fate.
Instrumental alternate. Post-punk revival / electro pop with a 80's Instrumental alternate. Post-punk revival / electro pop with a 80's vibe. Instrumental. Classy intro then relentless. Constant guitar riff. Arty. Electric guitar, synth & rhythm.Lyrics
Loud, low & heavy, with build up intro. Toms over a floating guitar Loud, low & heavy, with build up intro. Toms over a floating guitar melody. Always menacing & fast. Dramatic guitar part @3'17. Counterpoise, oppressive guitar @3:46. Massive & epic part until a haunting climax. Progressive metal / Post metal. For action, dark scenes & drama outcome.
Brutal guitar intro with toms hits. Explosive & vehement very fast Brutal guitar intro with toms hits. Explosive & vehement very fast action with synth pad. Metal band. Speed & heavy metal. Suggested for propulsion, duel, pursuit.
Driving, motivating & vintage guitar. Tense break with drums hits Driving, motivating & vintage guitar. Tense break with drums hits rising @ 0'53. Indomitable & chaotic break @ 1'02. Heavy metal band with synth. Hybrid synth metal / Synth pop. For video games, action, sport & space contest.
80's. Pop song. Light, sentimental but not naive. Female singer, 80's. Pop song. Light, sentimental but not naive. Female singer, electric guitar, synth & rhythm.Lyrics
Je garde en souvenir ta montre et ton gilet Je garde aussi en mémoire les jours qu’on a passé A se dire que peut être çà pourrait marcher Mais le temps a passé et çà ne l’a pas fait
Moi qui croyait en toi Toi qui ne doutait pas
Je garde en souvenir le soir ou t’as gagné Et qu’on s’était promis les heures et les années Comme une évidence on s’est accompagné Et comme par insouciance on ne s’est pas méfié
Moi qui croyait en toi Toi qui ne doutait pas Moi qui voyait en toi Celui qui n’existait pas Moi qui croyait en toi On y croyait Toi qui ne doutait pas Jamais douté
Moi qui voyait en toi On y croyait Celui qui n’existait pas Jamais douté Moi qui croyait en toi On y croyait Toi qui ne doutait pas Jamais douté Moi qui voyait en toi On y croyait Celui qui n’existait pas
80's. Alternate version. Light, sentimental but not naive. Electric 80's. Alternate version. Light, sentimental but not naive. Electric guitar, synth & rhythm.
Honky-tonk / western-swing song in the spirit of the late 40's & Honky-tonk / western-swing song in the spirit of the late 40's & early 50's. Confident & bouncy. Male singer, fiddle & pedal steel solo @ 0'50, rhythm & piano.Lyrics
TOO MANY HONKY TONKS
VERSE I know she didn’t mean to hurt me She tried so hard to make it right I guess I lost out to the whisky But I wonder where my baby is tonight
CHORUS ‘Cause when her tears start fallin’ Her goodtime friends come callin’ And they won’t keep her feet
On solid ground From lonely street to misery Uptown on down There’re just too many honky tonks around
INSTRUMENTAL
VERSE The neon lights are shinin’ Right thru the warm glow of this wine And my ole heart is pinin’ And I wonder where she’ll be
At closing time.
CHORUS ‘Cause when her tears start fallin’ Her goodtime friends come callin’ And they won’t keep her feet
On solid ground From lonely street to misery Uptown on down There’re just too many honky tonks around
From lonely street to misery Uptown on down There’re just too many honky tonks around
Underscore. Honky-tonk / western-swing in the spirit of the late 40's Underscore. Honky-tonk / western-swing in the spirit of the late 40's & early 50's. Confident & bouncy. Fiddle & pedal steel solo @ 0'50, rhythm & piano.
