| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Hacia Compostela [CCB1018 - 2] |
0 | 6'08 | Renaud Garcia-Fons | Patient & peaceful, then fiery & powerful @ 3'30. Constant | country & garden driving peaceful patient | G | 144 | |||
|
Bari [CCB1013 - 3] |
0 | 3'05 | Renaud Garcia-Fons | Moving & lively waltz. Double-bass & accordion. | waltz bowed double bass moving merry-go-round music | Am | 147 | |||
|
Fille des Sables [CCB1010 - 7] |
0 | 4'44 | Renaud Garcia-Fons | Obstinate & determined. Bowed double-bass ensemble. | double bass ensemble tracking shot bowed double bass destiny | Am | 117 | |||
|
Dance of the Animals [CEZ4144 - 4] |
0 | 1'24 | Line Adam | Mechanical & strange. Small instrumental ensemble. | circus music new circus cyclic ironical & mischievous | D | 140 | |||
|
Pha That Luang [CEZ4142 - 1] |
0 | 1'57 | Imade Saputra | Joyful & majestic. Pong lang (xylophone) & percussion. | Laos pong lang geopolitics arts & crafts | Bm | 162 | |||
|
Mo-Khen [CEZ4142 - 6] |
0 | 2'20 | Imade Saputra | Determined & pulsing. Ken (mouth organ) & percussion. | Laos ken street theatre happy & joyful | Gbm | 137 | |||
|
Tollpatsch [UBM2194 - 4] |
0 | 1'22 | Felix Halbe | Solo piano. Clumsy and shy movements. | unstable badly played funny animals childhood | Gb | 120 | |||
|
La Guinguette à Deux Sous [CEZ4140 - 2] |
0 | 1'54 | Pierre-André Athané | Musette waltz. Lively & nostalgic. Accordion, organ, vibes & rhythm | country ball bal musette waltz musette 1940 | Bb | 99 | |||
|
Willy-Nilly [CEZ4134 - 4] |
0 | 1'20 | Scott Taylor | Clumsy & naive. Trombone, accordion & percussion. | funny animals clumsy circus music circus | Abm | 90 | |||
|
Two Steps From Hell [CEZ4139 - 8] |
2'36 | Mark Alberts | Fatal & tense with progression. Strings, electric guitar & drums @ | cinematic rock sport drama scary cinematic | Em | 64 | ||||
|
Two Steps From Hell 2 [CEZ4139 - 47] |
Alt. | 2'17 | Mark Alberts | Tense & resigned. Strings, electric guitar & synths. | airy cinematic desolate social drama | Em | 65 | |||
|
Two Steps From Hell 3 [CEZ4139 - 48] |
Alt. | 0'13 | Mark Alberts | Link. Nostalgic. Strings. | link electric bass social drama action movie | E | 117 | |||
|
Two Steps From Hell 4 [CEZ4139 - 49] |
Alt. | 0'13 | Mark Alberts | Link. Desolate. Strings & electric guitar & Fender Rhodes. | link desolate Fender rhodes action movie | Em | 97 | |||
|
Two Steps From Hell 5 [CEZ4139 - 50] |
Alt. | 0'16 | Mark Alberts | Link. Desolate. Fender Rhodes & electric guitar. | link fx feedback desolate Fender rhodes | Em | 80 | |||
|
Combat Zone [CEZ4129 - 13] |
1'34 | Baptiste Thiry | Violent & relentless. Electronic & electronic percussion. | warlike relentless powerful & imposing sudden | Gm | 107 | ||||
|
Combat Zone 2 [CEZ4129 - 42] |
Alt. | 0'30 | Baptiste Thiry | Loop. Aggressive & implacable. Electronics & electronic percussion. | warlike relentless powerful & imposing percussive | Dm | 107 | |||
|
Combat Zone 3 [CEZ4129 - 43] |
Alt. | 0'03 | Baptiste Thiry | Link. Sudden. Electronic percussion. | horror action movie percussive aggressive & violent | Dm | 163 | |||
|
Combat Zone 4 [CEZ4129 - 44] |
Alt. | 0'30 | Baptiste Thiry | Loop. Urgent & tense. Electronics. | action movie disturbing atmospheric loop | G | 107 | |||
|
The Story We Can Tell [CEZ4128 - 1] |
1'25 | Eric Lohrer | Confident & optimistic. Electric guitars & fx. | corporate video confident social drama open air | E | 156 | ||||
|
The Story We Can Tell 2 [CEZ4128 - 27] |
Alt. | 1'29 | Eric Lohrer | Confident & optimistic. Electric guitars. | corporate video confident social drama open air | B | 156 | |||
|
Waiting for Her [CEZ4128 - 3] |
0 | 2'16 | Mathias Delplanque | Electro pop. Positive & constant. Electronics & rhythm. | social drama urban confident electro pop | Cm | 110 | |||
|
Police Dysfunction [CEZ4127 - 3] |
0 | 2'43 | Mathias Delplanque | Electro glitch. Obstinate & repetitive. Electronics & rhythm. | investigation electro glitch atmospheric steady | Gm | 104 | |||
|
Wings of Hope [CEZ4117 - 32] |
0 | 2'33 | Jérôme Lemonnier | Uplifting & majestic. Piano & strings. | destiny building blossoming corporate video | Dm | 165 | |||
|
Happy Electron [UBM2119 - 1] |
0 | 1'49 | Daniel Backes, Peter Moslener | Light computer groove, computer fx, happy theme. | robotic electro industrial electronic percussion beds | C | 124 | |||
|
Seventy Nine [UBM2175 - 13] |
0 | 2'45 | Christoph Lienemann | Absorbed, atmospheric, lounge-flair. | retro cinema confident carefree retro American serie | Em | 110 | |||
|
Sanctus [EOS05 - 4] |
0 | 1'36 | Gilles Colliard | Requiem. Fiery & jerky. Chamber orchestra, alto & soprano. | requiem alto (vocal) sung in latin funerals | Gm | 152 | |||
|
Dark Taiko [CEO2013 - 12] |
0 | 2'09 | Alain Kremski | Loud & worrying. Taiko (Japanese drum). | primitive art non occidental ceremony lost civilizations ethnic percussion ensemble | Am | 93 | |||
|
Creeping Current [UBM2184 - 3] |
0 | 1'52 | Daniel Backes, Peter Moslener | Cold tension; sparse yet incisive. | investigation time (tick-tock) beds atmospheric | Db | 166 |