| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Moses Legacy [CEO2017 - 10] |
0 | 2'19 | Armand Frydman | Oriental theme. Sensual & swaying. Soprano sax, darbuka & double-bass. | Middle-East & Maghreb docu fiction Judaism derbouka | E | 126 | |||
|
Babel [CEO2017 - 16] |
0 | 1'42 | Armand Frydman | Carefree & confident. Soprano sax, vibraphone & cello. | confident geopolitics carefree Israel | Cm | 113 | |||
|
Forever Friends [CEO2016 - 1] |
0 | 4'04 | Pierre Adenot | Theme in 3 parts. Intimate. Sentimental @ 1'28 & warm@ 2'42. | romantic comedy romantic French cinema sentimental | D | 99 | |||
|
Sunbeam Through the Clouds [CEO2016 - 3] |
0 | 2'29 | Pierre Adenot | Dreamy, tender & romantic. Orchestra with piano & celesta. | sentimental romantic French cinema romantic comedy | Gbm | 89 | |||
|
Confidential Conversation [CEO2016 - 4] |
1'01 | Pierre Adenot | Warm & peaceful. Orchestra with classical guitar. | intimate romantic French cinema romantic comedy | D | 100 | ||||
|
Confidential Conversation 2 [CEO2016 - 11] |
Alt. | 1'53 | Pierre Adenot | Charming, bright & light-hearted. Orchestra with classical guitar & | romantic French cinema romantic comedy sentimental | Dbm | 112 | |||
|
Confidential Conversation 3 [CEO2016 - 13] |
Alt. | 0'51 | Pierre Adenot | Charming & mellow in a bossa-nova mood. Orchestra with flute. | French cinema romantic sentimental French TV serie | D | 120 | |||
|
Mystery and Fear [CEO2016 - 8] |
0 | 0'56 | Pierre Adenot | Intriguing then scary. Orchestra with celesta. Constant progression | crescendo fantasy changing horror | Eb | 143 | |||
|
Roma 1922 [CEO2012 - 9] |
3'00 | Bruno Alexiu | Solemn & tragic. Symphonic orchestra. | destiny historical narrative tragic inexorable | Gm | 118 | ||||
|
Roma 1922 #2 [CEO2012 - 10] |
Alt. | 2'20 | Bruno Alexiu | Interrogative & heavy. Symphonic orchestra. | historical narrative tragic historical conflict destiny | Bm | 75 | |||
|
Roma 1922 #3 [CEO2012 - 11] |
Alt. | 1'44 | Bruno Alexiu | Sad & interrogative wait. Symphonic orchestra. | destiny inexorable historical narrative tragic | Gm | 66 | |||
|
Roma 1922 #4 [CEO2012 - 12] |
Alt. | 1'26 | Bruno Alexiu | Sad & interrogative wait. Symphonic orchestra. | historical narrative historical conflict sinister tragic | D | 91 | |||
|
Roma 1922 #5 [CEO2012 - 13] |
Alt. | 0'56 | Bruno Alexiu | Interrogative & melancholic. Symphonic orchestra. | destiny inexorable historical narrative tragic | Dm | 93 | |||
|
Roma 1922 #6 [CEO2012 - 14] |
Alt. | 1'12 | Bruno Alexiu | Interrogative & narrative wait. Symphonic orchestra. | inexorable destiny historical narrative tragic | Bm | 65 | |||
|
Fumata Bianca [CEO2012 - 30] |
0 | 0'26 | Bruno Alexiu | Solemn & meditative. Organ & symphonic orchestra. | church organ catholic funerals solemn | Em | 117 | |||
|
State Funeral [CEO2012 - 32] |
0 | 0'50 | Bruno Alexiu | Restrained & sad. Organ & string orchestra. | funerals tragic inexorable church organ | Abm | 67 | |||
|
On the Wall [CEZ4110 - 2] |
0 | 2'03 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Urgent & determined. Bass guitars with delay fx. | electric bass steady industry relentless | E | 95 | |||
|
Stay on the Line [CEZ4110 - 7] |
0 | 2'52 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Urgent but positive. Bass guitars. Melody played fretless. | electric bass fretless bass industry water sport | Em | 154 | |||
|
Run Rabbit Run [CEZ4113 - 23] |
0 | 2'35 | Daniel Diaz | Urgent & childlike. Alarm clock, guitars & electronics. 112 BPM. | time (tick-tock) fx tick-tock corporate (all) urgent | Em | 112 | |||
|
Wakey Wakey ! [CEZ4113 - 26] |
0 | 2'31 | Daniel Diaz | Urgent & stressful. Clocks & alarms ensemble. 138 BPM. | time (tick-tock) fx tick-tock fx alarm clock unclassifiable | Bm | 138 | |||
|
Chronometry [CEZ4113 - 28] |
2'06 | Guillaume Martel | Urgent with chronometer fx. Electronics & electric guitar. | time (tick-tock) fx stopwatch corporate video urgent | Gm | 120 | ||||
|
Chronometry 2 [CEZ4113 - 33] |
Alt. | 2'06 | Guillaume Martel | Urgent & tense. Chronometer fx. Electronic percussion. | time (tick-tock) fx stopwatch electronic percussion mechanical sport | Gm | 120 | |||
|
Pai [CEZ4115 - 35] |
0 | 1'29 | Imade Saputra | Accentuated & serious. Cheng solo. | Thailand sheng ethnic & traditional (all) funny | Gb | 100 | |||
|
Douala- Limbe [CEZ4111 - 20] |
0 | 2'15 | Matteo Michelino, Silvano Michelino | Serious, determined & peaceful. Acoustic guitars & percussion, solo | geopolitics Africa tracking shot confident | Dm | 130 | |||
|
Metalwork [CEZ4111 - 29] |
0 | 1'44 | Loïc Schild | Repetitive & determined. Metallic percussion ensemble. | vibraphone xylophone arts & crafts cyclic | Gm | 135 | |||
|
Fancy Footwalk [CEZ4107 - 14] |
2'22 | Daniel Diaz | Accentuated & melancholic. Bowed Double bass, trumpet & piano. | trumpet Argentina retro cabaret bowed double bass | Am | 82 | ||||
|
Fancy Footwalk 2 [CEZ4107 - 15] |
Alt. | 2'14 | Daniel Diaz | Accentuated & melancholic. Bowed Double bass, electric guitar, | social drama trumpet Argentina retro cabaret | Am | 163 | |||
|
Fancy Footwalk 3 [CEZ4107 - 16] |
Alt. | 1'35 | Daniel Diaz | Swaggerer ! Heavy & comical. Tempo changing @ 1'02. Solo bowed double | bowed double bass tragi-comic Argentina slapstick | E | 103 | |||
|
Cops On Your Tale [CEZ4107 - 18] |
0 | 1'59 | Paul Martin Pritchard | Suspense. Insidioux & tense. Brass, electronics & rhythm. | double basses (all) spy film noir chase | F | 129 | |||
|
Consuelo of Beijing [CEZ4106 - 25] |
0 | 2'24 | Eric Lohrer, Didier Malherbe | Plaintive & lazy. Bawu (traditional Chinese flute) & 12 string guitar. | ethnic flutes (all) world music proud mysterious | Am | 60 |