| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Habille mais Court (part 1) [CEZ4014 - 71] |
0 | 0'15 | Denis Levaillant | Trailer in the spirit of the 70's/80's. Synth. | kitsch & cheesy Twentieth century music 1970 1980 | Ebm | 127 | |||
|
Thriller [CEZ4014 - 84] |
0 | 0'40 | Bruno Letort | Sudden & frightening. percussion, keyboards & electronics. | investigation aggressive & violent cinematic historical conflict | Ab | 172 | |||
|
La Voix Interieure [CEZ4014 - 93] |
0 | 0'10 | Jean-Claude Risset | Weird & haunting. Soprano voice. | soprano (vocal) sting horror unclassifiable | B | 99 | |||
|
Flashy [CEZ4014 - 96] |
0 | 0'07 | Louis Dandrel | Retro corporate. Kitsch. Synth & vintage drum machine. | kitsch & cheesy vintage electronic drums 1980 sting | Abm | 123 | |||
|
Ask the Rabbi [CEZ4123 - 6] |
0 | 1'10 | Marc-Olivier Dupin | Simple, naive & mischievous. Yiddish. Solo cello. | Judaism cello Yiddish ironical & mischievous | A | 65 | |||
|
Macro Molekular [UBM2119 - 9] |
0 | 1'55 | Daniel Backes, Peter Moslener | Lonely melody pattern served with deep pulse & synth pad. | soundscape atmospheric hypnotic undulating | Cm | 112 | |||
|
Ticking Tech [UBM2119 - 10] |
0 | 2'26 | Daniel Backes, Peter Moslener | Tickticktick... in a major key. | soundscape beds atmospheric suspended atmosphere | Gb | 125 | |||
|
Weather Satellite [UBM2119 - 11] |
0 | 2'29 | Daniel Backes, Peter Moslener | Signal pulses on positive piano-ground. | atmospheric undulating soundscape sequencing | C | 119 | |||
|
Eerie Forrest [UBM2199 - 13] |
0 | 2'19 | Anselm Kreuzer | Utter suspense, striking discoveries. | insidious wood-block scary horror | Cm | 60 | |||
|
Smart Grid [UBM2184 - 6] |
0 | 1'40 | Daniel Backes, Peter Moslener | Very sparse; sweeping tension. | atmospheric hypnotic science beds | Gb | 101 | |||
|
Ormoc City [CEZ4121 - 7] |
0 | 2'22 | Imade Saputra | Naive & persistent. Bamboo orchestra & bass flutes. | bandurria bamboo orchestra Philippines traditional instrumental ensemble | C | 165 | |||
|
Sugar Cane [CEZ4118 - 14] |
0 | 2'06 | Imade Saputra | Creole song. Determined & plaintive. Male voice & drum. Lyrics | Song and theme sung in Creole vocal traditional male soloist voice | Gbm | 108 | |||
|
Family Life [CEZ4120 - 1] |
0 | 1'16 | Pierre-André Athané | Uplifting & tender. Solo piano. | post-classical interiors & cooking acoustic piano simple | C | 105 | |||
|
Moses [CEO2017 - 2] |
0 | 2'51 | Armand Frydman, Didier Malherbe | Haunting & mysterious. Flute, harmonic flute, double-bass and | hot desert alto flute walking Middle-East & Maghreb | Em | 124 | |||
|
Alexandria [CEO2017 - 4] |
0 | 2'06 | Armand Frydman | Oriental theme. Confident & pensive. Soprano sax, double-bass & | geopolitics Maghreb contemporary middle-eastern music Armenia | C | 106 | |||
|
Dog on the Road [EOS02 - 5] |
0 | 2'52 | Sébastien Saint-Lezin | Hovering & undulating. Distorted electric guitars.. | contemporary series atmospheric hot desert panoramic | G | 77 | |||
|
Venus [EOS01 - 2] |
0 | 2'39 | Anthony Mowat | Interrogative but confident. Double-bass, viola, marimba, cristal | swaying confident cyclic industry | Gbm | 130 | |||
|
Border Patrol [CEZ4110 - 8] |
0 | 2'27 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Alarming & tense. Bass guitars. Solo played with a twangy sound. | fuzz bass electric bass road movie hot desert | D | 130 | |||
|
Urgent Deadline [CEZ4110 - 10] |
0 | 2'08 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Agressive & urban. Bass guitars. Loop & fuzz bass. | fuzz bass electric bass sport drama fx distorsion | Em | 78 | |||
|
On the Rebound [CEZ4110 - 16] |
0 | 2'31 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Insistent & determined. fx delay. Builds up gradually. | fx delay slapping electric bass relentless | Em | 144 |