| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
For Reasons of State [CEZ4284 - 10] |
0 | 1'29 | Julien Baril | Punctuated, worrying & imperative. Hybrid orchestra. | trailer historical conflict warlike contemporary history | Bbm | 85 | |||
|
Bad Feeling [CEZ4284 - 12] |
0 | 1'35 | Julien Baril | Very dark, worrying & mysterious. Hybrid orchestra. | scary trailer historical conflict suspended atmosphere | Fm | 89 | |||
|
Foreign Affairs [CEZ4284 - 15] |
0 | 1'59 | Julien Baril | Tragic, threatening & warlike. Hybrid orchestra with duduk. | Arab world arid adventure historical conflict | Em | 172 | |||
|
Electric Pressure [UBM2271 - 13] |
0 | 1'40 | Daniel Backes, Peter Moslener | Danger, threat, harshness. Ideal for dramatic scenes and to build up | industry science synthesizer disturbing | C | 125 | |||
|
Hazy Forest [UBM2271 - 15] |
0 | 1'53 | Daniel Backes, Peter Moslener | Obscure track that creates an oppressive feeling. Ideal for dark and | nocturnal cold desert desolate suspended atmosphere | E | 110 | |||
|
Sinister Scene [UBM2270 - 15] |
0 | 2'13 | Daniel Backes, Peter Moslener | Gloomy, heavy track with a deep piano. Ideal for dark images and | interrogative investigation film noir disturbing | Em | 75 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Deceiving Peace [UBM2266 - 19] |
0 | 1'57 | Achim Zweschper | Ambivalent track. Shifting between emerging hope and threat. Cello, | hunting wild beds tropical forest | Bm | 85 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Hopeless Beggars [EOS20 - 6] |
0 | 3'00 | Anthony Mowat, Olivier Samouillan | Strange & mysterious. Violin, drums, Sequencing, synth, bass, | investigation violin film noir crime movie | Em | 93 | |||
|
Call of the City [CEZ4279 - 11] |
0 | 3'58 | Adrien Robert Patterson | Arid & desolate. Powerful @ 2'30. Climax @ 3'10. Electronics & | urban landscape drone building contemporary series | Cm | 90 | |||
|
Western Bound [CEZ4279 - 17] |
0 | 2'34 | Nicolas Moreau | Arid & lonely. Acoustic guitar, banjo & jew's harp. | Italian western wandering United States of America jew's harp | Dm | 100 | |||
|
Battle in Lilliput [CEZ4282 - 11] |
0 | 0'50 | Anne-Sophie Versnaeyen | Determined & serious. Solo alto violin. | viola historical narrative relentless punctuated | Dm | 89 | |||
|
Blood Matters [CEZ4280 - 2] |
0 | 2'58 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Moshcore. Impérieux & agressif. Rock band. Metalcore. | metalcore aggressive & violent fx distorsion band | Dbm | 96 | |||
|
Brooklyn Riot [CEZ4280 - 4] |
0 | 3'22 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Old School Metalcore. Frantic, driving & in a fury. Rock band. | metalcore mechanical sport band distorted electric guitar | Em | 140 | |||
|
Mad Atcha [CEZ4278 - 4] |
0 | 2'09 | Lucas Napoleone | Urban drama. Heavy & disturbing. Cinematic orchestra & hip hop rhythm. | cinematic beat social drama aggressive & violent action movie | Cm | 93 | |||
|
Iz You Trazy [CEZ4278 - 12] |
0 | 2'29 | Lucas Napoleone | Urban drama. Powerful & inexorable. Constant progression. Synth, | cinematic beat social drama investigation building | Fm | 94 | |||
|
Gutted [CEZ4278 - 18] |
0 | 2'04 | Lucas Napoleone | Urban drama. Melancholic & desillusioned. Synth, piano, cinematic | cinematic beat social drama investigation urban landscape | Ebm | 86 |