| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Hidden Cam [UBM2237 - 17] |
0 | 2'03 | Felix Halbe | Electronic track with acoustic guitar bits. For science, research, | intermittent disturbing interrogative suspended atmosphere | Em | 130 | |||
|
High Energy Chase [UBM2229 - 5] |
0 | 2'09 | Bernhard Hering | Powerful, intrusive, fierce. Heavy drums, accentuated strings and | percussive aggressive & violent action movie disturbing | Gm | 80 | |||
|
Big Rivals [UBM2229 - 6] |
0 | 2'30 | Bernhard Hering | Showdown! Forceful and relentless track for images of nerve-racking | sudden action movie warlike disturbing | Gm | 122 | |||
|
Opposing Predominance [UBM2229 - 7] |
0 | 1'19 | Bernhard Hering | Tense musical theme for the big screen. Perfect for spy movies, | spy action movie inexorable disturbing | Db | 120 | |||
|
Pitiless Follow [UBM2229 - 9] |
0 | 2'14 | Bernhard Hering | Alarming mood - tension building up for the grand finale. | action movie disturbing inexorable cinematic | Gb | 122 | |||
|
Historic Endgame [UBM2229 - 11] |
0 | 1'25 | Bernhard Hering | Epic, tense, very dynamic. Determined strings and forceful drums. | action movie inexorable disturbing chaotic | Gbm | 139 | |||
|
Virtual Search A [UBM2241 - 1] |
0 | 2'22 | Bernhard Hering, Matthias Krüger-Wendel | Ticking percussion and ominous strings create suspense and an air of | suspense spy interrogative investigation | Gm | 100 | |||
|
Frightening Evidence A [UBM2241 - 4] |
0 | 2'16 | Bernhard Hering, Matthias Krüger-Wendel | Suspenseful electronic track. Ticking, percussive, neutral, | suspense spy disturbing beds | Bb | 114 | |||
|
Drifting Clockwise [UBM2241 - 15] |
0 | 2'12 | Bernhard Hering, Matthias Krüger-Wendel | Nerve-wrecking, unsteady and suspenseful. For images of stress, time | time (tick-tock) spy fx tick-tock disturbing | Em | 110 | |||
|
Another Place in Nothingness [UBM2240 - 17] |
0 | 2'33 | Sebastian Parche, Rainer Quade | Desolate but bustling. Piano & synth. | desolate sparse suspense social drama | Fm | 86 | |||
|
Agitate the Matter [UBM2238 - 2] |
0 | 2'01 | Daniel Backes, Peter Moslener | Strange & sinister. Synth & rhythm. | horror fx breathing interrogative sinister | Cm | 130 | |||
|
Obscure Observation [UBM2238 - 3] |
0 | 1'54 | Daniel Backes, Peter Moslener | Distressing & interrogative. Piano, synth & rhythm. | investigation interrogative steady social drama | Em | 88 | |||
|
Fuel Pit [UBM2238 - 15] |
0 | 2'04 | Daniel Backes, Peter Moslener | Serious & obstinate. Synth. | science interrogative investigation disturbing | Bm | 150 | |||
|
Dépression [EOS18 - 8] |
0 | 6'06 | Damien Poupart-Taussat | Urgent & cyclic. Solo piano. | cyclic destiny uplifting acoustic piano | Dm | 132 | |||
|
Paradise Lost [MAG6008 - 17] |
0 | 1'43 | Powell | Urban & cut-up. Female sampled voice, synth & rhythm. | industry relentless robotic rough | Am | 91 | |||
|
Last Man Standing [CEZ4196 - 11] |
0 | 1'39 | Colo Colo | Pensive & nocturnal. Electric guitar & electronics. | atmospheric social drama fx backwards nocturnal | Dm | 102 | |||
|
Burning Tracks [CEZ4194 - 3] |
0 | 3'04 | Luigi Marletta, Morgan Sansous | Strong & volunteer. Rock band & electronics. | horror fx distorsion mechanical sport double bass drum pedal | Ebm | 107 | |||
|
Anger Machine [CEZ4194 - 5] |
0 | 2'46 | Luigi Marletta, Morgan Sansous | Mechanical & tense. Rock band & electronics. Changing. | fx distorsion dubstep metal double bass drum pedal horror | Em | 165 | |||
|
Power Booster [CEZ4194 - 7] |
0 | 3'15 | Luigi Marletta, Morgan Sansous | Solid & powerful. Rock band & electronics. | dubstep metal fx distorsion heavy sport drama | Gm | 145 | |||
|
Straight Line [CEZ4194 - 9] |
0 | 2'41 | Luigi Marletta, Morgan Sansous | Sharp & powerful riff. Rock band & electronics. Drum & bass intro. | dubstep metal fx distorsion extreme & fighting sport distorted electric guitar | Cm | 87 |