| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Rainy Days [EOS98 - 9] |
0 | 3'02 | Laurent Rochelle | Mysterious, slightly melancolic & tense. Piano, celeste & accordion. | animation & cartoons interrogative acoustic piano comedy | Cm | 110 | |||
|
The Thrill of the Chase [CEZ4601 - 6] |
0 | 3'01 | Renaud Garcia-Fons | Cinematic jazz. Introduction with progressive acceleration. Haunting, | chase double bass cinematic jazz driving | A | 132 | |||
|
City of Embers [CEZ4601 - 14] |
0 | 2'49 | Renaud Garcia-Fons | Cinematic jazz. Dark, ominious, anticipating & nocturnal in a jazzy | nocturnal insidious mysterious urban landscape | Cm | 85 | |||
|
Running Scared [CEZ4601 - 19] |
0 | 2'42 | Renaud Garcia-Fons | Cinematic jazz. Very fast running & chasing double bass in a | cinematic jazz driving chase double basses (all) | Gm | 123 | |||
|
Djumbo Steps [CEZ4600 - 11] |
0 | 3'35 | Renaud Garcia-Fons | Clumsy, fun, quirky & decided. Double bass ensemble featuring lead | interrogative funny double bass childhood | C | 120 | |||
|
Ice and Fire [CEZ4600 - 17] |
0 | 2'29 | Renaud Garcia-Fons | Worrying, suspended & vibrating. Double bass ensemble, Hammond organ | tracking shot double bass driving geopolitics | Am | 119 | |||
|
Beyond the Dream [CEZ4600 - 22] |
0 | 3'58 | Renaud Garcia-Fons | Suspenseful, waiting & mysterious. Double bass, vibraphone, harmonics | interrogative animals double basses (all) anticipation | Ebm | 92 | |||
|
Gritted Teeth [MPMA0021 - 13] |
0 | 2'23 | Mitchell Finglas | Driving, cinematic, dramatic arrangements building with pounding | driving synthesizer relentless building | Gm | 99 | |||
|
Absractions [MPMA0006 - 2] |
0 | 1'50 | Oliver Price | Warm, reflective, ambient soundscapes with keys and synth | mysterious beds atmospheric suspended atmosphere | G | 118 | |||
|
Blue Night Headlights [CEZ4591 - 12] |
3'07 | Pegazi | Outrun / synthwave. Energetic, dark, powerful, driving & nocturnal. | synthwave cybernetics nocturnal driving | Ebm | 110 | ||||
|
Blue Night Headlights
[CEZ4591 - 30] |
Alt. | 1'46 | Pegazi | Alternate underscore with moving arpeggio fitting perfectly | cybernetics nocturnal relentless urban landscape | Ebm | 113 | |||
|
Driving At The Golden Hour
[CEZ4591 - 32] |
1'34 | Paul Thorne | Alternate underscore with mysterious synth & vocal FX fitting | urban nocturnal relentless cybernetics | B | 124 | ||||
|
Driving At The Golden Hour [CEZ4591 - 14] |
Alt. | 3'41 | Paul Thorne | Vaporwave / Dark Disco / Electro. Deep, nocturnal, upbeat & hazy. | urban nocturnal relentless cybernetics | Em | 124 | |||
|
High-Speed Train [CEZ4593 - 4] |
0 | 2'11 | Benoit Cimbé | Cinematic electro. Tense, in motion, atmospheric, cyclic & heady. | cybernetics hypnotic mysterious time-lapse | Am | 130 | |||
|
Renewable Energy Revolution [CEZ4593 - 12] |
2'31 | Benoit Cimbé | Cinematic electro. Threatening, obstinate & urgent. Orchestra @ 1'04. | corporate electro driving industry relentless | Am | 120 | ||||
|
Renewable Energy Revolution
[CEZ4593 - 24] |
Alt. | 2'30 | Benoit Cimbé | Alternate version without percussion. | corporate electro driving industry relentless | Am | 120 | |||
|
Renewable Energy Revolution
[CEZ4593 - 25] |
Alt. | 2'31 | Benoit Cimbé | Alternate version without arpeggiator. | corporate electro driving industry relentless | Am | 120 | |||
|
Truth Quest [EOS103 - 2] |
0 | 2'20 | Stéphane Augier de Moussac, Eric Volpatti | Questionning, enigmatic & cyclic. Electric bass, electric guitar, | anticipation interrogative investigation mysterious | Gbm | 134 | |||
|
Born Fugitive [EOS103 - 5] |
0 | 2'21 | Stéphane Augier de Moussac, Eric Volpatti | Determined, suspenseful & urgent. Electric bass, electric piano & | driving relentless chase suspense | Am | 116 | |||
|
Amazing Detective [EOS96 - 3] |
0 | 3'01 | Damien Poupart-Taussat | Playful, quirky then intriguing finally lively. Cello, flutes, brass, | animation & cartoons tragi-comic funny driving | Gm | 110 | |||
|
Exit Game [CEZ4592 - 12] |
1'40 | Thomas Didier | Suspense bed. Worrying, heavy & suspended. Synth & percussion. Ideal | anticipation patient suspense time (tick-tock) | B | 120 | ||||
|
Exit Game Alternate [CEZ4592 - 25] |
Alt. | 1'40 | Thomas Didier | Alternate no percussion. | beds TV game show quiz mysterious relentless | B | 120 | |||
|
A Small Hint [CEZ4592 - 13] |
2'00 | Thomas Didier | Suspense bed. Atmospheric, recreational & constant. Synth & | TV game show quiz neutral time (tick-tock) weather report | Gb | 120 | ||||
|
A Small Hint Alternate [CEZ4592 - 26] |
Alt. | 1'59 | Thomas Didier | Alternate no percussion. | TV game show quiz neutral time (tick-tock) weather report | Gb | 120 | |||
|
Oblivion [CEZ4592 - 16] |
1'47 | Thomas Didier | Suspense bed. Floating, patient & lonely. Synth & percussion. Ideal | interrogative beds cyclic anticipation | Fm | 116 | ||||
|
Oblivion Alternate [CEZ4592 - 29] |
Alt. | 1'46 | Thomas Didier | Alternate no percussion. | interrogative beds cyclic anticipation | Fm | 115 | |||
|
Windy Season [CEZ4574 - 4] |
0 | 3'18 | Arnaud de Buchy | Waiting, intriguing & mysterious. Marimba, African percussion, | geopolitics mysterious Africa anticipation | Dm | 162 |