| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Little Shul [CEZ4123 - 3] |
0 | 1'23 | Marc-Olivier Dupin | Tender, childlike & mischievious. Yiddish. Solo cello. | cello Yiddish lullaby Judaism | E | 90 | |||
|
Question with no Answer [CEZ4123 - 5] |
0 | 2'38 | Marc-Olivier Dupin | Questionning, moving & tormented. Yiddish. Solo cello. | cello Judaism arts destiny | Gm | 86 | |||
|
Balse [CEZ4121 - 6] |
0 | 2'46 | Imade Saputra | Shy & naive. Bamboo orchestra & bass flutes. | bamboo orchestra Philippines traditional instrumental ensemble country & garden | C | 133 | |||
|
Ormoc City [CEZ4121 - 7] |
0 | 2'22 | Imade Saputra | Naive & persistent. Bamboo orchestra & bass flutes. | bandurria bamboo orchestra Philippines traditional instrumental ensemble | C | 165 | |||
|
Visayas [CEZ4121 - 11] |
0 | 2'36 | Imade Saputra | Melancholic & sentimental. Bandurria (14 string mandolin) ensemble & | bandurria traditional instrumental ensemble Philippines country & garden | G | 83 | |||
|
Nice As Paradise [CEZ4118 - 8] |
1'50 | Imade Saputra | Creole song. Sweet & bewitching. Male voice & ravanne drum. Lyrics | Song and theme sung in Creole vocal traditional male soloist voice | Gbm | 109 | ||||
|
Nice As Paradise 2 [CEZ4118 - 9] |
Alt. | 1'48 | Imade Saputra | Creole song. Sweet & bewitching. A capella male voice. Lyrics | traditional male soloist voice ethnic & traditional (all) Mauritius Song and theme | Gbm | 152 | |||
|
Nice As Paradise 3 [CEZ4118 - 10] |
Alt. | 1'29 | Imade Saputra | Determined & urgent. Ravanne drum solo. | ravanne drum ethnic & traditional (all) Mauritius folk ball | Fm | 113 | |||
|
Today and Every Day [CEZ4120 - 7] |
0 | 1'43 | Pierre-André Athané | Peaceful & moving. Solo piano. | confident post-classical everyday life country & garden | Eb | 155 | |||
|
Moses [CEO2017 - 2] |
0 | 2'51 | Armand Frydman, Didier Malherbe | Haunting & mysterious. Flute, harmonic flute, double-bass and | hot desert alto flute walking Middle-East & Maghreb | Em | 124 | |||
|
Alexandria [CEO2017 - 4] |
0 | 2'06 | Armand Frydman | Oriental theme. Confident & pensive. Soprano sax, double-bass & | geopolitics Maghreb contemporary middle-eastern music Armenia | C | 106 | |||
|
Babel [CEO2017 - 16] |
0 | 1'42 | Armand Frydman | Carefree & confident. Soprano sax, vibraphone & cello. | confident geopolitics carefree Israel | Cm | 113 | |||
|
Sleepy Time [CEZ4113 - 20] |
0 | 1'04 | Alice Guerlot Kourouklis | Peaceful & childlike & electronics. 50 BPM. | circus music time (tick-tock) patient simple | Bm | 50 | |||
|
Waiting For No One [CEZ4112 - 20] |
0 | 1'48 | Piotr Moss | Profoundly sad & desolate. Piano, double-bass & vibes. | destiny social drama introspective sad | Bm | 72 | |||
|
Glorious Lady [CEZ4115 - 23] |
0 | 1'36 | Imade Saputra | Peaceful & panoramic. A capella male voice. Lyrics | Thailand ethnic & traditional (all) traditional male soloist voice everyday life | Bm | 79 | |||
|
An Old Woman [CEO2011 - 18] |
0 | 2'15 | Bruno Alexiu | Wandering, desolated & intermittent. Oud & strings played in the | bazantar geopolitics Maghreb Middle-East & Maghreb | Gm | 98 | |||
|
Concluding Sting [CEZ4109 - 37] |
0'23 | Paul Martin Pritchard | Sting. Desolate. Saxophone, trumpet, vibraphone, double bass & drums. | jingle beds drums suspended atmosphere | Bbm | 163 | ||||
|
Concluding Sting 2 [CEZ4109 - 38] |
Alt. | 0'15 | Paul Martin Pritchard | Sting. Sad. Saxophone, organ & double bass. | jingle beds double basses (all) suspended atmosphere | F | 106 | |||
|
Concluding Sting 3 [CEZ4109 - 39] |
Alt. | 0'09 | Paul Martin Pritchard | Sting. Organ, saxophone & drums. | jingle beds drums suspended atmosphere | Ebm | 89 | |||
|
Concluding Sting 4 [CEZ4109 - 40] |
Alt. | 0'17 | Paul Martin Pritchard | Sting. Sad. Organ, vibraphone & double bass. | jingle beds double basses (all) suspended atmosphere | G | 140 | |||
|
Film Noir [CEZ4107 - 1] |
0 | 0'45 | Paul Martin Pritchard | Mysterious & sophisticated. Saxophone, trumpet, vibes & rhythm. | film noir tenor saxophone nocturnal B movie | Gm | 108 | |||
|
Gumshoe Blues [CEZ4107 - 2] |
0 | 3'07 | Paul Martin Pritchard | Nocturnal & lazy. Double bass, saxophone, trumpet, jazz guitar, | film noir tenor saxophone B movie cinematic jazz | Fm | 142 | |||
|
Steely Eyes [CEZ4105 - 23] |
0 | 3'01 | Mark Alberts | Heavy-metal ballad. Powerful & imposing. Cinematic. Rock band with | rock ballad uplifting hard rock epic | Bm | 76 | |||
|
Down Memory Lane [CEZ4105 - 26] |
2'06 | Mark Alberts | Brit-pop. "Beatles-esque". Positive & lively. Pop band with guitars & | brit rock England 1990 rock ballad | A | 85 | ||||
|
Down Memory Lane 2 [CEZ4105 - 33] |
Alt. | 2'04 | Mark Alberts | Brit-pop. "Beatles-esque". Positive & lively. Pop band with guitars. | England brit rock 1990 rock ballad | A | 85 | |||
|
The Key Idea [CEZ4103 - 6] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Introspective & pensive. Piano & electronics. Backwards fx. | patient atmospheric interrogative suspended atmosphere | Gbm | 70 |