| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Treasures of History
[CEZ4290 - 32] |
0'39 | Gréco Casadesus, Gregory Cotti | Triumphant, urgent & epic. Cinematic orchestre with percussion, | contemporary history destiny newsreel adventure | Gm | 139 | ||||
|
Treasures of History [CEZ4290 - 11] |
Alt. | 3'06 | Gréco Casadesus, Gregory Cotti | Triumphant, urgent & epic. Cinematic orchestre with percussion, | politics triumphant epic contemporary history | Gm | 104 | |||
|
Minor Blues [CEZ4293 - 15] |
0 | 3'32 | Christian Lancry | Moody & wandering blues. Acoustic guitar, harmonica, mandoline & | blues folk guitar road movie 1930 | B | 104 | |||
|
A Life Sentence [CEZ4295 - 3] |
3'14 | Vermair | Downtempo / ambient. Sad, ethereal & melancholic. Synth, pitched | social drama investigation nocturnal legal drama | Bm | 115 | ||||
|
A Life Sentence 2 [CEZ4295 - 26] |
Alt. | 3'23 | Vermair | Downtempo / ambient. Sad, ethereal & melancholic. Synth, piano & | social drama investigation urban landscape sad | Bm | 115 | |||
|
La Vie Devant Soi [CCB1025 - 6] |
0 | 7'47 | Renaud Garcia-Fons | Fiery & determined. Jazz-World. Double-bass, vibes, accordion & drums | bowed double bass fiery chromatic accordion world jazz | Cm | 85 | |||
|
The Awakaning Conscience [CEO2041 - 3] |
0 | 1'15 | Selma Mutal | Narrative, calm & luminous. Piano, marimba & acoustic guitar. | introspective social drama temperate forest acoustic piano | Cm | 95 | |||
|
I Don't Love You no More [CEZ4279 - 2] |
3'01 | Manuel Galvin | Folk-blues song. Male vocal, acoustic picking & slide guitars. Lyrics | delta blues male singer United States of America slide dobro | G | 152 | ||||
|
I Don't Love You no More
[CEZ4279 - 25] |
Alt. | 2'58 | Manuel Galvin | Folk-blues song. Intro with a capella voice. Male vocal, acoustic Lyrics | delta blues a cappella male singer United States of America | G | 152 | |||
|
I Don't Love You no More
[CEZ4279 - 26] |
Alt. | 3'02 | Manuel Galvin | Folk-blues. Simple & positive. acoustic picking & slide guitars. | delta blues United States of America folk guitar road movie | G | 152 | |||
|
Blue Ridge Highway [CEZ4279 - 12] |
0 | 2'45 | Claude Samard | Pensive & calm. Country ballad with a hillbilly feel. Mandoline, | pedal steel guitar road movie country ballad Country & Western | Am | 116 | |||
|
A Long Way from Home [CEZ4279 - 13] |
0 | 1'23 | Jean Jacques Milteau | Dreamy & lonely. Solo harmonica. | diatonic harmonica melancholic western sparse | E | 70 | |||
|
Dark Horizon [CEZ4279 - 15] |
0 | 2'41 | Claude Samard | Menacing & loud. Baryton guitar, pedal steel guitar & electronic pads. | road movie panorama arid docu fiction | Am | 75 | |||
|
Bomb Mission [CEZ4278 - 8] |
0 | 2'04 | Lucas Napoleone | Urban drama. Urgent & tense. Constant progression, synth & hip hop | cinematic beat social drama investigation crime movie | Abm | 148 | |||
|
Peace and Love [CEZ4277 - 14] |
0 | 2'38 | André Charlier, Benoît Sourisse, Olivier Louvel | Sensual & melancholic. Electric guitar, organ & drums @ 0'34. | 1970 electric guitar psychedelia slow (dance) | Gm | 114 | |||
|
Grandpa's Story [CEZ4266 - 24] |
0 | 2'51 | Gilles Maugenest | Tender & funny. Mandolin, accordion, pizz & funny instruments. | happy & joyful carefree pets tragi-comic | Gm | 130 | |||
|
Groupe de Recherche [CEO2038 - 3] |
0 | 1'42 | Jérôme Lemonnier | Mysterious & sad. Hang, synth & piano. Urgent @ 0'53. | hang drum tracking shot disturbing mysterious | Gbm | 114 | |||
|
Never the Same [UBM2248 - 8] |
0 | 1'29 | Luke Davoll | Contemporary track with similarities to Erik Satie in the beginning, | acoustic piano post-classical driving confident | Dbm | 110 | |||
|
D' Amour en Amour [CEO2037 - 14] |
0 | 1'22 | Baptiste Thiry | Interrogative & pensive. French movies from the 60's. Organ, strings | France sentimental 1970 French cinema | Gm | 100 | |||
|
Last Bolero [CEZ4258 - 7] |
0 | 1'07 | Señor Ortegón & his Orchestra | Nostalgic & sentimental. Ensemble feat classical guitar solo & | bolero country ball exotic classical guitar | B | 83 | |||
|
Persistent Rumors [CEZ4252 - 15] |
2'43 | Elisabeth Skornik, Guy Skornik | Panoramic, airy & worrying. String pad & piano. | atmospheric suspended atmosphere peaceful high seas | Cm | 119 | ||||
|
Persistent Rumors 2 [CEZ4252 - 30] |
Alt. | 2'37 | Elisabeth Skornik, Guy Skornik | Panoramic & airy. Strings nappe. Underscore. | synth pad atmospheric neo-classical music peaceful | Eb | 111 | |||
|
Persistent Rumors 3 [CEZ4252 - 31] |
Alt. | 2'27 | Elisabeth Skornik, Guy Skornik | Sparse & intermittent. Solo piano. Echo fx. | sparse fx reverb peaceful intermittent | Eb | 118 | |||
|
American Beauty [CEZ4245 - 20] |
0 | 2'15 | Gabriel Saban, Philippe Briand | Tender & sentimental. Solo piano. | acoustic piano post-classical romantic confident | F | 100 | |||
|
Water Sculptures [CEZ4244 - 8] |
0 | 1'51 | Thomas Edward Walter | Urgent & exhilarating. Underscore. Piano & electronics. | arpeggio cyclic post-classical corporate video | D | 162 | |||
|
Counting the Days [CEZ4244 - 19] |
1'57 | Lucas Napoleone | Wandering & melancholic. Piano & electronics. | everyday life sad social drama wandering | Bbm | 67 | ||||
|
Counting the Days 2 [CEZ4244 - 26] |
Alt. | 1'59 | Lucas Napoleone | Wandering & melancholic. Solo piano. | post-classical social drama simple sad | Bb | 67 |