| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dynamic 21 [UBM2114 - 21] |
0 | 1'45 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Trance like orchestra pulse, stringpads. | historical conflict disturbing suspense steady | B | 144 | |||
|
Dynamic 26 [UBM2114 - 26] |
0 | 1'37 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Reduced orchestra suspense, horns, little drum. | historical conflict warlike military music adventure | Cm | 83 | |||
|
Time to Build [CEZ4092 - 6] |
0 | 2'19 | Hoosky | Loud & proud. Hip-hop beat with a catchy piano line. | attitude boom bap heavy extreme & fighting sport | Am | 140 | |||
|
Night Town [CEZ4092 - 22] |
0 | 2'16 | Hoosky | Motown revisited. Steady beat & analog synth. | attitude club fashion relentless | Gm | 117 | |||
|
World of the News [CEZ4090 - 1] |
0 | 1'23 | Elisabeth Skornik, Guy Skornik | Urgent & determined. Electronics & strings. | breaking news relentless politics urgent | Gbm | 144 | |||
|
Louis the Grunge [CEV3024 - 14] |
0 | 1'55 | Mark Alberts | Punchy & catchy riff. | 1990 confident United States of America grunge | A | 110 | |||
|
Play It Loud [CEV3024 - 15] |
0 | 1'49 | Mark Alberts | Powerful & lively Heavy metal. | rhythmic team sport urgent 1970 | Em | 120 | |||
|
And a Hard Place [CEV3024 - 19] |
0 | 2'00 | Mark Alberts | Tense & powerful. 80's Hard rock revival. | riff 1970 driving hard rock | Em | 152 | |||
|
Road Rats [CEV3024 - 20] |
0 | 1'50 | Mark Alberts | Straight & serious. Pop rock. | driving sport electric guitar rhythm section | Em | 135 | |||
|
Speculative Mania [CEZ4074 - 1] |
2'20 | Guy Skornik, Elisabeth Skornik | Confident & obstinate. Cash register fx. Break @ 0'39. | news politics strict social drama | Bbm | 100 | ||||
|
Speculative Mania Again [CEZ4074 - 33] |
Alt. | 2'16 | Elisabeth Skornik, Guy Skornik | Positive & determined. Break @ 0'38. | strict scansion driving mechanical | Bbm | 100 | |||
|
Market Logic [CEZ4074 - 6] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Inexorable & serious. Constant progression. Break @ 0'52. | anticipation scansion insidious walking | Em | 70 | |||
|
Casualty [CEZ4067 - 14] |
0 | 1'46 | Nicolas Mizrachi, Jean-Francois Morin | Raw, threatening. Wah wah guitar, electronics & rhythm. | investigation masculine urban landscape sport drama | A | 80 | |||
|
Agnus Dei [CEV3004 - 11] |
0 | 2'27 | Bruno Letort | Majestic & tormented. Recitative. A capella choir. Sung in Russian. | requiem mixed choir orthodox Russia | Fm | 133 | |||
|
Wall & Bridges [CEZ4061 - 4] |
0 | 2'13 | Imade Saputra | Forceful but emotive theme with dynamic rhythm changes @ 0'45. Small | non western classical music China ethnic & traditional (all) traditional instrumental ensemble | Bm | 144 | |||
|
Game Of Skill [CEZ4059 - 13] |
0 | 2'55 | Arnaud Rebotini | Post-industrial dance. Evolving synth lines/samples with mechanical | cybernetics driving electro industrial pulsation | Dm | 126 | |||
|
The Last Mile [CEZ4058 - 5] |
0 | 1'26 | Renaud Garcia-Fons | Complex & tense. Strident, fast bowed double-bass & string piece. | double bass ensemble politics bowed double bass historical narrative | Cm | 144 | |||
|
Ready for Anything [CEZ4056 - 8] |
0 | 2'24 | Nicolas Mizrachi, Jean-Francois Morin | Gang warfare. Menacing aggressive guitars & busy drum loops. | crime movie relentless aggressive & violent action movie | Em | 162 | |||
|
Escola de samba [CEZ4019 - 5] |
0 | 1'10 | Césarius Alvim | Double Basses in re-recording. | double bass ensemble wild Brazil bowed double bass | Dm | 101 | |||
|
40 Foot semi-truck [CEZ4054 - 9] |
0 | 2'10 | Nicolas Mizrachi, Jean-Francois Morin | Restless & powerful. Heavy guitars over syncopated groove. | action movie proud fx distorsion garage rock | E | 90 | |||
|
Citizen Band [CEZ4054 - 13] |
0 | 1'58 | Nicolas Mizrachi, Jean-Francois Morin | Hypnotic. Slow & strong rock groove with powerful vibrating guitars. | urban landscape steady proud fx distorsion | Em | 74 |