| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Raveau Dessine [CEO2038 - 7] |
0 | 2'38 | Jérôme Lemonnier | Interrogative & suspended. Hang, synth & glockenspiel. | hang drum mysterious sparse disturbing | Em | 81 | |||
|
Ticking Tingle [UBM2251 - 2] |
0 | 2'11 | Daniel Backes, Peter Moslener | Warm sound of xylophone, ideal for images of citylife: structured, | crime movie investigation time (tick-tock) steady | Dm | 64 | |||
|
Explainable [UBM2251 - 7] |
0 | 1'49 | Daniel Backes, Peter Moslener | Positive and motivating sound with xylophone, perfect for a | police comedy steady interrogative introspective | Gm | 93 | |||
|
Zooming Out [UBM2251 - 9] |
0 | 2'03 | Daniel Backes, Peter Moslener | Atmospheric synthesizer for slow motion pictures or development | electro organic airy loop steady | Cm | 60 | |||
|
Dense Diffusion [UBM2251 - 12] |
0 | 1'51 | Daniel Backes, Peter Moslener | Profound, repetitive structure with xylophone and synthesizer, | arpeggiator investigation sci-fi science | Fm | 62 | |||
|
Raise Intensity [UBM2251 - 19] |
0 | 1'42 | Daniel Backes, Peter Moslener | Dark, ticking and electronic sound with deep bass, good for sense of | arpeggiator crime movie interrogative investigation | Gbm | 102 | |||
|
Suspicion [UBM2249 - 2] |
0 | 2'34 | Elias Cadre | Minimal and modern electronic elements for images of digital | complex sci-fi film noir unstable | Bbm | 151 | |||
|
Deep Packet Inspection [UBM2249 - 5] |
0 | 2'06 | Elias Cadre | Electronic spheres, loopable, drops, ticking, minimal and modern. | complex sci-fi film noir unstable | Bbm | 122 | |||
|
In Motion [UBM2249 - 6] |
0 | 2'12 | Elias Cadre | Deep bass, fast tempo, electronic bubbles, ideal for documentaries | disturbing interrogative synthesizer steady | Cm | 123 | |||
|
Cover Up [UBM2249 - 9] |
0 | 2'02 | Elias Cadre | Ticking drops and electronic spheres sound like images of secret | complex film noir sci-fi muffled | Bbm | 120 | |||
|
Insistence [UBM2249 - 11] |
0 | 1'26 | Elias Cadre | Dark, investigative sound, loopable, ideal or images of science and | sci-fi abyss complex cold | A | 108 | |||
|
What Makes Him Tick [UBM2249 - 12] |
0 | 2'36 | Elias Cadre | Threatening, criminal, thrilling, frightening, dark sound for secret | complex film noir sci-fi abyss | Bm | 104 | |||
|
Spreading Misinformation [UBM2249 - 16] |
0 | 1'49 | Elias Cadre | Deep bass, slow tempo, cold, dark, reduced and pulsating. | complex sci-fi abyss cold | Dbm | 117 | |||
|
Fiction [UBM2249 - 19] |
0 | 1'24 | Elias Cadre | Dark underscore, gloomy, threatening, scary and apocalyptic track for | sci-fi science complex rumbling | A | 61 | |||
|
Faces [UBM2248 - 14] |
0 | 1'04 | Luke Davoll | Modern, dynamic track, playful and happy; works for hopeful and | post-classical driving acoustic piano confident | Ab | 126 | |||
|
Sheer Masquerade [UBM2262 - 5] |
0 | 2'32 | Anselm Kreuzer, Sebastian Parche | Magical sound with strings and glockenspiel. Ideal for images of an | circus music fantasy mysterious insidious | Gm | 80 | |||
|
Sweet Pain [UBM2262 - 7] |
0 | 2'16 | Anselm Kreuzer, Sebastian Parche | Accentuated by strings and glockenspiel. Violin creates a melancholic | circus music fantasy mysterious insidious | Abm | 80 | |||
|
Blindspot [UBM2258 - 1] |
0 | 2'05 | Felix Halbe | Energetic track with piano, synthesizer, strings and a dramatic | disturbing investigation destiny epic | Gm | 161 | |||
|
Organized Crime [UBM2258 - 5] |
0 | 1'41 | Felix Halbe | This track start with electronic sounds. Overall negative mood. Works | disturbing suspense scary cold | Eb | 86 | |||
|
Experiment [UBM2258 - 16] |
0 | 2'13 | Felix Halbe | Calm track that works for images of a laboratory or research | investigation suspense disturbing interrogative | B | 84 |