| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
eCrimes [UBM2191 - 1] |
0 | 2'16 | Carlo Inderhees, Sebastian Katzer | Urban, criminal, bizarre. | beds investigation mysterious spy | Dm | 163 | |||
|
The Observer [UBM2191 - 4] |
0 | 2'21 | Carlo Inderhees, Sebastian Katzer | Suspenseful, keen, agitated. | atmospheric suspended atmosphere sparse investigation | A | 78 | |||
|
Watchman [UBM2190 - 10] |
0 | 1'52 | Felix Halbe | Investigative & smooth. Piano, trumpet and prominent bass. | fretless bass final investigation mysterious | Em | 86 | |||
|
Simple Investigation Theme [UBM2190 - 14] |
0 | 2'02 | Felix Halbe | Seemingly classic detective theme but with an urban trip-hop flair. | investigation mysterious beds atmospheric | Em | 77 | |||
|
Beck [UBM2190 - 15] |
0 | 1'59 | Felix Halbe | Increasing tension; dark orchestral theme, pulse and swirling | disturbing investigation mysterious suspense | D | 120 | |||
|
The Girl at the Bar [CEZ4136 - 16] |
0 | 1'03 | Alain Bernard Denis | Sensual & parodic. Jazzy. Bassoon, string orchestra & rhythm. | romantic comedy 1970 funny bassoon | Gm | 71 | |||
|
Dog Fight [CEZ4139 - 6] |
2'36 | Mark Alberts | Dark & mysterious, then violent @ 1'00. Electric guitar, electronics, | sport drama cinematic rock fx phasing investigation | A | 104 | ||||
|
Dog Fight 2 [CEZ4139 - 39] |
Alt. | 1'37 | Mark Alberts | Violent & mysterious. Electric guitar, electronics, synths & drums. | cinematic disturbing powerful & imposing aggressive & violent | A | 104 | |||
|
Dog Fight 3 [CEZ4139 - 40] |
Alt. | 0'15 | Mark Alberts | Link. Tense. Electric guitar harmonics. | link electric guitar harmonics disturbing | A | 103 | |||
|
Dog Fight 4 [CEZ4139 - 41] |
Alt. | 0'13 | Mark Alberts | Link. Agressive. Electric guitar, strings & drums. | link drums action movie distorted electric guitar | A | 135 | |||
|
Dog Fight 5 [CEZ4139 - 42] |
Alt. | 0'14 | Mark Alberts | Link. Determined. Electric guitar, strings, electronics & drums. | link drums distorted electric guitar disturbing | A | 137 | |||
|
Lost and Lonely Night [CEZ4139 - 15] |
2'56 | Mark Alberts | Bewitching & Wandering. Electric guitar, synths & drums. | sport drama social drama wandering post-rock | Em | 60 | ||||
|
Lost and Lonely Night 2 [CEZ4139 - 78] |
Alt. | 1'54 | Mark Alberts | Smooth & desolate. Electric guitar & synths. | airy desolate suspended atmosphere fx delay | Em | 62 | |||
|
Lost and Lonely Night 3 [CEZ4139 - 79] |
Alt. | 0'16 | Mark Alberts | Link. Desolate. Electric guitar. | link electric bass desolate social drama | Em | 67 | |||
|
Lost and Lonely Night 4 [CEZ4139 - 80] |
Alt. | 0'10 | Mark Alberts | Sting. Desolate. Electric guitar. | sting desolate distorted electric guitar instrumental | E | 65 | |||
|
Lost and Lonely Night 5 [CEZ4139 - 81] |
Alt. | 0'12 | Mark Alberts | Sting. Suspended. Electric guitar. | sting distorted electric guitar instrumental interrogative | Em | 98 | |||
|
El Arroyo [CCB1007 - 16] |
0 | 2'01 | Daniel Diaz, Raùl Barboza | Mysterious & insolite. Accordion, percussion & fx delay. | tropical forest panorama insidious mysterious | E | 94 | |||
|
Roco's Place [CEZ4128 - 5] |
0 | 1'35 | Mathias Delplanque | Electro lounge. Dilettante & disturbing. Electronics, vibraphone & | industry relentless percussive atmospheric | Cm | 130 | |||
|
Starting Over [CEZ4128 - 7] |
0 | 1'41 | Mathias Delplanque | Heavy & inevitable. Electronics, keyboard & rhythm. | social drama corporate video beds urban | Cm | 146 | |||
|
New Horizons [CEZ4128 - 8] |
0 | 2'38 | Nicolas Mizrachi, Jean-Francois Morin | Sad & disillusioned. Electric guitars, strings & rhythm. | social drama destiny tremolo beds | Am | 150 | |||
|
Maybe Tomorrow [CEZ4128 - 11] |
0 | 2'23 | Dominique Depret, Claire Vailler | Nonchalant & solitary. Electric guitars, electronics & rhythm. | glitch (texture) tremolo fx delay lazy | C | 70 | |||
|
Gun-Running [CEZ4126 - 14] |
0 | 2'46 | Christophe Zurfluh | Disturbing & tribal. Electronic percussion. 118 BPM. | beds urgent disturbing scansion | Dm | 118 | |||
|
Nevermore [CEZ4124 - 20] |
3'03 | Hugues Tabar-Nouval | Pensive but obstinate. String & woodwinds. | chamber orchestra oboe historical narrative driving | Am | 94 | ||||
|
Nevermore #2 [CEZ4124 - 40] |
Alt. | 1'23 | Hugues Tabar-Nouval | Pensive & refined. Cello, oboe & clarinet. | intimate impressionism country & garden delicate | Em | 82 | |||
|
A Grey Dawn [CEZ4124 - 31] |
0 | 0'47 | Cyrille Aufort | Desolate & interrogative. String orchestra & woodwinds. | string orchestra disturbing link destiny | Dm | 83 | |||
|
Naturel [CEZ4014 - 43] |
0 | 0'14 | Michel Redolfi | Link. Interrogative. Drone & violin. | sting link suspended atmosphere interrogative | C | 82 | |||
|
Why ? Why Not ? [CEZ4123 - 7] |
0 | 1'29 | Marc-Olivier Dupin | Introspective & poignant. Yiddish. Solo cello. | cello destiny Judaism Yiddish | A | 108 | |||
|
Hiver 1943 [CEO2018 - 20] |
2'22 | Marc-Olivier Dupin | Sinister & worrying. Piano & violin played tremolo. | historical conflict destiny scary sparse | Ebm | 62 | ||||
|
Hiver 1943 # 2 [CEO2018 - 21] |
Alt. | 2'06 | Marc-Olivier Dupin | desolated, worrying & sparse. Solo violin played tremolo. | sparse cold psychotic tremolo | Ebm | 72 | |||
|
Paris Occupé [CEO2018 - 22] |
0 | 1'43 | Marc-Olivier Dupin | Solemn & inexorable. Solo piano. | inexorable sinister social drama scary | Dm | 62 |