| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
The Critical Question [CEZ4702 - 9] |
2'32 | Louis Edlinger | Electronica bed. Suspenseful, discontinuous & aery. Synth & rhythm. | interrogative patient suspense airy | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 61] |
Alt. | 2'31 | Louis Edlinger | Alternate no bells. | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 62] |
Alt. | 2'31 | Louis Edlinger | Alternate version. | Dm | 162 | ||||
|
The Critical Question Edit 60
[CEZ4702 - 63] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 157 | ||||
|
The Critical Question Edit 30
[CEZ4702 - 64] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 156 | ||||
|
The Critical Question Edit 20
[CEZ4702 - 65] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 155 | ||||
|
The Critical Question Edit
[CEZ4702 - 66] |
Alt. | 0'13 | Louis Edlinger | Sting. | Dm | 155 | ||||
|
Undisclosed Source [CEZ4704 - 16] |
2'06 | Antoine Berquet | 70s jazz groove. Suspended, intriguing & insistent. Whistle, electric | mysterious relentless anticipation interrogative | Cm | 103 | ||||
|
Undisclosed Source Alternate 1 [CEZ4704 - 38] |
Alt. | 2'06 | Antoine Berquet | Alternate no whistle. | mysterious relentless anticipation interrogative | Cm | 103 | |||
|
Undisclosed Source Alternate 2 [CEZ4704 - 39] |
Alt. | 2'07 | Antoine Berquet | Alternate no fx. | mysterious relentless anticipation interrogative | Cm | 103 | |||
|
Undisclosed Source Alternate 3 [CEZ4704 - 40] |
Alt. | 2'07 | Antoine Berquet | Alternate no fx. | mysterious relentless anticipation interrogative | Cm | 103 | |||
|
Wonky Arrangement [CEZ4701 - 11] |
2'26 | Jérémy Dirat | Falsely suspicious, grating & boastful. Pizz, saxophone, woodwind | ironical & mischievous tragi-comic funny animation & cartoons | Dm | 112 | ||||
|
Wonky Arrangement Alternate [CEZ4701 - 24] |
Alt. | 2'26 | Jérémy Dirat | Version without percussion | ironical & mischievous tragi-comic funny animation & cartoons | Dm | 112 | |||
|
The Investigative Phase [CEG5061 - 2] |
2'23 | Jon Du | Cinematic. Shimmering keyboard, smooth bass, pizz string & pulse. | light tension science time-lapse cybernetics | Cm | 140 | ||||
|
The Investigative Phase
[CEG5061 - 14] |
Alt. | 2'22 | Jon Du | Version without percussion | light tension science time-lapse cybernetics | Cm | 140 | |||
|
The Investigative Phase
[CEG5061 - 15] |
Alt. | 2'23 | Jon Du | Underscore version | light tension science time-lapse cybernetics | Cm | 140 | |||
|
Insights [CEG5061 - 3] |
2'09 | Jérémy Dirat | Film score. Reflective, urgent & reflective. Running harp & pizz, | relentless urgent cinematic politics | Gm | 128 | ||||
|
Insights Alternate 1 [CEG5061 - 16] |
Alt. | 2'09 | Jérémy Dirat | Version without beat | relentless urgent cinematic politics | Gm | 128 | |||
|
Insights Alternate 2 [CEG5061 - 17] |
Alt. | 2'09 | Jérémy Dirat | Underscore version | relentless urgent cinematic politics | Gm | 128 | |||
|
Dogged Reporter [CEG5061 - 6] |
2'10 | Thomas Didier | Film score. Stubborn & suspicious. Pulsing, stealthy & suspenseful. | spy insidious suspense cinematic | A | 78 | ||||
|
Dogged Reporter Alternate 1 [CEG5061 - 22] |
Alt. | 2'10 | Thomas Didier | Version without percussion | spy insidious suspense cinematic | A | 79 | |||
|
Dogged Reporter Alternate 2 [CEG5061 - 23] |
Alt. | 2'10 | Thomas Didier | Underscore version | spy insidious suspense cinematic | A | 79 | |||
|
The Stringer Profession [CEG5061 - 7] |
2'27 | Jon Du | Cinematic. Broody intro. Suspicious, ethereal, evolving & dynamic. | cinematic investigation mysterious politics | Gm | 120 | ||||
|
The Stringer Profession
[CEG5061 - 24] |
Alt. | 2'27 | Jon Du | Version without percussion | cinematic investigation mysterious politics | Gm | 120 | |||
|
The Stringer Profession
[CEG5061 - 25] |
Alt. | 2'27 | Jon Du | Underscore version | cinematic investigation mysterious politics | Gm | 120 | |||
|
If You Dare [ISC118 - 10] |
2'42 | George Wilkinson | Neoclassical trailer. Atmospheric intro with soundscape & hits. | mysterious suspense trailer disturbing | Am | 108 | ||||
|
If You Dare Alternate 1 [ISC118 - 26] |
Alt. | 2'42 | George Wilkinson | Version without percussion | mysterious suspense trailer disturbing | Am | 108 | |||
|
If You Dare Alternate 2 [ISC118 - 27] |
Alt. | 2'42 | George Wilkinson | Version without strings | cinematic mysterious sound design suspense | Am | 108 | |||
|
Los Llanos [CEL7047 - 11] |
2'33 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Mysterious, narrative, exotic & suspenseful. 10-string guitar, | geopolitics investigation narrative interrogative | Am | 92 | ||||
|
Los Llanos Alternate [CEL7047 - 52] |
Alt. | 2'20 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version guitars only | geopolitics investigation narrative interrogative | Am | 92 | |||
|
Time are Changing - Electro
[CEZ4700 - 6] |
0 | 2'03 | Elisabeth Skornik, Guy Skornik | Electronic version. Reflective intro then serious & technological. | electronic score light tension steady investigation | Gbm | 64 | |||
|
Doubt and Resolution [CEZ4700 - 19] |
0 | 2'10 | Elisabeth Skornik, Guy Skornik | Neo-classical. First, expectant, interrogative & punctuated with | anticipation insidious suspense dramedy | Cm | 140 | |||
|
Twist of Fate [UBM2603 - 1] |
0 | 1'47 | Branimir Lovric | An unexpected twist shocks the audience, who are accustomed to cozy, | destiny dramedy ironical & mischievous interrogative | Bbm | 105 | |||
|
Secretive Manner [UBM2603 - 2] |
0 | 2'44 | Branimir Lovric | The whole small town is asleep?only in the vault of the local bank is | interrogative mysterious dramedy shy | F | 115 | |||
|
Cue On The Side [UBM2603 - 7] |
0 | 2'04 | Branimir Lovric | Minimalist, percussive track for zoo programs and children's shows. | interrogative mysterious driving ironical & mischievous | Dm | 100 | |||
|
Mysterious Recall [UBM2603 - 8] |
0 | 2'00 | Branimir Lovric | A vague answer, an uncertain situation. This hesitant track provides | police comedy investigation mysterious shy | Cm | 110 | |||
|
In the Bag [UBM2603 - 10] |
0 | 2'16 | Branimir Lovric | A secretive operation in Miniaturland. Shortly after midnight, | interrogative police comedy lazy insidious | Em | 100 | |||
|
Into a Headlong Rush [CEG5059 - 1] |
2'10 | Felix Halbe | Urgent, determined, impatient & stubborn. Atmospheric intro. Staccato | relentless cinematic psychological drama historical conflict | Gm | 108 | ||||
|
Into a Headlong Rush Alternate [CEG5059 - 13] |
Alt. | 2'10 | Felix Halbe | Version without SFX & percussion. | relentless cinematic psychological drama historical conflict | D | 108 | |||
|
Kosmische Musik Part 2 [AUD050 - 2] |
2'20 | Dominique Grimaldi | Kosmische Musik / Krautrock. 1970s. Dark, repetitive & . Analog | cyclic interrogative 1970 driving | C | 128 | ||||
|
Kosmische Musik Part 2 (Short
[AUD050 - 7] |
Alt. | 0'35 | Dominique Grimaldi | Short edit version. | cyclic interrogative 1970 driving | C | 129 | |||
|
Kosmische Musik Part 2 (No Fx) [AUD050 - 12] |
Alt. | 2'20 | Dominique Grimaldi | Version without fx. | cyclic interrogative 1970 driving | C | 128 | |||
|
False Light Theory [AMS5063 - 1] |
2'22 | Zoltan Zadori | Investigation underscore. Eerie, atmospheric & suspended. Piano, | anticipation suspense cinematic interrogative | Dm | 108 | ||||
|
False Light Theory Alternate 1 [AMS5063 - 9] |
Alt. | 2'22 | Zoltan Zadori | Version without percussion | suspense cinematic interrogative investigation | Dm | 108 | |||
|
False Light Theory Alternate 2 [AMS5063 - 10] |
Alt. | 2'22 | Zoltan Zadori | Bed version | suspense cinematic interrogative investigation | Dm | 108 | |||
|
False Light Theory Alternate 3 [AMS5063 - 11] |
Alt. | 2'22 | Zoltan Zadori | Underscore version | suspense cinematic interrogative investigation | Dm | 108 |