| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Blunted Scalpel [EOS22 - 1] |
0 | 2'36 | Eric Volpatti | Sound design. Interrogative, sad & cold. Piano, glitch & electronics. | sad cold desert desolate fx backwards | Em | 65 | |||
|
Oxygen Therapy [EOS22 - 3] |
0 | 3'30 | Eric Volpatti | Sound design. Suspended, urgent & constant. Synth, piano & | desolate fx backwards investigation mysterious | Ebm | 109 | |||
|
Profiler [CEZ4295 - 7] |
0 | 2'23 | Gabriel Saban, Philippe Briand | Trip hop / downtempo. Secret, desolate & dark. Electric guitar, synth | investigation spy downtempo social drama | Gm | 86 | |||
|
John Doe [CEZ4295 - 8] |
0 | 3'06 | Etienne Bouzy | Trip hop / downtempo. Melancholic, wandering & interrogative. | investigation downtempo social drama wandering | Em | 80 | |||
|
South Side Chicago [CEO2041 - 1] |
0 | 1'36 | Selma Mutal | Introspective, desolate & suspended. Piano & strings. | introspective social drama suspended atmosphere contemporary series | Dm | 91 | |||
|
Ghosts of War [CEZ4285 - 20] |
0 | 2'26 | Sebastijan Duh | Drone. Threatening & nocturnal. Electronics. | abyss fx reverb mysterious sci-fi | Am | 111 | |||
|
Displaced Population [CEZ4285 - 22] |
0 | 2'28 | Christophe Zurfluh | Accentuated & sad. Electronics & percussion. | historical conflict war (movies) sinister suspended atmosphere | Cm | 86 | |||
|
Marching to Hell [CEZ4285 - 24] |
0 | 1'55 | Gréco Casadesus, Gregory Cotti | Drone. War sound effects & muffled. Electronics. | toxic historical conflict abyss noise music | Cm | 98 | |||
|
Heartless Horizon [UBM2271 - 18] |
0 | 2'06 | Daniel Backes, Peter Moslener | Melancholic, slow, dull track. Creates a feeling of hopelessness. | desolate panorama electric bass hot desert | E | 81 | |||
|
White Clearing [UBM2267 - 8] |
0 | 2'16 | Karsten Lipp, Andre Matov | Slow tempo, beautiful piano piece, deep bass, leading track. | desolate suspended atmosphere airy social drama | D | 96 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Eerie Wind [UBM2266 - 6] |
0 | 1'27 | Achim Zweschper | Cold, dark sound that conveys the impression of a bitter wind. Saz. | hot desert desolate sound design beds | F | 88 | |||
|
Abandoned Site [UBM2266 - 11] |
0 | 2'48 | Achim Zweschper | Oppressive, gloomy track. Ideal to show isolated, lonely places. | mystical desolate rumbling beds | C | 100 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Seeing the Extent [UBM2266 - 20] |
0 | 3'01 | Achim Zweschper | Disillusion, concussion. Suitable for pictures of destruction. | desolate beds complex geopolitics | Gm | 88 | |||
|
Scary Darkness [UBM2266 - 21] |
0 | 3'04 | Achim Zweschper | Total eclipse and bleakness. Desperate, surrendering. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Loneliness [UBM2266 - 22] |
0 | 2'04 | Achim Zweschper | Dreary, sinister. The threat is omnipresent. Creepy ticking. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Dark Horizon [CEZ4279 - 15] |
0 | 2'41 | Claude Samard | Menacing & loud. Baryton guitar, pedal steel guitar & electronic pads. | road movie panorama arid docu fiction | Am | 75 |