| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Distant Lamentation [UBM2169 - 7] |
0 | 2'27 | Daniel Backes, Peter Moslener | Pizzicato and bowed cello tune with pads describes a desperate scene. | atmospheric desolate panorama panoramic | Dbm | 91 | |||
|
Whistling Forest [UBM2169 - 15] |
0 | 1'52 | Daniel Backes, Peter Moslener | Superspooky atmosphere with lonesome flutes and uncanny noises. | suspended atmosphere airy mysterious desolate | A | 100 | |||
|
Future Plant [UBM2169 - 16] |
0 | 1'54 | Daniel Backes, Peter Moslener | Synth pattern with rhythmical pads and airy pads in the background. | desolate fx heartbeat disturbing investigation | F | 140 | |||
|
Cul-De-Sac (Voice Edit) [CEZ4092 - 38] |
2'20 | Hoosky | Dark & haunting. Outro. Synth, samples, pitched voices & rhythm. | abyss muffled hypnotic relentless | C | 88 | ||||
|
Cul-De-Sac [CEZ4092 - 27] |
Alt. | 2'16 | Hoosky | Mysterious & uneasy. Steady beat with hand-claps & deep synth bass | abstract hip-hop investigation sport drama urban landscape | C | 88 | |||
|
Poison [CEV3022 - 17] |
0 | 1'49 | Marc-Olivier Dupin | Mysterious & solitary. Solo clarinet. | arts destiny wandering antiquity | Eb | 86 | |||
|
Antigone [CEV3022 - 24] |
0 | 2'35 | Marc-Olivier Dupin | Melancholic & solitary. Solo clarinet. | arts Twentieth century music desolate destiny | Gm | 62 | |||
|
Darkness on Water [CEV3021 - 8] |
0 | 2'20 | Mathias Delplanque | Mysterious & disquieting. Percussion & electro-acoustic. | atmospheric lost civilizations prehistory suspended atmosphere | Dbm | 93 | |||
|
The Cavern [CEV3021 - 21] |
0 | 1'19 | Piotr Moss | Sudden & scary. Percussion with reverb. | scary primitive art lost civilizations desolate | Gbm | 98 | |||
|
The Cold [CEV3021 - 39] |
0 | 2'22 | Hélène Breschand, Didier Petit | Menacing & desolate. Cello & harp. | lost civilizations natural disaster prehistory desolate | Am | 112 | |||
|
Land Art [CEZ4087 - 8] |
0 | 3'07 | Two Colors | Tintinnabulating but sombre. Electro acoustic. | spy humid electro organic paranormal | G | 86 | |||
|
The Last Soul [CEZ4081 - 36] |
0 | 1'17 | Pierre Bernard | Distant & stripped. Treated voice & percussion. | lost civilizations silence natural disaster suspended atmosphere | F | 72 | |||
|
Missing [CEZ4083 - 34] |
0 | 3'06 | Agnès Vesterman | Plaintive & poignant. Cello duo. | poignant suspended atmosphere historical movie tragic | Gbm | 111 | |||
|
Sonoran [CEZ4080 - 28] |
0 | 2'31 | Silvain Vanot | Wild open spaces. Airy & sparse. Classical guitar, fx & synth. | wandering hot desert flash back panorama | A | 112 | |||
|
Tarifa [CEZ4077 - 9] |
0 | 4'49 | Pierrick Hardy | Sad & solitary. Solo 12 string guitar. | narrative panorama moving melancholic | Em | 100 | |||
|
The Empty City [CEZ4074 - 24] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Frightening & desolate. | rumbling disturbing dissonant drone | Gm | 117 | |||
|
Waiting for Better Days [CEZ4074 - 30] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Suspended & uncertain. | social drama disturbing investigation sinister | C | 90 | |||
|
Foster Family [CEZ4067 - 21] |
0 | 1'15 | Silvain Vanot | Nostalgic & lonely. Piano & crystal organ. | intimate romantic melancholic sad | Fm | 99 | |||
|
Back to the Wall [CEZ4065 - 27] |
0 | 1'52 | Cyrille Aufort | Tragic, sad & tormented. String orchestra with piano. | historical narrative sad destiny narrative | Bm | 67 | |||
|
Regrets [CEZ4065 - 33] |
0 | 2'19 | Arnaud de Buchy | Introspective, moving & restrained. Clarinet & cellos. | natural disaster narrative romantic destiny | Bm | 72 | |||
|
Tu es Béni Seigneur 3 [CEV3004 - 7] |
0 | 1'58 | Bruno Letort | Inspired & tragical. A capella choir. Sung in Russian. | mystical funereal requiem a cappella | Ebm | 68 |