| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Cameraman [EOS18 - 18] |
0 | 2'00 | Damien Poupart-Taussat | Happy & carefree. Solo piano. | silent movie happy & joyful carefree changing | Am | 102 | |||
|
Made in Britain [CEZ4197 - 4] |
2'19 | Elisabeth Skornik, Guy Skornik | Beatles-ish. Bouncy & positive. Strings, guitar & brass ensemble @ | England 1960 carefree string orchestra | A | 89 | ||||
|
Made in Britain 2 [CEZ4197 - 23] |
Alt. | 2'18 | Elisabeth Skornik, Guy Skornik | Beatles-ish. Bouncy & positive. String ensemble. | England 1960 country & garden delicate | A | 89 | |||
|
Made in Britain 3 [CEZ4197 - 24] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Bouncy & positive. Piano, guitar & backward fx. | England 1960 arts & crafts carefree | A | 90 | |||
|
Modelization [CEZ4197 - 5] |
2'16 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. | science arts & crafts patient electric bass | D | 130 | ||||
|
Modelization 2 [CEZ4197 - 25] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | arts & crafts patient science electric bass | D | 130 | |||
|
Modelization 3 [CEZ4197 - 26] |
Alt. | 1'09 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums or | arts & crafts patient science electric bass | Dm | 130 | |||
|
Modelization 4 [CEZ4197 - 27] |
Alt. | 1'09 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | patient science arts & crafts electric bass | Dm | 130 | |||
|
Modelization 5 [CEZ4197 - 28] |
Alt. | 1'01 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | arts & crafts patient science electric bass | D | 130 | |||
|
Think Global, Act Local [CEZ4197 - 10] |
2'23 | Elisabeth Skornik, Guy Skornik | Precise & peaceful. Piano & electronics. Staccato strings @ 1'30. | restrained suspended atmosphere corporate video strict | A | 86 | ||||
|
Think Global, Act Local 2 [CEZ4197 - 39] |
Alt. | 1'48 | Elisabeth Skornik, Guy Skornik | Precise & peaceful. Electric keyboard & electronics. | restrained arts & crafts suspended atmosphere corporate video | A | 86 | |||
|
Burnout [MAG6008 - 4] |
2'31 | Powell | Shining & catchy. Synth & rhythm. | modern synthwave catchy driving | Bbm | 117 | ||||
|
Burnout (edit) [MAG6008 - 19] |
Alt. | 1'51 | Powell | Shining & catchy. Synth & rhythm. | modern California arpeggiator catchy | Bbm | 116 | |||
|
Slow Motion Number 9 [MAG6008 - 9] |
3'30 | Powell | Contemplative & nocturnal. Synth & rhythm. | modern luminous uplifting introduction | A | 72 | ||||
|
Slow Motion Number 9 (edit) [MAG6008 - 20] |
Alt. | 2'51 | Powell | Contemplative & nocturnal. Synth & rhythm. | modern California atmospheric luminous | Gbm | 72 | |||
|
Calling 81 [MAG6008 - 13] |
0 | 2'56 | Powell | Sparkling & turning. Synth & rhythm. | modern panoramic radiant cyclic | Eb | 136 | |||
|
Cycle Games [CEZ4196 - 2] |
0 | 2'27 | Eric Lohrer | Cyclic & confident. Electric guitar & bass @ 1'00. | steady cyclic electric guitar time-lapse | G | 119 | |||
|
Rock Fragmentation [CEZ4196 - 3] |
0 | 2'28 | Colo Colo | Mechanical & resolute. Electric guitar & electronics. | driving geopolitics electric guitar mechanical | Am | 120 | |||
|
Bamako - Banamba [CEZ4196 - 6] |
0 | 2'37 | Eric Lohrer | Turning & frantic. Electric guitar. Fx phasing @ 1'15. | cyclic driving fiery electric guitar | E | 140 | |||
|
Leaving Tucson [CEZ4195 - 7] |
0 | 2'54 | Colo Colo | Pensive but confident. Electric guitar & electronics @ 0'37. | wandering electric guitar introspective panoramic | D | 82 | |||
|
First Lights [MAG6007 - 4] |
0 | 1'20 | Hugo Lascoux | Arty & mellow. Nylon guitar samples & rhythm. | skits sting lazy relaxed | Db | 96 | |||
|
The Split [MAG6007 - 6] |
0 | 1'04 | Hugo Lascoux | Falling & easy. Acoustic guitar samples & rhythm. | skits interiors & cooking sting modern | Gm | 90 | |||
|
Lullabies [MAG6007 - 7] |
0 | 0'50 | Hugo Lascoux | Naive & sparkling. Samples, chimes & rhythm. | sample modern beat making mark tree | Bm | 95 | |||
|
The Love Gallery [MAG6006 - 4] |
0 | 2'50 | Rinôçérôse | Energic & catchy. Slowing down @ 1'26 Synth, electric guitar, bass & | electro funk fiery fashion open air | Gm | 122 | |||
|
While My Guitar Gently Funks [MAG6006 - 6] |
0 | 4'29 | Rinôçérôse | Luminous & determined. Synth, electric guitar, bass & rhythm. | solar introduction luminous danceable | Cm | 112 | |||
|
Back to Basics [MAG6006 - 9] |
0 | 3'07 | Rinôçérôse | Powerful & triumphant. Break @ 1'34. Synth, electric guitar, bass & | danceable opening credits TV team sport catchy | Em | 113 | |||
|
Getting on With It [CEZ4185 - 2] |
0 | 2'04 | Alain Vankenhove, Eric Daniel | Positive & carefree. Break @ 1'09. Trumpet, ukulele, percussions & | trumpet tracking shot driving carefree | D | 120 | |||
|
You Say You're Sorry [CEZ4193 - 20] |
2'35 | Pascal Macaigne | Confident & stimulating. Rock band with male singer.Lyrics | Manchester 1990 brit rock sung in English | G | 118 | ||||
|
You Say You're Sorry 2 [CEZ4193 - 39] |
Alt. | 2'35 | Pascal Macaigne | Confident & stimulating. Instrumental rock band. | England 1990 brit rock confident | G | 118 | |||
|
Oh La La [CEZ4192 - 7] |
2'58 | Sr Ortegon, Stan Galouo | Explicit Lyrics. Latin hip-hop sung in Spanglish. Cool & sexy. Male Lyrics | sung in spanglish exotic sensual male singer | F | 95 | ||||
|
Oh La La 2 [CEZ4192 - 21] |
Alt. | 2'58 | Sr Ortegon, Stan Galouo | Latin hip-hop.Cool & sexy. Guitar & rhythm. | exotic sensual latin hip hop relaxed | Gm | 95 |